I have only seen one other piece by Zesk, and it is the rather lovely work on the side of the Three Tuns pub in Partition Street, near my work. This Burner contains many of the characteristics of Zesk’s work, including the stars and the colours, shading and black spots used. I guess the biggest give away though is that it says ‘Zesk’ in big letters.
Zesk, M32 roundabout, Bristol, May 2016
This is a nice piece by a great artist. It is good to see that someone who is accustomed to doing commissions, still hits the areas where street art is tolerated rather than permitted (another way of saying not strictly legal).
Another lovely piece from the extraordinary outdoor gallery, AKA Devon Road. This cat in a deckchair is by one of the godfathers of Bristol street art – Rowdy, and contains all his hallmarks, as you can see from looking at this previous post.
Rowdy, Devon Road, Bristol, May 2016
I think that there is at least one other artist involved in this piece, but somewhat disconnected from our feline friend. I am not sure who the artist is.
Rowdy, Devon Road, Bristol, May 2016
There is something wonderfully laid back and ‘Bristol’ about the work of Rowdy. Highly accomplished, distinctive, relaxed and mildly anarchic – great stuff.
There was one final gift for Bristolians that Shalak Attack and Bruno Smoky (Clandestinos) left behind on their recent trip to Bristol…this brilliantly colourful masked face. This was another surprise for me in Wilder Street, an area which is now firmly on my routine street art patrols.
Clandestinos, Shalak Attack and Bruno Smoky, Wilder Street, Bristol, May 2016
There is something of acarnival feel to this piece, and it has an unmistakably South American touch.
Clandestinos, Shalak Attack and Bruno Smoky, Wilder Street, Bristol, May 2016
I still feel privileged that Clandestinos came to Bristol and left these remarkable pieces, however the story is not all good I’m afraid. The piece I wrote about by Shalak Attack in Stokes Croft has been tagged with a rather poor ‘throw up’.
Shalak Attack, Stokes Croft, Bristol, May 2016
The great piece next to it by SPZero76 and Mr Wigz has similarly been defaced. For less than a week, all five arches of the Carriageworks had clean untagged pieces in them…a first since I have been writing these posts. No longer. It is the nature of the beast I’m afraid, but disappointing nonetheless.
SPZero76 and Mr Wigz, Stokes Croft, Bristol, May 2016
This has been a mystery for far too long, but yesterday I cracked it. This fantastic piece, and genuinely one of my absolute favourites, is a collaboration by Tom Deams (Deamze) – more about him in his rather excellent website – and Georgina Anton, a Bristol-based artist with early roots in graffiti. Her biography can be found here.
Deamze and Georgina Anton, Old Bread Street, Bristol, November 2015
There is something so clean and soothing about this burner. The proportions are fantastic, the lettering wonderful, the word ‘utopia’ just seems to work and the design filling the letters is beautiful. It was unsigned, and so it has been very hard to identify. It was only yesterday that I caught a glimpse of the piece in Deamze’s portfolio that I was able to find out more. The piece has long since gone, but at least I can now sleep easy at night.
Another wonderful pasteup from the recent visit by Tian. Again he has taken a still (a promotional shot?) from a film, which I haven’t been able to identify yet (any ideas?) and turned it into a monochrome stunner.
Tian, Moon Street, Bristol, April 2016
As always, location is key to a wheatpaster’s art, and this is no exception, it looks splendid amongst all the other posters on this wall. The council worker ripped off loads of posters, but thankfully left this Tian piece in situ. It was still there yesterday.
I first saw this work as it was being completed by ObjectØØØ on 21 April 2016. I stopped to have a chat with the artist who works nearby. The PRSC (People’s Republic of Stokes Croft) Outdoor gallery is a space where artists can display their works legally and with permission.
ObjectØØØ, Jamaica Street, Bristol, April 2016
ObjectØØØ was putting this piece together because the previous work by Cheba had been badly tagged, after only a matter of days, so he decided to replace it.
ObjectØØØ, Jamaica Street, Bristol, April 2016
As I have come to expect from ObjectØØØ’s work, there is a strong political/social message accompanied by swirls of whitewash and subtle patterning as you draw closer. This is quite a stark piece, where the message forms the framework for the artwork.
ObjectØØØ, Jamaica Street, Bristol, April 2016
I am really growing to like these curious pieces and rather hope to bump into ObjectØØØ again soon to talk more with him about his work.
The thing about popular places for graffiti is that unless you visit them regularly, you will miss something. I left a gap of about four weeks between visits to the M32 roundabout between St Pauls and Easton, and probably about half of the works had changed. I don’t think I am ever going to be able to keep on top of this, but I don’t mind that really, it is just fun making new discoveries each time I venture out.
Face F1st, M32 Roundabout, Bristol, May 2016
This is a lovely piece by one of my favourite artists in Bristol – Face F1st. Regular readers will know how much I like this work, so to find this one was a real pleasure. Even better, I found another one on my way to work this morning that appeared over the weekend…posting soon.
Face F1st, M32 Roundabout, Bristol, May 2016
I have noticed that the designs in the letters are becoming more elaborate with each piece that Face F1st is producing, but overall the concept remains the same. Great stuff.
This is the first, and not entirely typical, work by Angry Face that I have featured. His faces appear all over Bristol, and judging by his Facebook feed in numerous other cities as well. I believe he might recently have been ‘on tour’ in Lisbon and Barcelona.
Angry Face, Napier Road, Bristol, May 2016
I don’t know very much about him and will try to dig out more. I had always assumed he was a Bristol artist, because of the sheer number of his pieces around the City. It would seem that all of his works are illegal throw ups. There are several examples of his work that are outline only, without the completed colours…maybe he was disturbed whilst spraying. Ubiquitous, unique and always angry, there is something comforting about his work.
This picture was taken a couple of weeks ago in one of the tunnels of The Bearpit, a spot favoured by Decay. His style is so utterly unique, always using the same black, white, grey and red colours, and his freestyle approach tends to have concentric rings of shapes spreading from the centre, although I think he works from the outside in.
Decay, The Bearpit, Bristol, May 2016
This is a nice political piece, demanding a stop to Tory cuts and incorporating a visual prompt. Nice drips. There is room for filling in the blank here…one for the taggers?