I am flustered and under pressure this morning. I am unbearably busy at work, and my team are on annual leave, so I am doing my normal work and standing in for two others. This might be brief…
Werm, Brunel Way, Bristol, July 2022
Werm (formerly known as Eman) continues to paint at an extraordinary rate, and my posts of his work do not fairly represent the volume of pieces he produces. He has almost entirely abandoned his character pieces these days and has been concentrating on his writing which has improved over time and become more sophisticated. This piece has some lovely fill transformations and patterns and the 3D shadow and purple border help to lift the piece. The stars do their job well finishing the piece off very nicely indeed.
I am rather excited this morning, because I am off to Cheltenham later on, to enjoy the delights of the Paint Festival, conceived and organised by the brilliant and tireless Dice 67 (Andy Davies). In the meanwhile, I will share this lovely piece from Smut on the long wall at Peel Street Green.
Smut, Peel Street Green, Bristol, July 2022
Smut has moved on from his thin script writing, which he has retained in his signature, but what has not changed is his incredible sharpness and accuracy in his work. The letters have been superbly filled, with the ‘watery’ patterning flowing from letter to letter in a coherent way, rather than discrete fills for each one. A black 3D shadow and perfect red border finish the piece off nicely. Smut’s high standards go from strength to strength.
I have encountered a small dilemma, it happens quite a lot in the world of documenting street art. Flava136 is making a deliberate move towards refreshing his moniker to Saor. Part of me feels that I should follow his lead, but the other part of me feels like it will simply muck up all my tagging and labelling which is a nightmare for archiving, searching etc. So as you will see I have decided to stick with Flava136, even though it is now Saor.
Flava136, Dean Lane, Bristol, July 2022
The name is somewhat irrelevant when it comes to his artwork, which is always presented to the highest possible standards. The piece is horizontally bisected with different colour transitions either side of the line. We also see a return of the toothy monster character, which is becoming a less central part of his work these days. This is yet another sharp, on-point piece from an outstanding artist.
Bristol definitely has it’s fair share of female graffiti writers; Mena, Evey, Lewse and Bnie to name a few, and it is great to watch Desi develop her writing and join this growing cohort. You will have seen work on Natural Adventures before, but using the letters DESI, however, recently she has switched it up a bit to write VEIL.
Desi, M32 roundabout, Bristol, July 2022
What is interesting is that although Desi’s letters may have changed completely, her individual style shines through, and she needn’t have signed it for people to know who painted it. This might be her best piece to date, it is really neat and tidy, and the fills are as good as I have seen from the artist. Much more to come from Desi, I’m sure.
I have been going back into my archives a little bit lately, usually to dig something out that is relevant to a post I am writing, but when I do so, I realise just how many great pieces have been left behind, and this beauty by Kopsky is one of them. Painted back in May, alongside Bristol artist Soker, this piece is an absolute beauty.
Kopsky, M32 roundabout, Bristol, May 2022
I don’t know much about the artist, other than he is French. My searches on the Interweb have not revealed very much at all, so perhaps I’ll focus on his artwork instead. I don’t know what the letters spell, if indeed they are letters, but Kopsky has created a kind of fluid, elastic and dynamic piece where each discrete element seems to flow seamlessly into the next. Colourful and vibrant and so full of movement, this is a very classy piece indeed.
Well, I rather set this piece up yesterday, when I said that I would be posting another piece by Marckinetic today, and here it is, a magnificent and unusual looking piece from the Bristol to Bath cycle path at Greenbank.
Marckinetic, Greenbank, Bristol, May 2022
As with yesterday’s piece, I struggle to find any recognisable letters, although I can kind of see MORFO, which I am sure is wrong, maybe it is MARC. Perhaps the most eye-catching element to this abstract piece is the fill on the lower half of the ‘letters’. The cosmic scene, complete with clouds and stars, is quite magnificent and leaves a strong impression. The nicely buffed wall and blue cloudy, spotty background contrasts well with the main piece. More in the can from Marckinetic.
I have only recently become aware of Marckinetic and his unique pieces, but now I seem to be seeing them everywhere. I am having to conclude that he is an established artist who has only recently moved to Bristol. How else could I have not had his work on my radar?
Marckinetic, M32 Cycle path, Bristol, July 2022
I haven’t seen enough of his work to know whether his pieces are some kind of cryptic writing or simply interesting abstract studies in landscape format. Give me a little time and I will find out. This piece is made up of two colour elements: some yellow/orange and pink/purple blocks, and a network of thinner blue arrows running through them. The whole object is given a solid black 3D shadow that very effectively lifts the piece from the wall. Black and blue dots fill the available background space. This is a really nicely constructed piece from Marckinetic that has been expertly finished. Watch this space for more from the artists… maybe tomorrow.
This piece by Serm, tells a story not only about his work, but also about the street art scene in Bristol, or any other place with a graffiti culture. As a photographer and chronicler of street art and graffiti in our city, I and others like me, have a pretty good grasp of what is going on, of who painted what and when. It is an earned privilege to have this overview, but it is also a rare one. Most artists, quite rightly, are interested in finding a spot where they can paint their new idea, without much consideration for what was there before.
I came to photograph a new piece by Petro, but instead found this lovely piece by Serm. It is obvious that Serm didn’t know that the Petro piece was so new, otherwise he would have perhaps found another space. Serm has, however, broken a convention by painting over half a piece, which is considered to be a bit rude. A collaboration might have been a better option to paint over Petro’s piece. Enough background.
Serm, Cumberland Basin, Bristol, July 2022
I have only seen a handful of Serm pieces and none of them with a character, so this was rather special. The writing is skilfully done in white with some shades of grey fills, but overall rather minimalist. The colour comes in the shape of the Yosemite Sam character on the right-hand side.
Serm, Cumberland Basin, Bristol, July 2022
I am minded to do a gallery of cartoon characters, just for fun, because there have been so many painted by artists over the years, and all of them worth celebrating (of course time will be the limiting factor). The last time I saw a Yosemite Sam was in New York in October 2017, by Crash. This one by Serm compares very well to that one.
It doesn’t seem to matter what Kosc does, he always does it with class. This superb piece of writing, part of an NTS collaborative wall, spells out Kosc, and is really top notch stuff.
Kosc, Dean Lane, Bristol, July 2022
This is classic wildstyle writing with a contemporary feel to it. The design is reasonably complex, but the elements perfectly clean and tidy. The horizontal colour transitions through the letters are expertly done, and the whole thing benefits from being painted on a well prepped wall. More great work from Kosc.
From time to time you find a wall that an artist ‘owns’ and I guess the maxim ‘possession is nine tenths of the law’ kicks in. This wall seems to belong to Claro_que_sssnoh, and in the main other artists leave him to it. When it does get painted by someone else, he eventually reclaims the spot.
Claro_que_sssnoh, M32 cycle path, Bristol, July 2022
Claro_que_sssnoh has such a distinctive and attractive style, and with this piece, he has absolutely smashed it in terms of colour palette. His slim joined-up letters, spelling HONS, are filled with some outstanding patterns and designs and the whole piece stands out from the red background. This is a very nice piece from the Spanish artist.
Natural adventures 