The two most prominent conflicts (although there are countless others) of our time that have mobilised public attitudes in the UK are the Israeli occupation of Gaza and The West Bank, and the Russian invasion of Ukraine, both of which are barely out of the news at the moment. The Nobel Peace Prize nominee-in-waiting, Donald Trump has appeased the aggressors and most powerful forces in both conflicts and achieved absolutely no progress towards peace since he took office. Shame on him. Siding with bullies and looking for a favourable deal (for him and his cronies) is all he appears to care about.
Mr Draws, Brunel Way, Bristol, June 2025
Meanwhile, protests continue and are powerfully expressed through graffiti art, which has a capability to commentate on the injustices of the world in a way that has a lasting impact. Mr Draws has done himself proud with this huge ‘Free Palestine’ piece in chrome, sitting on the red white and green colours of the Palestinian flag. I guess the black drop shadow makes up the black from the flag. (Note to self – prepare some protest galleries).
It has been quite difficult trying to keep up with Tera’s incredible output this summer, and I have had to do a little trawl through my summer archive to find some of his pieces that I haven’t yet posted, including this one painted alongside Kid Crayon, back in May this year.
Tera, M32 roundabout, Bristol, May 2025
This is one of Tera’s earliest pieces (he touched the ground running), and demonstrates a certain amount of experimentation. It is an interesting piece of writing spelling out his name, but definitely feels like something that hasn’t yet formed an identity. The technique is good throughout, with some nicely graded fills and some good interlocking letters. Given some of his more recent large character pieces, this one looks like a stepping stone towards improvement.
Fade, Jody, Dibz, Cheo and Acid Face with a Brace, Cumberland Basin, Bristol, May 2025
In Bristol, we are really lucky and get to see a lot of collaborations and paint jams about the place, bringing together local artists who are often joined by visitors, invited or passing through. We get to see all sorts of different styles and levels, and then occasionally a top drawer special production like this one from Fade, Jody, Dibz, Cheo and Acid Face with a Brace.
Fade, Cumberland Basin, Bristol, May 2025
Photographing this production in its entirety was something of a challenge due to its sheer length and some difficult light conditions, with so much open sky above the wall. To start us off on this wall we have a semi-submerged piece by Fade, with the water level cleverly portrayed using different shades of colour above and below the water line, a theme continued by each artist through the production. Some dramatic skies round off Fade’s section nicely.
Jody, Cumberland Basin, Bristol, May 2025
Next up is a portrait piece by Jody featuring a warrior with a deep fur collar and long sword, so I am imagining a Viking theme going on, although I can’t help feeling that the hairdo doesn’t quite match the machismo of the character.
Dibz, Cumberland Basin, Bristol, May 2025
In the centre and holding the whole production together is a piece of typically brilliant writing from Dibz, again, with the water line running through it and incorporating a wonky long sword. The dramatic skies also continue through this story.
Cheo, Cumberland Basin, Bristol, May 2025
Cheo brings a whole different style to the piece, while faithfully following the Viking idea. His cartoon warrior, wading through the water, is festooned with long blonde hair tied up with red bands. His snarling face is made rather comical with the tilt of his helmet. Of course, a trademark bee, also with a helmet, is in attendance.
Acid Face with a Brace, Cumberland Basin, Bristol, May 2025
Rounding off the production is some more writing from Acid Face with a Brace, whose collaboration with Dibz and Fade in Dean Lane from earlier in the summer is still very much intact. The theme is beautifully embraced by Acid Face with a Brace, and he has included a wave breaking over his letters, mirroring the Fade piece at the other end. Awesomeness all round.
Kid Crayon and Tera, M32 roundabout, Bristol, July 2025
This is a wonderful character collaboration from Kid Crayon and Tera, otherwise known as the Doordie crew (do or die). What is extra special about this is that it has lasted a couple of weeks, which is quite rare for a Kid Crayon piece these days, and should be celebrated.
Kid Crayon, M32 roundabout, Bristol, July 2025
The character on the left is by Kid Crayon and on the right by Tera, between the battling zombies we see a collection of bones spelling UZI (Undead Zombie Infection). The green zombie looks very much like the characters from Plants vs Zombies, a game that my kids very much enjoyed a few years ago. There is so much detail and expression in this zombie, brilliantly crafted by Kid Crayon.
