Prolonged dry weather,
as we call it in the trade,
set to hang about.
by Scooj
Prolonged dry weather,
as we call it in the trade,
set to hang about.
by Scooj
As Whysayit pieces go, this really is a first class one. Sprayed on what is probably the premium wall at Deaners, it oozes with confidence and colour. I think what really marks this out from his other work, is that he has taken a bit of time to prepare a backwash, and it definitely helps the writing to stand out.

I liked this piece from the moment I saw it, and although it didn’t last long (nothing much does here) I’m glad I got to see it.

Something fresh and new in Bristol. As you will know by now, I am a big fan of wheatpastes, so when I saw this I had a small pang of excitement. In fact it turned out to be the first of four I found on my home. It is by qWeRT, a wheatpaster based in London, who must have had a mini-break in Bristol and left a few ‘presents’.

This colourful happy piece appeared to have been here a little while as one bit was starting to peel off – I can’t believe I have not seen it before though. Since Kid Crayon moved onto spraying, I have missed my fix of paste ups. Discovering the work of qWeRT has quenched my thirst a little.
Tuesday 2 May was something of a special day. I took a lunchtime walk to Dean Lane, and was lucky enough to come across an artist spraying a large buck-toothed bunny. This was a significant moment, because I have taken several pictures of this bunny about the place, but never posted it because I didn’t know who it was by.
This was my chance – I asked if he minded if I took a picture and I had a chat with him. Turns out he is Hire (pronounced ‘he ray’) and comes from Poland and sometimes paints with Laic217 (who he told me is also Polish). So now the piece I recently posted by the pair of them makes more sense.

So here is a toothy bunny from a little while ago from The Bearpit, and guess what…it is by Hire. You would not believe how many google searches I have done for street art bunnies/rabbits/graffiti/buck-teeth/scary and so on. Nothing, not a dicky bird. Anyhow it doesn’t matter anymore.

Feast your eyes on this bunny and enjoy. There will be more dredged from the archives soon.
On the allotment
Heath Robinson contraptions
harvest rainwater.
by Scooj
I was in two minds about posting about this Laic217 piece, because it is so unlike anything I have seen from him before, and something of a departure from the trajectory he has been on recently. I am not too sure also that I like it very much…it might be something to do with the insipid colours. But hey this blog isn’t just about what I like, it is about what I see.

Actually, now that I am scrutinising it a little more thoroughly, there is quite a lot here to like. The animal, the alien in a spaceship over eyes and the customary brick wall. I guess the monochrome approach is something I’ve not seen before from this artist (spoiler alert…but I have seen since).

Not the best, but still something rather compelling about his work, and how much has he improved over the last year?
Elongated sweet
smelling purple blooms cascade
from the balustrade.
by Scooj
Street art and graffiti can often tell a story about the ever-evolving scene. The original piece by Angus, which is one of his favourite stencil concepts was sprayed as part of the paint jam in the Bearpit over Easter.

Angus had completed the work by the time I got down there, but it was still in pristine condition. Now, I understand that taggers really have very little time for stencil art, and don’t take long to spoil it, or ‘add’ to it with their own scrawlings and witticisms. By the time I went back the next day there were already quite a few tags on the piece.

How brilliant then, that Dice 67 went the extra mile and augmented the piece with a fabulous stencil of his daughter spraying the words ‘I must not write on the walls’. How brilliant is that – a living piece that takes a pop at taggers, but in a really clever way, and sets the piece off beautifully. Evolution.

Sirens is an artist that I have only recently come across, and I have to say that on both occasions I have met him, I really enjoyed our conversations and what he has to say about his art.

His work is on the fine art side of the spectrum, and it is possible to see that there might be numerous influences in his work. This piece, again of an industrial environment is in one of the tunnels of The Bearpit, and offers both a depressing scene, and also an uplifting one in the single work. I like his style, and believe he is still developing, so I await further appearances and opportunities to chat.
.
Civic flowerbeds
neglected; casualties
of budget cutbacks.
.
by Scooj