Tag: Urban

Thursday doors

Door 38

Cabot doors 002 29 June 2018

This week I thought I’d take you on a little tour to one of the very special places in Bristol, Cabot Tower on Brandon Hill. The Thursday door is a bit of an excuse really to share something that lies behind the door, so door specialists had better lower their expectations. To all those who are keen to know who discovered the coast of North America in 1497, read on…

Cabot doors 025 29 June 2018

Cabot Tower was built in 1897/98 to commemorate the fourth centenary of John Cabot’s (Giovanni Caboto) discovery of the coast of North America under the commission of Henry VII of England. John Cabot set out from Bristol on the 2 May 1497 on The Matthew with 18 crew members and made landfall in Newfoundland on 24 June that same yesy. What a voyage that must have been on this tiny ship.

Cabot doors 003 29 June 2018

There are several plaques on the outside of the tower that offer some historuical context.

Cabot doors 005 29 June 2018

This is the foundation stone.

Cabot doors 006 29 June 2018

Ok, so here are some doors… this is the rather underwhelming door immediately inside the tower – I expect it was once the kiosk, but now the tower is un-manned and permanently open to the public. The steep spiral staircase starts to the left.

Cabot doors 008 29 June 2018

Another door, this one without glass, opens out at the first stage with three balconies looking out to the South, West and East.

Cabot doors 010 29 June 2018

The reason for climbing the stairs is to take in the breathtaking views of Bristol. This is looking south and the building with the green roof immediately after the park is where I work.

Cabot doors 011 29 June 2018

Zooming in a little to the South West you can see I. K. Brunel’s SS Great Britain in its permanent dry dock. The little cottage just at the stern of the ship is the building that Brunel worked from.

Cabot doors 014 29 June 2018

Another of Brunel’s extraordinary landmarks, the Clifton Suspension Bridge, can be seen to the West and spans across the Avon Gorge, through which Cabot would have sailed all those centuries ago.

Cabot doors 020 29 June 2018

Serendipitously, the modern replica of Cabot’s Matthew was motoring around the floating Harbour, just as I reached the top of the tower. It is a very small boat to be crossing the Atlantic in.

Cabot doors 021 29 June 2018

Then to the door back down…

Cabot doors 023 29 June 2018

And the slightly tatty and scary stairwell.

 

by Scooj

More doors at: Thursday Doors – Norm 2.0

1576. M32 roundabout J3 (89)

I haven’t seen a new Voyder piece for ages, so was very excited when I knew this one had been painted at the M32 roundabout. Unfortunately this is one of the spots that is obscured by the sun and shade effect from the adjacent trees. Now I love trees as much as the next man, but not when they do this to sensational graffiti art works like this one.

Voyder, M32 roundabout, Bristol, June 2018
Voyder, M32 roundabout, Bristol, June 2018

Even with the variable light conditions on this piece it is possible to see the sheer excellence of this top writers talent. Once again we see a return of his neon squiggle that he draws so perfectly and balances off the whole piece of writing. I have run out of superlatives to describe just how good this guy is – perhaps it is just better to look and marvel.

1575. Dean Lane skate park (140)

This is what you get when you pair up two of Bristol’s finest writers and character artists, Dibz and Cheo.THis is a supreme collaboration with Dibz supplying the writing and Cheo paint

Dibz and Cheo, Dean Lane, Bristol, June 2018
Dibz and Cheo, Dean Lane, Bristol, June 2018

 

The whole piece is extra sharp and just amazingly well painted and I love the way thet Goofy almost seems to lean out of the wall, a hip hop goofy at that fully kitted out with medallion and baseball cap.

Dibz and Cheo, Dean Lane, Bristol, June 2018
Dibz and Cheo, Dean Lane, Bristol, June 2018

I managed to get down to see this piece quite quickly, but the margins had already been tagged – I think that might be a naughty Oner tag in the top left. Typical Bristol brilliance for all to see.

 

1574. Moon Street (47)

When I saw this piece on Face 1st’s Instagram feed, I knew I had to get down to Moon Street straight away to find it. Find it I did, and I think it is probably in my top 3 all time Face 1st pieces.

Face 1st, Moon Street, Bristol, June 2018
Face 1st, Moon Street, Bristol, June 2018

There is so much to like – rarely, if ever, have I seen more than a face in any of his characters…and here we have the full body complete with frilly pink knickers. The soft colours and tones contrast wildly with the bold graffiti aurrounding the piece, making it stand out from the crowd – it is nicely framed in the doorway.

Face 1st, Moon Street, Bristol, June 2018
Face 1st, Moon Street, Bristol, June 2018

Face 1st has always a productive artist, but recently he appears to have gone into overdrive, and he seems to be collaborating a lot too. I’m not sure where this new lease of life has come from, but whatever the reason I love it.

1573. Dean Lane skate park (139)

I am really enjoying the work of Oner at the moment. He is certainly prolific and is capable of slapping up quick throw ups as well as taking a little more time to create some rather nice writing like this piece in Dean Lane.

