3608. M32 roundabout J3 (304)

The sleeping giant has definitely woken, and Subtle has been out and about creating some superb pieces across Bristol. I think he has a stock of pink paint that he wanted to use up, because a lot of his recent stuff has majored on pink.

Subtle, M32 roundabout, Bristol, March 2021
Subtle, M32 roundabout, Bristol, March 2021

Subtle uses a technique that involves quite a lot of roller-brush work. Most of the solid fills and the background are all roller work, with the outlines and details added on with spray paint. This is for both ease and economy. Emulsion is so much cheaper than spray paint. The result of his labours is this wonderful SUBTLE in pinks and reds on a green background with blue decorations. Eye-catching and fun.

3605. M32 Cycle path (117)

This is a pairing that has been very productive in recent weeks and one that involves two artists with very different temperaments, Hemper and Turoe. What is clear is that both of these artists are uber-talented and capable of turning out writing in a plethora of different styles.

Hemper, M32 Cycle path, Bristol, April 2021
Hemper, M32 Cycle path, Bristol, April 2021

This collaboration is actually only one half of a slightly larger effort that included Veks and Benjimagnetic but somehow these two needed to be posted as one. The Hemper ‘HEMS’ is utterly outstanding and those shades from brown at the bottom to blue at the top are sensational. The letter style is nice and organic and has a kind of woodland/outdoorsy feel to it. So very good.

Turoe, M32 Cycle path, Bristol, April 2021
Turoe, M32 Cycle path, Bristol, April 2021

The Turoe piece in a richly scripted style, spelling out, unsurprisingly, SHYTE, is beautifully done in a yellow gold colour. There is something funny about the juxtaposition between the fancy script and crude word. A fine piece from Turoe. Together, these artists with contrasting efforts have absolutely smashed this wall.

Hemper and Turoe, M32 Cycle path, Bristol, April 2021
Hemper and Turoe, M32 Cycle path, Bristol, April 2021

3601. St Werburghs tunnel (233)

Both of these artists have had a very busy year in terms of throwing paint at walls. Benjimagnetic and Hemper are not artists I would normally pair up, but they have painted together in the past and continue to do so from time to time. Benjimagnetic’s style is much more consistent, whereas with Hemper, each piece is incredibly individual.

Benjimagnetic, St Werburghs, Bristol, March 2021
Benjimagnetic, St Werburghs, Bristol, March 2021

On the left is a fascinating piece from Benjimagnetic spelling BEN, which is much less frenetic and busy than his usual offerings. The yellow outline, where you can make out his letters, is sitting over a blockwork pattern, and the whole efect is compelling. Two little speech bubbles state: ‘Stand in the balance’ and ‘Hold your head up’

Hemper, St Werburghs, Bristol, March 2021
Hemper, St Werburghs, Bristol, March 2021

To the right Hemper has created a sensational piece of writing spelling out HEMS in beautifully curvy letters which are filled to perfection with various colourful shades and bubbles. The whole thing is set on a very atmospheric green background with a few subtle shout-outs. ‘Free assembly is a right… …not a privilege’ is a sentiment very close to many Bristolian hearts at the moment. Kill the bill.

3600. M32 roundabout J3 (302)

Soker is an incredibly versatile writer, managing to conjure up no end of extraordinary styles for his usual SOKER letters, but this piece is, in my view, an extra special one produced during a recent birthday celebration paint for Sled One.

Soker, M32 roundabout, Bristol, March 2021
Soker, M32 roundabout, Bristol, March 2021

The colourful letters are framed within a beautiful flowery border that oozes pure class. It doesn’t take much more than the slightest glance to see that this is a masterful piece with an outstanding overall design, beautifully crafted fills and superb finishing. A supreme piece of graffiti writing.

3598. M32 roundabout J3 (301)

I haven’t posted many pieces by Evey, mainly because I haven’t actually seen all that many. She tends to paint with other Resting Bitch Face (RBF) crew members, including Pekoe and Bnie, which was the case on this wall.

Evey, M32 roudabout, Bristol, March 2021
Evey, M32 roudabout, Bristol, March 2021

What I particularly like about Evey’s work is its simplicity and femininity (without being girly, if that makes sense). Her letters are nice and organic, but it is her fills, which are so often full of happiness, that show off her creativity. Although her work is still developing, there is something about it that I find incredibly attractive.

3595. M32 roundabout J3 (300)

There have been few, if any, visiting artists during lockdown periods over the last year, which is what you’d expect, but the recent easing of lockdown measures has resulted in a little bit of movement. This fabulous collaboration by Big Inuk and Big Birdie is a welcome recent addition to this wall which hadn’t seen much in the way of turnover for ages. Sometimes it takes a non-local to get walls moving again.

