Sometimes it is better not to write too much about a piece, especially when it is this good. Smak posted this on Instagram and said what a banging board this is, and I quite agree. Hats off to whoever erected it under the M32.
This writing is close to perfect and there is something that is extra good about it, it might be the choice of vibrant and contrasting colours. Anyhow it is simply a really good example of how great technical graffiti writing can be.
A gallery of fabulous work from the amazingly talented Rezwonk (Rezer). All pictures by Scooj.
It is strange how you can notice something for the first time and then start wondering how long the thing you have just noticed has been there, and so it is with this Sepr commission on the facia sign for Filthy XIII just near the arches on Gloucester Road.
On a wet walk to work I spotted this piece and was really rather taken by it. As with all Sepr pieces, the cartoon style character, looking like an illustration from the 1960s is part of an unfolding story involving a dog and some birds and drink.
I don’t think I’ll ever get bored of Sepr’s work and my only criticism is that I just don’t get to see enough of it. At least I can enjoy this one every time I walk to work.
Another lovely portrait piece from Lobe, taken through railings at the M32 Spot. You can see the chanelled River Frome behind the pillar. The river passes under the city centre in a culvert, beneath Cabots Circus and Broadmead shopping centres, beneath the old fire station, beneath the fountains in the centre, along towards the Arnolfini, then it is siphoned underneath the floating harbour before eventually discharging into the New Cut. If only Bristolians knew what lies only a couple of meters beneath their feet.
Back to the art and this wonderful face in the typical style of Lobe, that is with thick bold black outlines and strong fills in only two or three shades. I’m not sure if those are eyes or half-moon spectacles. If they are the latter, then they are upside down. More from Lobe to come.
I first met Sirens a few years ago in The Bearpit when he was contributing to a paint jam, I think organised by Georgie. I have had a soft spot for his work ever since. His scenes are most unconventional and unlike anything else you see in the city. Often his work contains strong horizons and vanishing points and that interface between humanity and nature.
I also know that Sirens enjoys the chalenge of painting in corners, a form of anamorphic art that needs to be viewed from a certain angle in order to make sense. This naive style is instantly recognisable and although not technically up there with some of the Bristol masters, it is original and in a way aesthetically pleasing. I haven’t seen any of his work for ages so it was great to find this one at the tunnel.
Just outside St Werburghs tunnel there are several caravans and mobile homes, which give the area something of a distinctive character. It seems to be a situation that the local residents, council and police put up with, although one never knows how long patience will last. Several of the vehicles get little make-overs every now and again, and this little caravan has been decorated by Minto.
This is a particularly nice caravan pieve, as sometimes they can look a little perfunctory or rushed, but not this one, it is a beauty. I haven’t seen too much of Minto’s work, which I guess is because although he lived in Bristol for a while, he now lives in London and I imagine only visits from time to time. Great to have this mobile piece though.
In one of his favourite spots, Face 1st recently painted this ‘traditional’ Face 1st piece of a girl’s face surrounded by big hair spelling out Face. In this one there is a rather toxic-looking gunge dripping from the letters, but the girl seems to be pretty happy about it.
Although this area is being gentrified and several blocks adjacent to Moon Street have been levelled, it still remains one of my favourite places to hunt for street art.
What a fantastic piece by Sepr this is, and I totally missed it. The wall on the side of The Bell pub has played host to a piece by Sepr before which I posted way back in May 2016, but when I returned some time last year it had been painted over, and I wondered whether the landlords had had enough of street art on their pub.
I was passing by that way recently and to my complete surprise and joy this ‘new’ and outstanding mural has taken the place of the old one. I asked a lady who came out of the back door of the pub if it was new and she said that it had been painted in June 2019, I thanked her, and felt rather useless that as a chronicler of Bristol street art I had completely missed this one. The story has a happy ending in so much as I did find it in the end and it looks as good as new.
The brilliance of Sepr never seems to dwindle and his story telling through art is quite remarkable. A group of criminal cats have been on a banana robbery and in their attempt to escape have driven in to some police, depcited as pigs of course, and there are bananas spilling out all over the place.
Make no mistake, I love, love, love this piece and what a treat to find it.
Mr Klue is going through a productive and creative patch at the moment, and it is a real pleasure to see his work springing up all over the place. This large piece in the tunnel at St Werburghs is a bit of a feast for the eyes.
Unfortunately, the light in the tunnel has goofed up the colours a bit and a car was parked in a place where I couldn’t swing to the right to get more natural light on the image. Why do people park in the tunnel? Sadly I can’t go back to get more pictures, because it has already gone. Turnover in the tunnel is so high at the moment, probably because we have had so much rain.
The piece itself is classic Mr Klue fare with the added bonus of a character and his top hat, most likely influenced by Carroll’s mad hatter. Mr Klue has used this imagery several times in his murals and it adds another layer of mystery to his abstract work. A grand piece.
Well, he’s on fire really isn’t he? Each time I do my rounds of well known street art spots there seems to be a Smak piece lurking there somewhere. This relatively recent one is bang in the middle of St Werburghs tunnel. I am quite pleased that the photograph has come out reasonably well considering the dire light conditions there.
This has all the elements of a typically technically brilliant Smak piece. Sensational design and lines, clean and tidy, wonderful 3D and fill work. I’m not sure he ever has a ‘bad hair day’ and if he does, I’ve yet to see it.
Natural adventures 