This is another nice piece from wildstyle specialist Soker. It was in the Vector car park back in July, just before being overpainted during Upfest. The car park is a special place for Bristol street artists as it has five walls available in a gated space, so the works are rarely tagged. It also allows for gatherings and collaborations.
This interesting piece by Deamze was most likely sprayed at the same time as this awesome work by Voyder. They often work together, and the two pieces were close to one another on the same wall.
This Deamze piece is intricate and skillfully worked and has the trademark cartoon element woven into the work. The face reminds me of one of the characters from the Beezer comic, or was it Beano…it is the top lip that does it. The Bash Street kids?
Deamze continues to delight with his work dotted around the city, although only those with their eyes open will enjoy it.
This is a bright and cheerful piece from back in August by Laic 217. Remember, it was warm and sunny then. This nice bit of writing follows the format favoured by Laic 217, that is, to write his name and add a feature, normally a face or figure.
Of course he also sprays the acid house melting faces, which I have featured on these pages before and which I rather like. I think I may have mentioned it before, but Laic 217 is one of those artists whose work can be found at most of the hotspots around the City. Many others tend to restrict their work to specific areas.
There is always more to come from this quiet talent.
The second of two recent works by Voyder, following on from my previous post. This is a highly accomplished piece that on first inspection looks like a giant sticker that has a couple of kinks and tears in it, but take a closer look and it is just an illusion, the whole piece is sprayed.
I love this amazing attention to detail and deception, this really is a very clever piece, and demonstrates the versatility of Voyder. The work sits comfortably alongside Deamze on one side and a Beastie and Decay collaboration on the other. Both to follow soon.
I have to keep checking this piece to look at how Voyder has sprayed the crease. It really is masterful and creative. One of the best.
Some more writing today, this time from one of the less prominent graffiti artists in Bristol, ‘Subtle’. On first appearance this looks like quite a raw piece of work and could easily be missed, but on closer inspection, it is a fine sophisticated piece of writing.
This is a stunning, collaboration between Sled One and Epok, two of the best wildstyle writers about. It is easy to see the Sled One element…if you look carefully you can make out the letters SLED. I had to look hard though for Epok – I knew it was a collaboration because he had signed the piece. I think his lettering is in the grey-green underlayer – certainly this part is more in his style.
What I love most abut this piece is that it is on a modest hoarding with low footfall. This piece was done for the love of it. The colour palettes are brilliant and the whole thing quite beautiful. These things are so easily overlooked or dismissed…it is a pity.
This is a beautiful bit of wildstyle writing from 3Dom. His wildstyle form tends to be quite organic and ethereal, more in the style of Ments, rather than the hard, clean, sharp geometric writing associated with his Bristol peers Deamze, Sokem, Epok and Voyder, to name just a few.
This piece was from a little while ago and has been painted over several times since. It is nice to have a record of it though. It was part of an ASK crew paint jam in March, and his piece here is sandwiched between Voyder on the left and Sled One on the right. Nice work.
I still know nothing about the artist OHMS, but I know I like their work. This is an incredibly colourful and intricate piece tucked between some bushes on the side of the M32 roundabout between St Pauls and Easton.
Wildstyle writing is an acquired taste, and one which I have developed a hunger for, but it was not always that way. When I first started writing about street art, I was often left cold or baffled by writers (burners, throw-ups of wildstyle). I just didn’t get it.
At risk of getting a bit samey, I simply have to share this exceptional recent piece by Sled One. This time we see one of his wildstyle pieces, where you can make out the letters SLED and the word ONE at the far right.
Natural adventures 