2938. Dean Lane skate park (310)

On the long wall at Dean Lane back in September of last year was this rather unusual piece by Logoe. It seems that at the back end of last year, Logoe was quite productive and painted a few pieces like this with his central writing overwritten with smaller messages, The whiole thing looks like it has been tagged, but it is in fact all his own work.

Logoe, Dean Lane, Bristol, September 2019
Logoe, Dean Lane, Bristol, September 2019

I’m not quite sure what all the smaller script says but I thik it goes like this:

‘Baby we living in the moment, been a menace for the longest, but I ain’t finnished I’m devoted, and you know it and you know it.’

Possibly the lyrics from a song or a message to a loved one, I just don’t know. Just Googled it. The lyrics are from a song by Kanye West called Black Skinhead. So there we have it. Enjoy.

2935. Dean Lane skate park (310)

This is an older TES from Slim Pickings (TES) painted back in July 2018, before I had properly registered how many different versions of his ‘super-tag’ he had produced. I post his pieces rather sparingly, because to some they might seem a bit repetitive, but for others the joy is in scrutinising the subtle differences between the designs of each one and the use of different colours and fill patterns.

 

Slim Pickings, Dean Lane, Bristol, July 2018
Slim Pickings, Dean Lane, Bristol, July 2018

One thing that remains consistent with Slim Pickings is that his work is always immaculately presented. The lines are always clean and the fills solid without thin bits that you see on a lot of throw ups for example. The red and green work well and the yellow outline sets the piece off nicely.

2933. New Stadium Road (24)

Conrico came on to my radar a little bit late, even though I had been photographing his work for a while without knowing who he was or anything about him. This was one of those earlier unattributed pieces that I had seen but placed in my files, where it has lingered until today.

Conrico, New Stadium Road, Bristol, July 2018
Conrico, New Stadium Road, Bristol, July 2018

This burner from July 2018 is an accomplished piece of writing in one of Conrico’s favoured spots. The cartoon writing style is beautifully filled and given a double shadow in black and brown to push the letters out from the wall. A very nice piece indeed.

2931. Raleigh Road Vector (31)

It seems somewhat remarkable that so many Soker pieces have been left behind in my archive over the last few years, but on the upside, it means I can share them with you now, while there is something of a slowdown with the appearance of new work in Bristol at the moment. I feel that things might be about to change however, with a slight relaxation of lock down.

Soker, Raleigh Road, Bristol, June 2018
Soker, Raleigh Road, Bristol, June 2018

This is a stunninng, crisp, clean and very easy on the eye piece of writing from Soker on a hoarding that sadly no longer exists. A beautiful design, great colour selection and fabulous 3D shadow that lifts the piece from the background all add up to piece of the highest quality from this master graffiti writer.

2930. St Mark’s Avenue (8)

This is the last piece for the time being from St Mark’s Avenue, although I still have several in the archive to share at another time. It is yet another masterful piece from Deamze whose work still occupies the dark recesses of various folders on my computer.

Deamze, St Mark's Avenue, Bristol, September 2019
Deamze, St Mark’s Avenue, Bristol, September 2019

I am not overly fond of the Smurfs. I was just a little too old for them, when they first emerged onto our screens and so I sneered at the show considering it to be babyish. Furthermore, I just don’t like gnome type things. Deamze however has managed to create a rather special Smurfs piece in St Mark’s Avenue, probably some time ago.

Deamze, St Mark's Avenue, Bristol, September 2019
Deamze, St Mark’s Avenue, Bristol, September 2019

The pink and blue shapes spell out DEAMZ although it is difficult to see from the tight angles of the pictures, and the cheeky little Smurf, like so many of Deamze’s characters is painting the wall with a spray can. Great work once again.

2927. M32 roundabout J3 (207)

Silent Hobo, I have said countless times, manages to paint scenes and characters that represent the beating heart of the city of Bristol. He captures a mood so well through his observations and translates them into identifiable things about the city so that you can say ‘hey I get that’ when you see his work. I have a feeling although I can’t be 100 percent certain that the writing is by Logoe.

Silent Hobo, M32 roundabout, Bristol, September 2019
Silent Hobo, M32 roundabout, Bristol, September 2019

The main scene shows a fox (a famous Bristol fox) overlooking a cityscape where there is a lot of construction work taking place. There is a tree growing out of a cardboard box, maybe representing some kind of hope for the future.

