This is one of the last pre-lock down pieces from March this year (photographed in April) that I have (not strictly true, as I do have more, but it is the last one I am posting for a while, before I start on a trip through the archives. Painted by Bnie, this beautiful piece of graffiti writing was sprayed at the same time as Hazard and Smak decorated this hoarding (see yesterday’s post).
Bnie, Upper York Street, Bristol, April 2020
This, I think, is the crispest, cleanest piece I have seen from Bnie to date and shows off her talents perfectly.The alternation of graded yellow and blue fills is really nicely done and the patterned 3D shading, a bit of a Bnie trademark, is superb. A classy piece.
I have been to this hoarding three times and each time the light has been overpowering (whatever happened to those overcast days?). The sun reflects off the windows of buildings behind the camera which reflect dappled sunlight all over this wall, ruining any chance of a decent shot. To take these pictures I waited 20 minutes for the slowest-moving solitary cloud to pass over the sun (I guess I was lucky), and then had to act fast.
Hazard and Smak, Upper York Street, Bristol, April 2020
The beautiful collaboration is from Hazard and Smak and I think was one of the very last pre-lock down pieces in town. The hoarding surrounds a whole block that has been demolished, bar one single house, which you can see in this photograph. It is like a scene from the Disney Pixar movie Up.
Hazard, Upper York Street, Bristol, April 2020
On the left is a stunning leopard by Hazard (Harriet Wood) which speaks for itself really. The whiskers are particularly good, and I like the way the whole thing bleeds into the Smak writing next to it.
Smak, Upper York Street, Bristol, April 2020
Smak consistently produces graffiti writing of the highest order and this is another one to enjoy. Book-ended by leopard spots the mixture of angular and rounded letters is beautifully presented and filled thoughtfully with blues and yellows. Altogether a lovely collaboration.
On Turbo Island, one of the spots in Bristol that often exposes some of our greatest social problems in the city, is this wonderful message of thanks from Ryder to the National Health Service. Of course we must shout out to not only the NHS but also care home workers, all key workers, public servants and civil servants who are keeping this country ticking over during this difficult period. Notable by their absence in this list of heroes are bankers and hedge fund managers – I seem to remember the nation bailing them out about a decade ago. How quiet they are right now, speculating about how much money they can make when we come out of this crisis. Leopards never change their spots.
Ryder, Turbo Island, Bristol, April 2020
Ryder has managed to get out during lock down to create this piece, and I guess it could be interpreted as mental and physical exercise, and I guess he may have worn a mask when painting it. Just to emphasise the point about some of the social problems in this area, the plastic object directly in front of the wall is a sleeping bag/tent for some poor homeless person.
Thank you Ryder for raising the spirits of Bristol citizens at this time.
A whole block of buildings bar one house on Upper York Street has been demolished and the site is being developed. While this meant that some great graff walls disappeared, they have been temporarily replaced with hoardings. A week or two back some Bristol artists hit the hoardings and this piece from Decay was painted then.
Decay, Upper York Street, Bristol, April 2020
This is a really nice piece from Decay in which he has adopted a slightly different typeface design from the one we are used to seeing. The red line outline provides a nice 3D effect and the painted drips (as opposed to drippy drips) are a nice touch.
This wall is not easy to photograph due to the big sky above it, and afternoons are very tricky indeed – I have been foolish enough to walk down there on three sunny afternoons! This might explain the slightly washed-out look in these pictures.
Right, so we are going to return to the now for a little while, after a short Covid-19 induced excursion through the archives. This recent piece from Smak at the M32 roundabout is really clever.
Smak, M32 roundabout, Bristol, April 2020
The overall effect looks like it has been partially scrubbed by some ‘do gooder’ trying to clean the wall, but it is designed to look like this, which when you consider it, is quite amazing. Clearly recognisable as Smak’s work, his style and class shine through in this original lock down piece.
This is one from the archives back in May 2019 and one of a whole bunch of not-yet-posted work from Rezwonk and Nightwayss. Over the coming weeks I will try to liberate more of these, but just this one for the moment.
