.
In the sun
the boys play football
the sky blues
play at home
against the claret and blues;
Sunday league football.
.
by Scooj
My first shadorma.
.
In the sun
the boys play football
the sky blues
play at home
against the claret and blues;
Sunday league football.
.
by Scooj
My first shadorma.
Somewhat reminiscent of Banksy’s work or Unify or JPS, this lovely piece by Dotmaster Is just about perfect for this wall. Situated under a camden council sign stating ‘bill stickers will be prosecuted’. The corny old joke suggests that graffiti under the sign should read ‘Bill Stickers is innocent’ but the joke is a hundred years old.

This beautifully executed piece presents us with a naughty child spraying that most sacred of images, a heart, on the wall. A picture within a picture. I love this and pretty much everything about it, but I know little or nothing about the artist, but his biography on his website gives you a flavour. I love his comment:
‘There is NO subculture ONLY subversion.‘
Now this is a beautiful recent piece by Jody, and make no mistake I rate this extremely highly. I am however slightly conflicted by its placement. As part of Government public spending cuts, Local Authorities have had to make some difficult choices. Closing under-used libraries has been one way of reducing costs, and generating income from sale of the land. This hoarding has been erected around the building site that was formerly the library.
I am not particularly conflicted about any of that though, my issue is that the construction firm have gone out of their way (it seems) to avoid attracting graffiti to the hoardings (in an area where hoardings quickly become ‘decorated’). As part of this, they have commissioned two great street artists to complete panels, of which this is one. I suppose what bothers me is that it is that the message this sends out is that these boards are ok for some artists, but not for others. Who decides? On what grounds? How do the artists feel about this? It all feels a little uncomfortable.

Putting all of that aside though, I think that this is absolutely stunning, and I consider this piece by Jody to be as good as any other I have seen of his. He does beautiful women’s faces to perfection, and I like the way the hair morphs into a smokey cloud.

What a treat for me to be able to walk past this every day on my way to work. It will be interesting to see how the graffiti community treat this. Jody is held in high regard, but there are some taggers out there who have no respect and they may take exception to this hoarding being for the select few and not the many.
I will update this post if anything happens.
Although Laic217 seems to be slightly less busy on the streets than he was say, six months ago, he is still producing regular pieces, which is great for me as it is no secret that I love his work.

This piece contains the familiar format of a skeleton in a tracksuit sprayiong out the letters LAIC. The two components of the piece blend realy well and I love the color selections across the whole piece.

He has sprayed this in a particularly narrow passage which explains why there aren’t any decent front on pictures of this piece. As always, a real pleasure to share his work with you.
This is the second piece by an unknown artist I have posted in the space of a week, which is really unusual for me, but I don’t think I will ever uncover the mystery of this one as it is so unlike anything I have seen in Bristol before.

There are two faces adjacent to one another that ahve the appearance of having been etched out of the thick layers of paint laid down on this tunnel wall. They are in fact painted but in this really unusual style.

The face on the right hand side appears to be more complete that the other one and is lighting up a ‘cigarette’. The shading and colours used for the piece are from an interesting and varied palette; for example the thumb is made up of greens, yellows, pinks and reds.
Not knowing who the artist is was not a good enough excuse for not posting this piece. I like it a lot.
I wasn’t really looking for this tiny wheatpaste, and in fact must have walked past it many times before noticing it, but notice it I did and I am pleased to have done so. It is by the talented Beastie who seems to be at home with large or small murals or wheatpastes in equal measure.

This piece is opposite the People’s Republic of Stokes Croft (PRSC) outdoor gallery in Jamaica Street. I think the paste up is of a great tit, but it is difficult to be sure in black and white. This is what I love about street art – it is out there, you simply need to go out and find it.
Door six.

St George’s Road, Bristol.
by Scooj
This lovely piece by Andy Council is in South East Bristol, in an area I don’t pass through too often, except when visiting the reptile shop to get supplies for my daughter’s chameleon, George. I managed to stop and take these pictures on one such trip.

I think the piece has has been around since early 2017, and you can see from the foliage growing in front of it that it was not recent even in July when I took the picture. As with all Andy Council’s pieces, there are numerous references to Bristol and the locality in the buildings that make up this ram with a fish tail, which I recognise as the star sign representation of Capricorn, being one myself. It is always good to see the iconic Clifton suspension bridge included in street art.

I like this piece very much. It is unusual and incorporates some interesting colour selections commensurate with the two halves of the beast. Well thought out and as always, well executed.
Deamze owns this wall. I have only ever seen pieces by him here. Maybe that is an accident of my infrequent visits, or maybe he just owns the wall. Deamze also owns this style of wildstyle writing accompanied by a cartoon character – he carries it off every time.

The writing in this piece is exceptional – set on a cartoon brick wall and some puddles, the jagged lettering contrasts and stands out. I have tried a few Google searches to try and work out who the character is, and looking at the picture kind of rings a bell, but I have thus far drawn a blank.

I have several more Deamze pieces from this wall sitting in my archives. If only I had more time…
This is the second of two wonderful pieces by Christian Hooker in The Bearpit which add a breath of fresh air to the place. It is a poster-sized paste up, with the same basic Trump design as the other piece I posted but the adornments are different.

There is something about this, the image, the colours and the subversive nature of the whole that I really like. As I said in my last post, it is a pity I didn’t see any of his work in New York. Maybe next time.
