.
Ominous yellow
a dark cloudy prelude to
opening heavens
.
by Scooj
Tag: UK
5837. M32 roundabout J3 (554)
I mentioned a little while back in a Minto post that we were likely to see a lot more of his work, and indeed that is exactly the case. There is something quite unique in the way that Minto combines his letters with characters or scenes to build up a story, and this one is a very green story.
The letters spell out, unsurprisingly, the word MINTO, and contains three or four faces sort of organically melded into the letters. To the right, the end face reminds me of the faces on the trains and other vehicles in the Thomas the Tank Engine books, but maybe that is just me. This is a nicely thought out and painted piece from Minto.
5836. St Werburghs tunnel (407)
It is great to see the PWA crew continuing their high-energy and frequent collaborations into 2024, although I dread to think how much money has been spent on spray paint by the team already this year. This is a tidy collaboration squeezed into the end wall of St Werburghs tunnel, united by a chrome and blue colour scheme. The piece, painted on a common background, is by Face 1st, Zake and Chill.
To the left Face 1st with a couple of happy ‘rag doll’ girls, one of them falling from the sky, contributing both fun and movement to the collaboration. In the middle Zake has painted one of his characteristic faces, full of texture and depth created by clever use of light and dark shading, and Chill rounds off the piece with a cartoon character, looking a little worse for wear, painted in his illustrative tattoo style, and rounded off with a couple of little birds in the corner. Great work from PWA.
5835. M32 Cycle path (251)
This is not the first time that Slakarts has painted this flaky board, and I suspect it won’t be the last time either. I think it would be fair to say that Slakarts is now a rather occasional painter of Bristol’s walls compared with a couple of years ago, and this is a bit of a pity. I guess that it means he has less time to paint, which implies that he is busy with other things, which is probably a good thing.
The stylised cartoon face that Slakarts has painted is rather more colourful than some of his earlier versions, but the same basic design remains, which is comforting in a way, perhaps more so knowing that he is capable of painting other things too. The flaky nature of the board makes pieces painted on it look rather old, but in actual fact this was quite freshly painted. I’ll be hoping for more from Slakarts as the year unfolds.
5834. M32 roundabout J3 (553)
On return from a week out of Bristol, the first piece I came across was this double-header by Stivs, which was a bit of a treat. A few days later, I was lucky enough to run into Stivs, on the other side of the roundabout and he told me that before he wrote STIVS, he used to write CRAP or variants of it, and that these two pieces are in recognition of that.
It looks like Stivs is enjoying some dayglo colours, giving his formal calligraffiti style letters a bit of a 1980s vibe. The first piece, I think, reads KRAP, which is slightly amusing because the word is at odds with the fine writing. Another artist who has done something similar in the past is Turoe, with his shite/shyte pieces.
The second piece is perhaps a little easier to read. I am glad to see that my dog’s rear end has managed to make it into the shot, just as a reminder that he is with me 99% of the time when I am photographing street/graffiti art. I expect lots more to come from Stivs this year, especially as he now lives a little closer to this spot.
Lifebelt
.
On the horizon
reduced hours, then retirement
getting my life back
.
by Scooj
5833. Peel Street Green (27)
Mr Klue has definitely woken from his winter slumbers and is doing what he does so well, and decorating the walls of Bristol with his unique abstract ethereal letters. I am not too sure though that I have ever seen a piece of his on this wall before, and it is nice to see him break away from the security of his favourite spot in the tunnel.
I suspect that Mr Klue has a large stock of blue, green and white tints, as his last three pieces have all had very similar colour schemes. The letters spell, as usual, KLUE, but are so very well disguised. I am guessing, and hoping, that this early year flurry of pieces extends well into 2024.
5832. M32 roundabout J3 (52)
There was no stopping Hemper during the Covid period, but now things have returned to relative normality, his productivity has fallen back considerably, which makes it extra special when he does get out and paint one of his stunning burners.
This is a wonderful piece of graffiti writing bursting with colour and energy, spelling out the letters DRAPE, which I am guessing is a shout-out, rather than a tribute. Each letter in this piece has been given a different colour treatment and fill patterns. There is lots to look at and enjoy in this skilfully pulled together writing.
5831. Purdown (67)
I think I have met Jevoissoul only once, and we had a great discussion about his emergence on the scene and his likely direction of travel. He told me at that point that he had ambitions to be very busy and to paint all over Bristol. Fast-track a few months, and he appears to be realising his plans, with new pieces popping up all over the place.
This typical piece is on one of the square concrete slabs of the WWII gun emplacement at the top of the hill at Purdown, with commanding views across Bristol. The picassoesque character is clutching a rather large joint from which a slug of smoke wafts upwards. I like Jevoissoul’s work and I would like to see him develop his ideas to create new scenarios. I’m sure this will come in time.
5830. St Mark’s Avenue (11)
For a little while, now, I have been aware that Phour has been painting with a new companion, Mates. Their combinations can be seen in walls and fences all around Bristol, but I think that this is the first post with both of them on Natural Adventures.
This collaborative wall is themed with chrome lettering on a red background. Phour, painting his distinctive and clean letters in a way that is very pleasing on the eye, kicks things off in this straightforward piece. Judging from the little bit of greenery in the letter ‘O’, I would guess that the piece has been here for a little while.
To the right, Mates makes his debut on Natural Adventures with some very nice letter shapes in chrome, with a black drop shadow on the red background. The letter design feels very familiar, and reminds me of the kinds of fonts you would see in children’s comics like Beano, The Dandy, Beezer and so on. Watch this space for more from this pairing.
Natural adventures 