It is always great to see work by Inkie, but especially so when outside Bristol, it feels like a home from home. This is an outstanding piece of writing with some flat pink, stylised portraits and silhouetted urban landscape in the background.
Inkie, High Street, Leicester, July 2024
The letters BTP, which form a kind of print backdrop, stand for Bring the Paint, a street art festival hosted in Leicester every now and again. This piece was painted by Inkie for this year’s festival, and accompanies others that he has painted in previous festivals here. This a really nice, tight graffiti writing, and a superb example of Inkie’s work.
I am quite fortunate that my job takes me around the country from time to time, and I get to visit different cities. Of course, while I am passing by, I never pass up the opportunity to stroll about the place and take a few photographs. I have visited Leicester twice recently. Once before the Bring the Paint 2024 festival, and once afterwards. These pictures were taken afterwards, so the pieces are recent – unlike many pictures that I take as a visitor, which are often of old pieces. This is a fabulous collaboration from Philth and N4T4, who have teamed up at Upfest on several occasions.
Philth, High Street, Leicester, July 2024
Philth is known for his large floral repeating pattern pieces, which remind me so much of my childhood in the 1970s and the rebirth of elaborate wallpaper, mimicking our Victorian predecessors. This piece, in sumptuous colours is absolutely stunning and would look amazing if scaled up onto a larger wall, revealing more of the repetition.
N4T4, Leicester, High Street, July 2024
This gorgeous portrait is by N4T4, who, like Philth, is no stranger to Natural Adventures. There are actually two musicians featured in the piece, Gladys Knight (spelling?) and Jon1st, both painted with N4T4’s unusual patterning style that underpins and adds vibrancy to his work. A special and beautiful collaboration on the High Street for shoppers and visitors to enjoy.
I have encountered many pieces on the concrete walls at the WWII gun emplacement in Purdown by artists I have never heard of before, and some never since. I believe that this is the first time I have seen anything by Noods, and given that he operates out of Berlin/Glasgow, I’m not sure if I will see anything of his again.
Noods, Purdown, Bristol, July 2024
This silhouette piece relies almost entirely on shadows cast to create depth and interest. I don’t know why, but it reminds me a little of the work of Giorgio de Chirico, I think it must be the shadows. There is a lot of atmosphere and drama in the piece, but an absence of movement, perhaps another de Chiricoesque feature. Nice one.
This wall on the side of the Veeez shop is becoming something of an advertising hoarding for the shop’s wares and events, and offers an opportunity for artists to paint a legal wall. It comes at the cost of painting an advert, and regular readers will know that that doesn’t sit all that comfortably with me.
Cheo, North Street, Bristol, July 2024
I am a hypocrite if nothing else, and couldn’t pass up the opportunity to share this advertisement by Cheo, mainly because it is by Cheo. Everything about Cheo’s work is pretty close to perfection. His compositions are always on point, and his artwork execution exceptional. He is at the very top of his game, and seems to be painting a little more often lately.
What better way to start the day than with a nice, crisp chrome piece from Nips. What a pity I didn’t get there before the tagger, but that is all part of the way of life in this jungle. Everyone knows what the rules are, and whatever existing rules can be broken at any time by anyone.
Nips, M32 Cycle path, Bristol, July 2024
There is an uncomplicatedness about this piece that speaks of an artist who is comfortable with their work. No need to embellish or over-decorate. Sometimes less is more, and I would suggest that is the case here. I haven’t yet met Nips, and look forward to the day when I might just be in the right place at the right time to do so.
Conrico has been so productively lately with commissions, painting walls and the Cheltenham Paint Festival. It is lucky really that he is so passionate about what he does and that he really enjoys it. He is currently going full tilt on his Japanese influenced pieces, including this lovely landscape/writing combo.
Conrico, New Stadium Road, Bristol, July 2024
Conrico has a great story behind his moniker, which is essentially a school corruption of his name which has stuck, a bit like Scooj which I use as my pseudonym. The letters CONRICO are dominant in this piece and are influenced by the katakana alphabet, and float over a stunning landscape of a snow-clad volcano (Fuji?) and cherry blossoms in the foreground. A wonderful piece.
Awkward, Fade and Dibz, Dean Lane, Bristol, July 2024
The FUA (From Up Above) boys are at it again, although this time they are joined by Awkward, and have opted for a smaller wall for this collaboration. In this piece we see our two main protagonists getting closer and closer to fusion in their work.
Fade and Dibz, Dean Lane, Bristol, July 2024
Fade on the left and Dibz on the right have opted to use the same colours, 3D drop shadow, decorations and background, and it is only their stylistic differences that separate them. Dibz’ work tends to be a little bit more angular than the smoother edges of Fade. The colour transitions in the fills are excellent in both halves.
Awkward, Dean Lane, Bristol, July 2024Awkward, Dean Lane, Bristol, July 2024
The central piece is book-ended by two characters by Awkward, who has painted with Dibz and Fade in Dean Lane not all that long ago. Messages contained in the speech bubbles are ‘roll the dice’, ‘Awkward’ and ‘Stop the war’. The characters look typically alarmed/animated with their exaggerated eyes and wobbly outlines. A rather nice collaboration from the three artists.
This intriguing piece presented me with a bit of a riddle, until I paid proper attention to it. Sentinel 793 is the musical alter ego of Benjimagnetic, and this piece featured on his Instagram feed as a prop for his music, combining his two passions/talents.
Benjimagnetic, St Werburghs, Bristol, July 2024
It is definitely a departure from his usual work, and takes an original idea and presents it really well. The name of the track (I guess) is ‘Some things change’, which accounts for all the small writing that makes up the whole 793. I like the way the 793 numbers interlock and slightly stand out from the wall with the skilful application of white shaded borders. Something a little unusual.
It is nice to be able to single out a piece by Chill, without having to share the post with other PWA crew artists, which is usually the case. It feels like a while ago when I first came across Chill’s cartoon character work, in St Werburghs tunnel, if I recall correctly. Back then, he tended to work in black and white with a red background. Over the months and years he has massively developed his characters, his colours his detailed background accessories, and continues to grow with each new piece, which cannot be said for all artists, for sure.
Chill, M32 roundabout, Bristol, July 2024
I wouldn’t say that this was my favourite piece that Chill has painted, but it carries all the hallmarks of the tattoo artist. The black lines (ink lines) create plenty of detail around the ear and eyes. The eyes themselves are interestingly presented where the pupils have a wedge cut out of them and there are larger white circles above them, which in this piece I don’t think work all that well. There is plenty of colour dividing up the different elements of the face, which really is a huge contrast from his early pieces. Nice and slightly weird work painted alongside Zake’s equally weird piece posted a few days ago.
Kid Crayon and I Am Ian, Cumberland Basin, Bristol, July 2024
One of the really enjoyable things about this summer has been the re-emergence of Kid Crayon and his painting partner, I Am Ian. They have collaborated several times recently, with their blend of colourful writing and cartoon-style characters. This piece is what I would call a ‘true’ collaboration, where it becomes difficult to determine exactly who painted which bits.
Kid Crayon and I Am Ian, Cumberland Basin, Bristol, July 2024
I don’t know I Am Ian to be a writer, so I guess that the letters are by Kid Crayon, as is the character on the left, I think. Although both characters are very similar in style, I think that the one on the right might be by I Am Ian. The whole piece is a fantastical mickey-take of the Cabbage Patch Dolls, turning them into a drug gang, ‘the Cabbage Patch Cartel’. Both mischievous and witty and great fun. More to come soon from these two.
Natural adventures 