Tera, M32 roundabout, Bristol, July 2025
Tera, continues to amaze with his rapid progress this summer with this fantasy style zombie, a little more menacing and scary than his counterpart. There is, once again, plenty of detail in the piece, with the bony fingers taking a prominent role. Altogether a fine and fun collaboration. It is so good to see Kid Crayon out so often this summer, with a regular painting partner.
Dirtygypo and Posh, Sparke Evans Park, Bristol, July 2025
Although this superb piece of graffiti writing from Dirtygypo isn’t really a collaboration, it does have a cheeky collaborative element from the inclusion of one of Posh’s distinctive characters, of which there appears to have been an outbreak of across Bristol in the last couple of months.
Dirtygypo and Posh, Sparke Evans Park, Bristol, July 2025
As with many of Dirtygypo’s pieces, each of the letters are assigned a different colour and the word it interspersed with bolts of lightening. I won’t drift into trying to interpret the word this time, I’ll simply have to wait until I meet him to find an answer. All good stuff, and another fine piece from Dirtygypo.
I guess that it was fairly inevitable that tribute pieces to the late Ozzy Osbourne would start to emerge, although in Bristol, I have only found two, of which this impressive piece by Tera is one. I see how much the musician meant to so many people, but I’m afraid I don’t count myself amongst them. I always thought he was a bit of an arse, and I was less than captivated by the puerile ‘fly on the wall’ documentary series about the Osbournes, but each to their own.
Tera, St Werburghs, Bristol, July 2025
What is incredible about this large portrait is just how quickly Tera has adapted to upscaling his tattoo skills to large walls, literally in a mater of months. There is some great use of positioning bright colours against the greyscale portrait, which creates a certain dynamism. This piece captures the mood of Ozzy perfectly, and I rather like the epitaph ‘Rest in Darkness’.
I am assuming that Smak has slowed on his graffiti writing due to demands on his commercial work, or at least I hope it is something positive like that. He hasn’t lost his touch in the slightest, and this is a complete banger painted during a paint jam for Frazzled Magazine.
Smak, St Werburghs, Bristol, July 2025
The beautifully disguised letters spell out SMAK, and it is the architecture and design of the letters that is so admirable. Every element and shape, colour sequence and detail is meticulously thought out and skilfully painted. Smak really is one of the very best graffiti writers around and can turn out exquisite work like this with apparent ease. An outstanding example.
This decent combination piece by Sub in Peel Street Green is, as far as the Mario character goes, ‘take two’ and he has done a much better job of it this time round, demonstrating the value of practice. I published his earlier piece about a week ago and have dropped the photograph at the end of this post for comparison.
Sub, Peel Street Green, Bristol, July 2025
The letters are large and chunky, as I would expect from Sub, and have a very solid feel to them. The colour gradient is nicely worked and the whole combination neat and tidy. The Mario character is really well painted, with plenty of subtle shading to help bring about some depth in the character. This is a fun piece from Sub.
Hemper has had an interesting year so far, at one point there was no stopping him, producing multiple pieces in multiple styles, after which he went a little quiet, but recently he has returned with another burst of energy and a short-form theme to his lettering, of which this piece is typical.
Hemper, Dean Lane, Bristol, July 2025
The cartoon-style letters, spelling HEMS, are made rather more cartoony with the inclusion of character features in the ‘E’ and ‘S’. What sets this apart from other similar pieces of writing is that it oozes class, confidence and experience, from the yellow spiky splash background to the sharp black and white borders. There are only a few artists who can carry off small pieces like this with such perfection.
Grimes, Sparke Evans Park, Bristol, March 2025Grimes (unfinished), River Avon, Bristol, February 2025Grimes, M32 Cycle path, Bristol, January 2025Grimes, Dean Lane, Bristol, February 2025Grimes, Cumberland Basin, Bristol, January 2025Grimes, River Avon, Bristol, January 2024Grimes, St Werburghs, Bristol, June 2024Grimes, Sparke Evans Park, Bristol, November 2024Grimes River Avon, Bristol, November 2024Grimes, L Dub, Bristol, October 2024Grimes, Greenbank, Bristol, August 2024Grimes, M32 roundabout, Bristol, August 2024Grimes, Leonard Lane, Bristol, July 2024Grimes, St Werburghs, Bristol, July 2024Grimes, Brunel Way, Bristol, July 2024Grimes, M32 roundabout, Bristol, March 2024Grimes, M32 roundabout, Bristol, June 2024Grimes, River Avon, Bristol April 2024Grimes, Peel Street Green, Bristol, May 2024Grimes, Frome Side, Bristol, April 2024
Natural adventures 