Big Inuk, M32 roundabout, Bristol, March 2021
Big Inuk, M32 roundabout, Bristol, March 2021

On the left is a fine piece of writing from Big Inuk who has visited Bristol before in recent years with equally impressive pieces. His skill is clear to see in this INUK writing, with some beautiful decorations and features.

Big Birdie, M32 roundabout, Bristol, March 2021
Big Birdie, M32 roundabout, Bristol, March 2021

To the right is some equally impressive writing from Big Birdie who I have not featured on Natural Adventures before, so it is a big welcome to her. Again, this is the work of an accomplished graffiti writer, tight and clean, just what we like to see from visitors. I’m not sure where she is from but she is welcome to return any time.

Inuk, St Werburghs, Bristol, July 2018
Inuk, St Werburghs, Bristol, July 2018

INUK, Dean Lane, Bristol, July 2018
INUK, Dean Lane, Bristol, July 2018

3592. M32 Cycle path (116)

I can’t work out whether Lee Roy has been hiding from me for the last few years or whether I just haven’t noticed him before, but over the last few weeks his writing has appeared absolutely all over the place and I simply can’t keep up with it.

Lee Roy, M32 cycle path, Bristol, March 2021
Lee Roy, M32 cycle path, Bristol, March 2021

This one on the cycle path is presented in a nice selection of blues and spells out LEEROY with his characteristic letter style. Some of the decorative work is a little untidy, but it sort of works with Lee Roy’s way I think. This is not the kind of perfection you might get with Rusk or Soker or Smak for example, but I don’t think it is striving for that. This piece is fun and that is enough.

3589. Dean Lane skate park (405)

It has been well worth the wait to see these two collaborating once again. Once a common sight, since last March, I think these two have only painted together a couple of times. This is back to the classic style for both artists, with their jagged spikes lettering.

Soge, Dean Lane, Bristol, March 2021
Soge, Dean Lane, Bristol, March 2021

On the left of the collaboration, set on a vibrant pink backwash, which if you look carefully is a tropical beach scene with ocean waves and palm trees, are the letters SOGE in an irregular formation. The letters look like the thorn forest in Disney’s Sleeping Beauty.

Hire, Dean Lane, Bristol, March 2021
Hire, Dean Lane, Bristol, March 2021

To the right is writing from Hire who has taken a break from his more recent representations to revert to old style work with a great result. These two artists absolutely smashing this style of writing which seems to be pretty unique to them in Bristol – I can’t think there are any other writers who do this. Great to see them back together and I am hoping it is the first of many more.

3587. Greenbank (2)

I realise that although I have photographed quite a lot of pieces by Bnie over the years I haven’t posted all that many on Natural Adventures. In fact that could be said of a great many artists. There are only a handful of artists that I will post everything I have, and they are, in no particular order; Laic217, Inkie, Kid Crayon, Sled One and 3Dom… in fact there are others, but I just can’t remember them right now. I suppose that this places a kind of ranking in my own mind, but I don’t think that is necessarily the case.

Bnie, Greenbank, Bristol, March 2021
Bnie, Greenbank, Bristol, March 2021

This is a super piece of writing from Bnie with a really nice colour selection and 3D shadow shading. I like the way she has incorporated a little smile into the letter ‘B’ which is like a mash-up between Ryder and DFC1848. The way the colour shading works and the white accents work well together to give the whole piece a bit of a 3D lift. Note to self – post more Bnie work.

3586. Dean Lane skate park (404)

Shade One and Dibz have painted some fabulous collaborations over the last six months, but this one is probably the pick of the bunch. I was lucky enough to watch their progress for a while and have a quick chat. I’ve not met Shade One before, but he seems to be an affable guy, and I don’t seem to be able to avoid meeting Dibz at the moment, I think our biological clocks must be in sync.

Dibz and Shade One, Dean Lane, Bristol, March 2021
Dibz and Shade One, Dean Lane, Bristol, March 2021

This is a beautifully crafted piece and both artists are meticulous with the detail and clean lines. Dibz’s writing is as complex as ever with horizontally layered colours and shadows the offer a deep perspective. The writing serves as a foundation for the character piece by Shade One.

Dibz and Shade One, Dean Lane, Bristol, March 2021
Dibz and Shade One, Dean Lane, Bristol, March 2021

There is a wonderful symmetry and balance to this collaboration that makes it very easy on the eye indeed. I think the circle being referenced at the bottom in Dibz’s writing is really clever and brings a resolution to the whole composition. A brilliant piece from a couple of artists in peak form.