Rezwonk, New Stadium Road, Bristol, May 2019
From pretty much nowhere two years ago, Rezwonk has become one of Bristol’s most prolific graffiti writers, with a seemingly inexhaustable capacity to create great designs. This lovely piece, part of a collaboration with Decay, is notable for its sticky stuff between the Z and second E and its upside down R. It is all too easy looking at these obvious features to miss the nice background and silhouetted jagged landscape and the rather clever blurred outline that gives the top of the piece a kind of glowing quality. Worth the wait.
This was a nice little piece from DJ Perks in Dean Lane. It is something of a miracle that this father of six children manages to get out and paint at all, but he does, mostly at L Dub (Lawrence Weston) but ocassionally here in Bedminster too.
DJ Perks, Dean Lane, Bristol, May 2019
I would categorise DJ Perks’ work as formative, and that he has some really nice ideas and executes them well, but with practice I feel that there is a lot more to come from this street art hunter. As I have said before, he gives me hope for my own painting ambitions. This was another one from the archives, back in May last year. Coming soon some recent pieces… Yeah! street art has not been entirely killed by Covid-19.
I posted this collaboration by Turoe One and Rusk yesterday without any words by mistake, so here it is today with some words. Not surprisingly the post received as many views/likes as it might have done without any description which is a little disheartening, but it is still nice that people apreciate the pitures. Thank you Paul for pointing out my error.
Turoe One and Rusk, Paint Festival 2019, Cheltenham, September 2019
The piece itself was painted at the Cheltenham Paint Festival last September and I was lucky enough to bump ito the artists while they were grabbing some sandwiches midway through their session. The photograph above is the only one I have with the whole piece, including the bookend characters.
Turoe One and Rusk, Paint Festival 2019, Cheltenham, September 2019
Both artists should be familiar to regular readers of Natural Adventures, and didn’t have to travel far from their native Bristol to get to Cheltenham. My poor knowledge of popular culture prohibits me from telling youn too much about the characters in the piece but it is certainly spectacular and a true collaboration where both artists have contributed to all aspects of the work.
Turoe One and Rusk, Paint Festival 2019, Cheltenham, September 2019
Turoe One and Rusk, Paint Festival 2019, Cheltenham, September 2019
The end characters are beautifully painted, and I would guess the one on the left was by Turoe One and the other by Rusk (I’ve got a 50/50 chance of getting that one right).
A most impressive piece from these two graffiti writers.
This beautifully proportioned REZER from Rezwonk was painted alongside frequent painting buddy Nightwayss in St Werburghs tunnel about two or three weeks ago. Crikey, so much has happened since then, it is unimaginable.
Rezwonk, St Werburghs, Bristol, March 2020
Like so many of the talented street artists in Bristol, Rezwonk’s work is always on point, and even his throw ups have a touch of class to them. The overall design is great and looking closely at the letters it looks like the ER at the end might have been switched to RE or even something else. I expect there will be a creative outburst when all this is finally over.
This is what can happen when two outstanding writers combine their efforts. This supreme collaboration is by Dibz and Shade One, painted in Dean Lane on the same day that Rusk, Soker, Inkie and Hemper painted on the other long wall back in March. A red letter day indeed. The whole collaboration is set on a clean blue background with a magnificent silhouetted cityscape running horizontally through the piece.
Dibz, Dean Lane, Bristol, March 2020
On the left is an absolutely faultless piece from Dibz as we have become accustomed to expect. The fills are really subtle, dradig from a lighter blue at the top to a slightly darker one at the bottom, and the letters have just the right amount of accents in red to set the piece off nicely. This is what great graffiti writinng looks like.
Shade One, Dean Lane, Bristol, March 2020
On the right we have some equally high-class writing from Shade One, an artist I know relatively little about. In this piece I particularly like the tiny ‘cracks’ in red through the letters and the stellar accents on the first and last letters. Magnificent. I am not too sure what the letters say, nor their significance, it looks like JOBE or TOBE. The only other post I have made from this artist was an Upfest piece from 2018.
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