Tag: Wildstyle

278. Old Bread Street (4)

This is an older piece from the hoardings at Old Bread Street by Sled One. Although this is perhaps not his finest work, he crafts these in super-quick time, and I think freestyles them. In this work he has deliberately pixelated the artwork, which I have seen other artists do too. I am a big fan, he is young and has an amazing graffiti art career ahead of him.

Sled One, Old Bread Street, Bristol, November 2015
Sled One, Old Bread Street, Bristol, November 2015

I am hoping to get out tomorrow and find a more recent piece by Sled One in Stokes Croft, but I fear it might already be too late.

Sled One, Old Bread Street, Bristol, November 2015
Sled One, Old Bread Street, Bristol, November 2015

For some, it might be difficult to read these letters, but if you concentrate, you will be able to make out the letters of his name SLED. Sled One is a member of ASK.

277. Wilder Street (5)

Wilder Street is becoming one of the hottest spots for street art in North Bristol at the moment. Sandwiched between the the A38 and A4404 it is slightly off the beaten track and, for the time being, away from the main tagging areas, although I’m sure it won’t be long before they do their stuff here too.

T-Rex, Wilder Street, Bristol, May 2016
T-Rex, Wilder Street, Bristol, May 2016

I was surprised a few short weeks ago to find this lovely, and slightly eclectic, collaboration between T-Rex, Ryder and Aspire on the wall of a local small business. I haven’t yet featured any of T-Rex or Ryder’s work before, although I have seen a fair bit of it around. They tend to collaborate quite a lot, T-Rex usually spraying dinosaurs and Ryder writing his name. I don’t yet know very much about either of them, but will dig out more.

Ryder, Wilder Street, Bristol, May 2016
Ryder, Wilder Street, Bristol, May 2016

Aspire needs no introduction, and here he gives us one of his wonderful blue tits that he seems to favour. He is so prolific at the moment, that it is hard for me to post his most recent work. I have at least two more in the queue.

Aspire, Wilder Street, Bristol, May 2016
Aspire, Wilder Street, Bristol, May 2016

So we have three nice pieces, painted together, but I am not too sure how well they work together in the same space. Having said that, this is the kind of collaboration that makes the Bristol scene so special.

Aspire, Wilder Street, Bristol, May 2016
Aspire, Wilder Street, Bristol, May 2016

262. Dean Lane skate park (8)

Now I am back in the UK, after a wonderful trip across ‘the pond’, I can resume my posts on Bristol street art/graffiti (with maybe a couple of guest entries from New York).

This is a truly brilliant collaboration from a few weeks ago in Dean Lane between Zesk and Hemper. Zesk has appeared in these pages a couple of times, and his writing is becoming much more familiar, especially his choice of colours (purples and golds) combined with spheres. Hemper I haven’t come across before, which is a little surprising as he has been writing in Bristol since 2009. There is a lovely profile on Hemper here – from the great ‘Weapon of Choice‘ website.

Zesk and Hemper, Dean Lane skate park, Bristol, May 2016
Zesk and Hemper (detail), Dean Lane skate park, Bristol, May 2016

This collaboration was a bit of fun, and I think was sprayed at the same time as the recent Inkie piece. You will notice that a writer – Suger – has made an appearance. His improving burners are turning up all over the place in Bristol.

Zesk and Hemper, Dean Lane skate park, Bristol, May 2016
Zesk and Hemper, Dean Lane skate park, Bristol, May 2016

Now back to the streets, where I have already noticed a whole bunch of new stuff has gone up while I have been away.

256. Moon Street (13)

This is a collaboration, or at least two pieces that were completed simultaneously, between Kid Crayon and Subtle. I have posted a great deal of Kid Crayon’s works, and once again he appears to have dispensed with his trademark crayon in favour of a spray can.

Kid Crayon and Subtle, Moon Street, Bristol, April 2016
Kid Crayon and Subtle, Moon Street, Bristol, April 2016

I know little about Subtle, and can’t think that I have seen his stuff before, or if I have, I haven’t registered it. This is a decent wildstyle burner. Both pieces have been in place for a month, and thus far respected by taggers. This seems to happen a lot with Kid Crayon’s work, it is rarely defaced.

Subtle, Moon Street, Bristol, April 2016
Subtle, Moon Street, Bristol, April 2016

As a combination these work well. I am a big fan of Kid Crayon, so these get a big ‘high-five’ from me.

