3544. M32 Cycle path (114)

Readers of Natural Adventures will be familiar with cat pieces by Daz Cat, but I think this is the first Time I have posted anything by Sage. I actually got lucky because I met the pair for the first time when they were painting this rather nice collaboration. Such nice people… and like policemen and doctors and teachers, so young.

Daz Cat, M32 cycle path, Bristol, March 2021
Daz Cat, M32 cycle path, Bristol, March 2021

Daz Cat told me that he was using up dregs for this piece, not that you’d know it. This cat is full of colour and detail and the three-quarter profile has given Daz Cat some different perspectives to play with.

Sage, M32 cycle path, Bristol, March 2021
Sage, M32 cycle path, Bristol, March 2021

Sage, I think is responsible for some interesting mega tags that I have seen about the place without knowing who they were by. This, of course, is a bit of writing and I think he likes to do writing and characters in equal measure. I need to find and write about more pieces from Sage.

3541. Brunel Way bridge (94)

It is a great pity that Epok is a rare visitor to Bristol these days, preferring to paint in Gloucestershire, where I presume he must live. The upshot of this is that each of his pieces in the city is very precious, like this one as part of an ASK collaboration from a while back.

Epok, Brunel Way, Bristol, February 2021
Epok, Brunel Way, Bristol, February 2021

This wall is a nightmare to photograph due to the amount of glare streaming in from the left hand side. Even on overcast days it is tricky. This is a spectacular geometric piece from Epok, combining his straight lines and angles with circles and semi-circles, spelling out EPOK. Although part of a five-way collaboration, this section of the wall was shared by Epok and painting pal Piro who combined styles and colour schemes. Good to see a new Epok piece in town.

3537. M32 Cycle path (113)

Another Bristol artist who seems to paint walls in pulses with long breaks in between is Subtle. This is one of two lovely pieces of graffiti writing from the artist a week or two back both using a similar colour palette.

Subtle, M32 cycle path, Bristol, March 2021
Subtle, M32 cycle path, Bristol, March 2021

This particular hoarding is notoriously difficult to photograph because of the bright sky behind it and I would guess is best photographed at dusk. These turned out ok, but everything behind the piece is bleached. Subtle presents us with his super-size letters and a some really neat bubble decorations in pink and white. The borders and shadows are very nicely done and this piece is everything one would expect from Subtle… big, bold and beautiful.

3536. M32 roundabout J3 (286)

Dott Rotten has been spoiling us with his SPOILT pieces of late, and this red and green beauty on the M32 roundabout is an absolute classic. Dott Rotten’s writing style is fairly recognisable, although when he writes other letters it can take me a while to pin him down. However, it is not so much the style that gives him away as the quality of his finishing.

Dott Rotten, M32 roundabout, Bristol, March 2021
Dott Rotten, M32 roundabout, Bristol, March 2021

In that respect, there are some similarities with Rusk’s work which is always so neat and tidy. These joined up letters are brought to life with a light and dark shade of fill with some repeating patterns of dots and boxy segments. What makes it jump out though is the wonderful contrast with the vibrant red backdrop. A lovely piece.

3531. St Werburghs tunnel (228)

Another nice piece from Mr Draws whose work creates a drumbeat for the whole graffiti art scene in Bristol. If Mr Draws isn’t painting then things must be very, very bad indeed. I don’t post all of his work, simply because with only two posts a day on Natural Adventures I have to be selective with all artists. Anyhow, in my retirement I’ll have hundreds of images in my archives to post, so all is not lost.

Mr Draws, St Werburghs, Bristol, February 2021
Mr Draws, St Werburghs, Bristol, February 2021

The entrances to St Werburghs tunnel are so much easier to photograph than the interior, and the colours are so much truer. This is a classic Mr Draws piece, with a deep black shadow and some decent fills with yellow accents. Mr Draws marches on.

3529. Moon Street (87)

Moon Street, once one of the most vibrant and active graffiti streets in Bristol has become something of a forgotten backwater since the gentrification tsunami struck the Stokes Croft area about two years ago. Since that time decent pieces are few and far between, but every now and again there is a little gem, like this dazzling piece from Lee Roy.

Lee Roy, Moon Street, Bristol, February 2021
Lee Roy, Moon Street, Bristol, February 2021

Everything about this one screams out ‘look at me.. I’m here and I want to be seen’. As I have said in an earlier post of a piece from Lee Roy, he seems to have gone into overdrive in the last few weeks and is chucking up his unique brand of graffiti writing all over the city. I particularly like this one though. Great for the somber mood we seem to find ourselves in these days.

3516. Dean Lane skate park (396)

Not much lasts for long in the street art world, especially in Dean Lane, and the Acer One piece featured in the previous blog post was overpainted with this brash piece from Lee Roy, who has unleashed his energy and desire to cover Bristol in paint in recent weeks.

Lee Roy, Dean Lane, Bristol, February 2021
Lee Roy, Dean Lane, Bristol, February 2021

Although Lee Roy is an established writer in Bristol, I have only recently started to post his work, probably because it is impossible to ignore at the moment. His style is interesting, with irregular and unusually shaped letters, but his fills are very nice indeed, if a little understated in this piece. I love the touch ‘Need Photos’ in the top right corner – well here they are.

This wall has since been overpainted by Mudra yesterday, but he decided to keep the little ‘Need Photos’ message in there.

3515. Dean Lane skate park (395)

Acer One has been out and about smashing it recently, usually in collaborative pieces or painting alongside friends, in this case he painted the letters ACER adjacent to a Benjimagnetic piece.

Acer One, Dean Lane, Bristol, February 2021
Acer One, Dean Lane, Bristol, February 2021

What I really like about ACER One’s pieces is that from close up they are very difficult to decipher, but as you retreat, your eyes begin to piece together the patterns into letters. You can play a game with yourself with this picture… if you look at the magenta and gold bits, they take on abstract shapes, and it becomes almost impossible to see the letters – weird. I like that he obviously uses a mask of some kind to get these perfectly straight lines. A fine, warm piece from Acer One.

3513. Dean Lane skate park (394)

More great work from Benjimagnetic who is on fire these days, this time with a nice piece of heavily disguised writing at Dean Lane. This one was painted alongside Acer One who also seems to have had a new lease of life in recent weeks.

Benjimagnetic, Dean Lane, Bristol, February 2021
Benjimagnetic, Dean Lane, Bristol, February 2021

Benjimagnetic has used his favourite colour palette of reds, purples and blues, but rather than spelling BEN as is usual he has spelt something else here. My usual uselessness at reading his writing means that I can’t tell you what this says… it starts with a T but I lose it after that. Whatever it says, it is still a fine piece.

3508. Brunel Way bridge (92)

I don’t get to see nearly enough work from Piro, he tends to paint in some secret abandoned building locations in the Stroud Area which I have never been to. Just occasionally though he paints in Bristol and this was part of a long collaborative wall from a few weeks ago.

Piro, Brunel Way, Bristol, February 2021
Piro, Brunel Way, Bristol, February 2021

His style is most akin to Epok, who he often paints alongside and did so again on this occasion. These highly designed letters spell out PIRO, although I cannot be entirely certain. The combination of straight lines, curves and colours is beautifully put together and has a touch of Art Deco influence about it.