Silent Hobo and Logoe, M32 roundabout, Bristol, September 2019
Silent Hobo and Logoe, M32 roundabout, Bristol, September 2019

The writing is in a slightly different style and since Logoe and Silent Hobo collaborate a lot, I am guessing that it is by Logoe and I think it spells out his name, but it is not entirely clear. A lovely collaboration from September 2019.

2926. M32 roundabout J3 (206)

Rezwonk is one of the most productive artists in Bristol, or at least was pre-coronavirus, so it is inevitable that I haven’t been able to post all his works as we go along, or there wouldn’t be any room for anyone else. This pause on activity on the streets has enabled me to catch up a little.

Rezwonk, M32 roundabout, Bristol, January 2020
Rezwonk, M32 roundabout, Bristol, January 2020

As always with Rezwonk, this piece is on point in terms of design and execution. I would point out though that the colour selection either of the piece or the wall is not ideal as the whole thing looks a bit lost. If it were on a lighter background it would probably stand out a little more. (Splitting hairs… sorry). Always great work from Rezer.

2925. Dean Lane skate park (309)

This wonderful triptych collaboration from Piro, 45RPM and Epok appeared last september on the garage wall at Dean Lane. Don’t ask me why I never posted it… inexplicable. This collaboration follows the format of sharing a wall and colour scheme with three associated pieces.

Piro, Dean Lane, Bristol, September 2019
Piro, Dean Lane, Bristol, September 2019

On the left is a fabulous piece of graffiti writing from Piro, an artist whose work is almost entirely absent from Natural Adventures, which is a pity, because he has an incredible style and technique. His work is always incredibly tight.

45RPM, Dean Lane, Bristol, September 2019
45RPM, Dean Lane, Bristol, September 2019

The centrepiece character is by 45RPM depicting a devilish glass of beer or perhaps ginger beer or something more alcoholic altogether. This is a nice feature that joins the two pieces of graffiti writing really well, a segue beer if you like.

Epok, Dean Lane, Bristol, September 2019
Epok, Dean Lane, Bristol, September 2019

The piece on the right is from Epok and is absolutely stunning in my book. The letters spell out EPOK and the design and colour elements of the writing are so very easy on the eye. I haven’t seen much from Epok lately, so finding this one in my ‘coronavirus’ archive was a real treat.

2920. Dean Lane skate park (308)

Anyone who reads Natural Adventures regularly will know that I have a soft spot for Polish artist Hire, whose Gothic writing and spiky rabbits regularly adorn the walls of Dean Lane skate park. This piece from July last year treats us to both central elements of his work.

Hire, Dean Lane, Bristol, July 2019
Hire, Dean Lane, Bristol, July 2019

The writing part of the piece is expertly done and I particularly like the way that two tones of orange are used and blended to great effect. The 3D shading is very distinct, but I fear slightly dominates the brittle nature of the letters.

Hire, Dean Lane, Bristol, July 2019
Hire, Dean Lane, Bristol, July 2019

The rabbit, although menacing, is perhaps a little kinder than some of his spikier cousins… it looks like it has had a bit of a shampoo and set. How on earth I allowed this one to sit in my archive until now, I’ll never know.

2919. Dean Lane skate park (307)

When a large wall like this one at Dean Lane skate park is prepped along its full length, you know you are going to be in for a treat. This piece is a collaboration between Dasco and Apnea.

There are three basic types of collaboration. One is where two or more artists contribute to a single piece of work and it can be difficult to be sure which artist painted which bit; another is when two artists paint together at the same time, but their pieces are discrete. The third type of collaboration is amply demonstrated here where artists paint alongside each other, but the theme or colour scheme used join the pieces up in some way. There are other types of collaboration of course, but I’ll not go into those here.

Dasco, Dean Lane, Bristol, July 2019
Dasco, Dean Lane, Bristol, July 2019

On the left is a super piece of writing from Dasco, who in recent months has made his presence known in Bristol with a series of outstanding productions. His work is assured and clean and he changes his design and style with each new piece, where some artists such as Elvs or Slim Pickings tend to stick to a basic formula that they play with.

Apnea, Dean Lane, Bristol, July 2019
Apnea, Dean Lane, Bristol, July 2019

On the right of the wall is a piece from Apnea, and I have to confess that I know nothing about the artist and don’t recall seeing much of their work. I am guessing that Apnea may have bee a visitor who hooked up with Dasco for a while, but I could be quite wrong (I usually am). This too is a nice piece, although not quite as tight as Dasco’s.