Tag: Wildstyle

1515. M32 roundabout J3 (82)

This is what Deamze specialises in, a fantastically intricate piece of writing accompanied by a cartoon character. In this piece, which was painted at the recent ASK crew paint jam, Deamze makes full use of bold primary colours – something not often seen in my experience of graffiti/street art.

 

I think this is a really sharp piece, beautifully executed, as if we should expect anything less. I don’t really know who the character is, he looks familiar but I can’t place him. Google searches failed me on this occasion.

 

This is a bright piece which looks amazing on this section of wall and the pictures with tree cover add that little something special. Fine work.

1511. M32 roundabout J3 (81)

I haven’t seen any work from Ments for quite a while, so it was great to see this piece which was recently painted as part of the ASK crew paint jam. His work is quite different from other writers, having this rather organic feel to it, rather than the harsher straight lines and angles associated with most block writing.

Ments, M32 roundabout, Bristol, May 2018
Ments, M32 roundabout, Bristol, May 2018

The letters spell out MENTS, but it is difficult to make it out. I think this is a wonderful piece, but I feel that a little more prep work on the wall would have made it stand out even more. The piese was opainted the day before I took the picture, and the suitcase in front of it belongs to Sled One, whose piece I will feature soon.

1509. M32 roundabout J3 (79)

I had to ask Sled One (who happened to be painting further along the wall) who this piece was by, because I didn’t recognise the style when I first saw it. He told me it was by Joe Poe or Poer who is from London. This would explain why I am not familiar with it.

Poer, M32 roundabout, Bristol, May 2018
Poer, M32 roundabout, Bristol, May 2018

This really is a top drawer piece of wildstyle writing from a classy artist who I really know little about. He seems to be a member of ASK or possibnly just received an invite to paint with them. I’ll have to do some more digging.

1506. M32 roundabout J3 (78)

A few days ago, it would appear that the ASK crew and some friends held a paint jam down at the M32 roundabout. This tends to happen three or four times a year and is always a hugely welcome event. Over the next few days and weeks I will post all of the pieces from the session, starting with this outstanding work from Epok.

Epok, M32 roundabout, Bristol, May 2018
Epok, M32 roundabout, Bristol, May 2018

The first thing to notice about this is that the wall has been prepped really well – this is no throw up, but a fine work presented almost like a gallery. The nicely prepped wall complements the sharpness that Epok achieves with his work. Beautiful angular clean lines and fills, and a nicely chosen pallette. It might not be obvious, but the writing spells EPOK which is beautifully disguised. Epok never ever disappoints.

1487. M32 cycle path (13)

It feels like it has been a very long while since I saw anything new from Deamze, so this piece came as a long-awaited pleasure. In one of his favourite spots (I’m not sure anyone else sprays this wall) alongside the M32 he has created one of his most riotously colourful pieces to date.

Deamze, M32 cycle path, Bristol, May 2018
Deamze, M32 cycle path, Bristol, May 2018

On the left hand side we see a fabulously intricate and sophisticated piece of wildstyle writing, spelling out DEAM, and on the right a trademark cartoon from this brilliant artist.

Deamze, M32 cycle path, Bristol, May 2018
Deamze, M32 cycle path, Bristol, May 2018

Often the characters that Deamze recreates are from ’70s to ’90s TV shows, but I just can’t make out who this one is, and there isn’t a lot to go on to ‘Google it’ either. The whole thing is very refreshing and a reminder of just how good some of the Bristol street artists are.

1456. Dean Lane skate park (120)

Ugar is becoming something of a regular down at Dean Lane skate park, and his writing really stands out due to his unusual and irregular letters but particularly because of the fill style he uses.

Ugar, Dean Lane, Bristol, April 2018
Ugar, Dean Lane, Bristol, April 2018

I am building up quite a good photographic collection of his work and I am enjoying watching his development as an artist. This is small but perfectly formed, a nice piece.

1455. St Werburghs tunnel (19)

It is always great to find another Epok piece, especially when not expecting it. I don’t often get to St Werburghs tunnel, so when I do pretty much everything is new to me. I hadn’t seen this piece on social media, and although it is a fresh piece, I obviously didn’t get here in time to see it clean.

Epok, St Werburghs tunnel, Bristol, April 2018
Epok, St Werburghs tunnel, Bristol, April 2018

One day I would live to get into the mind of taggers and bombers to understand their thinking. Are there any protocols? Is everything a fair target for their graffiti? What do they respect/disrespect? Do they care about anything? My guess is that they have little conscience and genuinely don’t care what they do. Wreckless anarchy, which is probably quite an attractive option for some people. The class and quality of Epok’s work shines through though – this is a really good piece by him. Hats off.

1433. Brunswick Square hoardings (4)

I was very fond of these hoardings in Brunswick Square, but alas, they are long since gone.I still have several pieces that I have not posted, and this is one of them by Dibz. I am more used to seeing his work at Dean Lane or on Instagram, so it is nice to have another location for the collection.

Dibz, Brunswick Square hoardings, Bristol, March 2016
Dibz, Brunswick Square hoardings, Bristol, March 2016

As always his deep shading and complex letter patterns are technically superb, and there is a cleanness of the lines in all his work. The blue line and its glow add something special to a very nice piece indeed.

1427. Dean Lane skate park (117)

Ugar is a promising young artist, originally from Budapest but now living in Bristol, whose unique style of writing is getting better and better. It is the organic nature of his letters and the kind of marbelling effect he uses to fill them that stands out in his work.

Ugar, Dean Lane, Bristol, April 2018
Ugar, Dean Lane, Bristol, April 2018

This piece , which is really rather beautiful, is on the curved wall at Dean Lane and has been well prepped and uses the wall to its full potential – not all work here is afforded the same thoughtful approach. I am enjoying watching Ugar develop.

1420. Old Bread Street (12)

This is one from the archive that I can release, because I recently posted my first work from Amoe which he sprayed at the M32 roundabout. The reason it took me so long to identify thisartist is that he is only an occasional visitor from Cardiff, and my knowledge of artists is pretty much confined to Bristol.

Amoe, Old Bread Street, Bristol, March 2016
Amoe, Old Bread Street, Bristol, March 2016

There is something very forgiving about his writing style, the curves create a softness that is very easy on the eye. Some writing can be much more challenging than this. It feels good to liberate this picture after a little over two years. The wall however has not fared so well and there is now only a small stretch of hoarding left at this spot.

Amoe, M32, Bristol, March 2018
Amoe, M32, Bristol, March 2018