1698. St Werburghs tunnel (39)

Well, who might this gothic wildstyle writing be by? There is a clue in the writing, but it is so cryptic that you probably need to know what you are looking for to be able to see it. The writing says HIRE, and it is indeed the work of this naturalised Bristolian of Polish origin.

Hire, St Werburghs, Bristol, August 2018
Hire, St Werburghs, Bristol, August 2018

His work is so distinctive, with its long, sharp and jagged lines – his pieces always remind me of medieval battle scenes, with swords, axes and lances crashing in all directions – maybe that is just me, but I say what I see. I am really pleased with the picture above, because the light in the tunnel plays havoc with my camera and the poor lighting in the tunnel meets with bright light outside where this piece is situated. Nice work from Hire.

1693. Dean Lane skate park (158)

I have said many times on this blog that I really don’t like to write a post about a piece unless I know who the artist is. Occasionally I make exceptions, usually when I rather like the piece and probably have no way of ever identifying its creator. This is one such example.

Unknown artist, Dean Lane, Bristol, August 2018
Unknown artist, Dean Lane, Bristol, August 2018

This is a wonderfully cryptic wildstyle piece…so cryptic indeed that I cannot decypher it. The artist is definitely a visitor to Bristol, and sprayed this long wall in Dean Lane, which is something of a honeypot for visitors, because it is a well known ‘legal’ wall.

If you take a good look at this piece, it it beautifully worked, with carefully thought out fills and intricate detail. The overall styling and red circle in the middle remind me a little of Bristol artist Shab’s work, it has that abstract feel to it. A nice piece.

1689. Upfest 2018 (29)

Oooh! a stunning wildstyle burner from the Bristol graffiti writer Subtle. I am lucky enough to find his work dotted around the city from time to time and he is right up there with the best writers Bristol has to offer (and there are a lot of them).

Subtle, Upfest, Bristol, July 2018
Subtle, Upfest, Bristol, July 2018

This is a very tidy piece, clean and with some lovely colour choices, which are set off perfectly by the grey background. I wish I could tell you more about Subtle, but thus far I have never met him, and there is not a lot of information knocking about on the Interweb either. He has an Instagram account that will give you some idea of his work. Really nice piece.

1677. New Stadium Road (7)

There seems to be no stopping Soker at the moment, it seems that everywhere I go in Bristol there is a new piece by him. What this means is that there will be several posts following this one in the near future featuring his work.

Soker, New Stadium Road, Bristol, August 2018
Soker, New Stadium Road, Bristol, August 2018

I rather like this one in the foot tunnel under the M32 spot, and for once my photographs aren’t too polluted with the awkward light conditions that seem to be omnipresent on this wall. I like the colours – blue and yellow/gold are always a strong combination, but what I really like about this piece is the kind of effortlessness it conveys, Soker just seems to be, like several of his ASK fellows, an artist at the top of his game.

1617. St Werburghs tunnel (32)

I am loving this apparent renaissance by PWA’s brilliant Soap. I say apparent because He seems to have become much more busy on the streets in recent months and is posting like crazy on his Instagram feed. Whether this is a real thing or simply my perception is no matter really, he is putting out some great work at the moment.

Soap, St Werberghs, Bristol, July 2018
Soap, St Werberghs, Bristol, July 2018

This is a spectacular piece of writing, spelling out his name and incorporating some of his favourite themes, including the mouth and bones. The colours are perfectly selected and complement each other beautifully. I love the little bone cross decorations. Bravo!

1591. Dean Lane skate park (142)

I have always been rather fond of Hire’s work, it is wildstyle writing with a gothic twist. In this piece I am not certain, but it looks like he might have written HIRE in reverse, more likely though is that he has written something else altogether – writing can be very tough to read at times.

Hire, Dean Lane, Bristol, January 2018
Hire, Dean Lane, Bristol, January 2018

I like the colours he has selected and the depth of shading on his spiky letters. He’s also created a nice background, although it ends rather abruptly on the left hand side. Maybe he ran out of paint? A nice one from January.

1545. Dean Lane skate park (133)

A week or two back it seems Elvs hit the town with at least three pieces of which this was the second. This one was on the long wall at Dean Lane. The subtle and toned-down writing is in marked contrast with the scarlet backwash which brings the whole piece to life. I’m not sure the impact would be the same on a dull background.

Elvs, Dean Lane, Bristol, June 2018
Elvs, Dean Lane, Bristol, June 2018

Elvs offers another reworking of a successful style and two things stand out for me. First is the vertical graded shading of the piece which is graduated from bottom to top, and second is the central vanishing point which is central to the work of Elvs. A fine piece.

1524. M32 roundabout J3 (84)

This is a not-quite-finished piece from the magnificent Sled One, and it was his contribution to the ASK paint jam at the M32 roundabout. He was actually a day late, because he had had a hangover the day of the paint jam and didn’t feel like painting – so these guys are human after all.

Sled One, M32 roundabout, Bristol, May 2018
Sled One, M32 roundabout, Bristol, May 2018

I am always completely amazed at how Sled One seems to be so at ease with his cans, he seems to create his work with the minimum of fuss and is able to put ehat is in hes head onto a wall. He is comfortable with both writing and creating fantastical characters, and is a real asset to The Paintsmiths, who he works for.

Sled One, M32 roundabout, Bristol, May 2018
Sled One, M32 roundabout, Bristol, May 2018

This piece, even incomplete, looks stunning and I will have to go back to get a finished picture.

Last week I was cutting the lower branches and shoots off a lime tree that lines the road where I live – the council used to do it but have no money for such things any more – so that I could park the car without smearing it with aphids and get out of it without walking into a jungle. Anyhow, I digress, while I was pruning, I looked up and saw Sled One. We stopped for a chat, and it turns out he lives only a few doors up from me…I can’t believe that we haven’t bumped into each other before.

1520. Dean Lane skate park (129)

As so often happens in this game, I go in search of one thing and find something else. I had seen a post on Instagram of a beautiful new collaboration by Face 1st and Tasha Bee in Dean Lane, quite unusual, because it is not a spot that Face 1st regularly paints and their collaborations seem to be a bit of a new thing at the moment. When I got there, it had already been overpainted.

Elvs, Dean Lane, Bristol, May 2018
Elvs, Dean Lane, Bristol, May 2018

The good news is that the piece covering it is by Elvs, whose work is always of a brilliant standard. In this work he has chosen some dark and subtle colours to create his unique writing. You should be able to read the word ‘ELVS’ as well as some additional characters, in what looks like Japanese to me. I’m not sure what it says.

Elvs, Dean Lane, Bristol, May 2018
Elvs, Dean Lane, Bristol, May 2018

The tragedy of Dean Lane (but also the thing that makes it so special) is the transient nature of the work there – blink and you miss it. I was sorry not to see the PWA collaboration, but at least I was rewarded with this superb Elvs burner.

1515. M32 roundabout J3 (82)

This is what Deamze specialises in, a fantastically intricate piece of writing accompanied by a cartoon character. In this piece, which was painted at the recent ASK crew paint jam, Deamze makes full use of bold primary colours – something not often seen in my experience of graffiti/street art.

 

I think this is a really sharp piece, beautifully executed, as if we should expect anything less. I don’t really know who the character is, he looks familiar but I can’t place him. Google searches failed me on this occasion.

 

This is a bright piece which looks amazing on this section of wall and the pictures with tree cover add that little something special. Fine work.