Oner, Dean Lane, Bristol, June 2018
Oner, Dean Lane, Bristol, June 2018

There is something very easy on the eye about this writing, maybe it is the cartoon style or the colours or the fill styles and patterns, but whatever it is I really like it. At his best, which in my opinion this piece is, Oner is capable of turning out some really great work.

1572. Raleigh Road, Tobacco Factory (12)

Every year in May, Stephen Quick organises a live paint jam at the Tobacco Factory Sunday market and invites along a bunch of friends to paint with him. Somehow I managed to miss it this year, which is a pity, but I did manage to get down eventually to see the results.

Lemak, Raleigh Road, Bristol, June 2018
Lemak, Raleigh Road, Bristol, June 2018

This is a fabulous multi-layered stencil from Lemak who creates these incredible pop-culture pieces. This one is of the legendary Jean-Michel Basquiat whose place in street art history is hugely significant. The crowns around the piece honour the subject as the king. Crowns denote the respect in which a particular artist is held and tend to be reserved for the upper echelons of the street graffiti/art scene.

Lemak, Raleigh Road, Bristol, June 2018
Lemak, Raleigh Road, Bristol, June 2018

It is a while since I last saw a new piece from Lemak (I think he has been busy in his studio) so it was great to see this one. The quality of his work is really out of the top drawer.

1571. M32 roundabout J3 (88)

What a lovely collaboration between two artists that are highly regarded in Bristol, but whose work I don’t often get to see, Ulow and Hemper. The character on the left is by Ulow and is expertly painted. It is impossible not to marvel at the subtle shades he uses and the folds in the material – a sophisticated cartoon style character.

Hemper, M32 roundabout, Bristol, June 2018
Hemper, M32 roundabout, Bristol, June 2018

On the right is a wonderful piece of writing from the master Hemper. I wonder if he needed an extra foot of height on this wall. I have found it hard to find out too much about Hemper, but keep coming across his work from time to time. I have found the best way to find out more about the artists is through a serendipitous meeting while they are at work. This has not yet happened between me and Hemper, although it has with Ulow.

Ulow and Hemper, M32 roundabout, Bristol, June 2018
Ulow and Hemper, M32 roundabout, Bristol, June 2018

1570. The Bearpit (150)

I have been looking forward to Nevla ‘going big’ and hitting The Bearpit … and with this joyful piece he has done both. The first time I saw this piece it was covered, rather unhelpfully, in posters. In an Instagram exchange Nevla informed me that the posters had been removed, so I went back again to get some ‘clean’ pictures of the piece.

Nevla, The Bearpit, Bristol, June 2018
Nevla, The Bearpit, Bristol, June 2018

The whole thing is a bit quirky, but I absolutely love it. An old man in a coat and top hat is not the sort of person you expect to be saying ‘I love you‘, it is strange and thought provoking. I love the other text boxes too ‘it’s unusual‘ and ‘smells nice innit‘ – what on earth is that all about?

Nevla, The Bearpit, Bristol, June 2018
Nevla, The Bearpit, Bristol, June 2018

Nevla’s whole piece in cartoon style is in his typical grayscale shades and nicely highlighted with a red surround. I really do like his work and hope that this piece is a gateway to more exposure and bigger and better walls.

1569. M32 roundabout J3 (87)

I love the sunny spell we have been enjoying in Bristol except for two things. The first is that there is a water supply leak on my allotment and the Council have turned off the mains supply. That means no water, which means no vegetables and I am pretty upset about it. The second thing is the shadows cast by trees and buildings, making street art photography really tiresome at some sites.

This side of the M32 is a case in point and on the day and time I visited, several of the excellent pieces were partially obscured by dappled shade from the trees. Cameras don’t like dappled shade. This burner by Soker was only affected at the far right hand edge.

 

Soker consistently turns out incredible work and this colourful writing continues the trend. There is a lot of detail and care that has gone into this piece. Even if you are not a fan of graffiti writing, it is possible to appreciate the technical quality of work like this.

 

1568. Raleigh Road, Tobacco Factory (11)

I first became aware of Stephen Quick’s work only a few metres from this spot with his fabulous kiss between Carrie Fisher and Harrison Ford. To this day I am a big fan of his intricate stencils featuring contemporary stars and icons in familiar poses with a commentary twist.

Stephen Quick, Raleigh Road, Bristol, June 2018
Stephen Quick, Raleigh Road, Bristol, June 2018

This piece, a representation of the damage done to the reputation of Facebook in the light of recent scandals, brilliantly portrays the difficulties facing the company. I don’t know if it is intentional or not, but as if to rub salt into the wound, Quick has added his Twitter and Instagram account details at the bottom of the piece in the corporate colour of Facebook. Hah!

Stephen Quick, Raleigh Road, Bristol, June 2018
Stephen Quick, Raleigh Road, Bristol, June 2018

It is not only the witty content of his work that I am attracted to but it is the brilliant technical approach to his multi-layered pieces that amazes. He posts a lot of videos and pictures of his pieces in production on his website, Splintered Studios, and I thoroughly recommend a visit. All good.