Kid Crayon, Moon Street, Bristol, April 2016
Kid Crayon, Moon Street, Bristol, April 2016

 

 

247. M32 Roundabout, Junction 3 (10)

I have only seen one other piece by Zesk, and it is the rather lovely work on the side of the Three Tuns pub in Partition Street, near my work. This Burner contains many of the characteristics of Zesk’s work, including the stars and the colours, shading and black spots used. I guess the biggest give away though is that it says ‘Zesk’ in big letters.

Zesk, M32 roundabout, Bristol, May 2016
Zesk, M32 roundabout, Bristol, May 2016

This is a nice piece by a great artist. It is good to see that someone who is accustomed to doing commissions, still hits the areas where street art is tolerated rather than permitted (another way of saying not strictly legal).

222. Armada Place (3)

One of Sled One’s incredible wildstyle pieces. He sprays these unimaginably quickly, and I consider him to be very talented. One of the best writers in Bristol who is both energetic and prolific. This can be found in Armada Place, parallel with Stokes Croft, and just around the corner from the Fois piece on Nine Tree Hill.

Sled One, Armada Place, Bristol, April 2016
Sled One, Armada Place, Bristol, April 2016

When you get your eye in with these wildstyle pieces, you can start to make out the letters and words. I saw some today however that were unfathomable.

212. Dalton Square

This large wall by Sepr gave me enormous pleasure when I eventually found it in Dalton Square on the side of The Bell pub. I had seen images of it on the Interweb, but it took me an eternity to find it. It turns out, it is only a very small detour from my usual walk into work.

Sepr, Dalton Square, Bristol, April 2016
Sepr, Dalton Square, Bristol, April 2016

This is classic Sepr, plenty of things going on and lots of fine detail. It might be considered a little nightmarish, with all the characters inside the main character. It is difficult to figure out what is going on…are they all influences from the past?

Sepr, Dalton Square, Bristol, April 2016
Sepr, Dalton Square, Bristol, April 2016

Common to a lot of his work is wheeled transport, in this case a bicycle. There is also a beautifully crafted ball chain framing the main picture and leading to the two rather wonderful dogs.

Sepr, Dalton Square, Bristol, April 2016
Sepr, Dalton Square, Bristol, April 2016

Sepr signs off the work with an ornate wildstyle signature to the left of the piece. This really is a fabulous work, and the photographs, taken on a dull day, really don’t do it justice. So totally worth a visit.

Sepr, Dalton Square, Bristol, April 2016
Sepr, Dalton Square, Bristol, April 2016

 

210. Nine Tree Hill (3)

Sometimes you can hang on to a photograph for so long that it becomes a bit of an albatross. I took these pictures back in January this year, and I have some that are even older. The reason that I haven’t posted them until now is that although I know who the street artist is – Kleiner shames – who writes FOIS in his pieces, I don’t know anything about him, so I don’t have a lot to say.

Fois, Nine Tree Hill, Bristol, January 2016
Fois, Nine Tree Hill, Bristol, January 2016

I think I have actually photographed him working on a piece in Hill Street, but I’ll save that for another time. Other than that, Kleiner Shames remains a complete enigma. His work is very elaborate wildstyling of his name, with a touch of what I would call art deco influences…I think it is the curves. This work can be found on the corner between Nine Tree Hill and Armada Place, another Stokes Croft hotspot.

The observant viewers might see an iconic Rowdy crocodile on the building behind. More about that in a future post.

199. M32 Roundabout, Junction 3 (7)

So here we have another fine example of wildstyle writing at its very best. Deamze is really a master of his craft and prolific too. It can be really difficult to keep up with his new work.

Deamze, M32 roundabout, Bristol, March 2016
Deamze, M32 roundabout, Bristol, March 2016

This work sits alongside a work by Soker that I featured a little while back. I think that they were concentrating on the yellow and blacks, and I assume that they sprayed the wall on the same day. Another great work by Deamze.

Deamze, M32 roundabout, Bristol, March 2016
Deamze, M32 roundabout, Bristol, March 2016

193. M32 Roundabout Junction 3 (6)

The concrete surrounding structure of the M32 roundabout between St Pauls and Easton lends itself very well to wildstyle work. There is not a great deal of height, but plenty of width, and therefore it is a bit of a magnet for wildstyle specialists. Soker is at the top of his game and producing some wonderful work. This is a recent example which I photographed in March.

Soker, M32 Roundabout, Bristol, March 2106
Soker, M32 Roundabout, Bristol, March 2106

I’m not sure why his work spells out Sokem and not Soker – maybe someday somebody will tell me. It seems to be a thing though with many wildstyle writers.

Soker, M32 Roundabout, Bristol, March 2106
Soker, M32 Roundabout, Bristol, March 2106

The colours and shapes on this work really well, and there were many accompanying pieces adjacent to this one…for later posts.