His is only the third piece I have posted by Benjimagnetic although I have quite a few of his older pieces in my archive. His style is quite unique and more about outlines than solid fills. The sketchy appearance makes it difficult to decipher the letters, but they are there somewhere. It definitely starts with a B.
Benjimagnetic, St Werburghs, Bristol, August 2020
The colours in this piece are nicely thought out and the splashes of light blue and orange add some interest. In a funny way, this style is a bit like an angular version of the abstract writing we see from Mr Klue – there is a wispish, ghostly quality to it. Watch this space for more from Benjimagnetic.
I have a feeling that this is the third piece I have posted by Whos and I am rather enjoying what I see. This unconventional writing style feels very ‘New Bristol School’ if there is such a thing, along with Taboo and Alos. I am full of admiration for this piece, because any kind of spraying on a heavily textured wall is not going to be easy.
Whos, St Werburghs, Bristol, August 2020
The piece is located at the entrance to St Werburghs tunnel, and I expect it to stay there for a while due to the nature of the wall. The letters are large and bold with a clever shaded ridge down the middle giving a nice 3D effect. The silver/white and green colours work well together. Altogether a nice piece of writing the likes of which I expect to see more of.
Moon Street still holds an important place in my heart. Although it rarely hosts ‘top end’ pieces it represents, for me anyway, the beating heart of the Bristol graffiti scene. The area around Moon Street is steadily being gentrified, and in time these images of street/graffiti art will be distant memories. I don’t recall seeing a Taboo piece in this street before, so I was thrilled to come across this one recently.
Taboo, Moon Street, Bristol, August 2020
This new piece is beautifully laid out on a blue background that gives it some prominence. In typical fashion, Taboo’s unconventional lettering style spells out TABOO with a long-nosed character on the left and a ghostly face constituting the second O. As is often the case, there is a little shout-out to his girlfriend Amy. I’m really enjoying Taboo’s work at the moment.
It feels like an eternity since I last saw a Biers piece that actually spelled out ‘BIERS’ rather than ‘OhYeah’, and I have to say it makes me very happy. I remember the first piece I ever posted by Biers – it had a piece of toast in it, and shortly after that I met him on several occasions while he was painting and we struck it off really well – it has been a while since I last saw him though.
Biers, M32 cycle path, Bristol, August 2020
This is a regulation piece of Biers writing and all the more splendid for it. His irregular sized letters are expertly filled with black and red patterning. This is a most satisfying piece.
Corupt is an artist I have not yet met, although I have seen him up a ladder once or twice. His constant turnover of pieces has been on a long and progressive improvement over the years, and he is moving into the higher echelons of Bristol graffiti writers with his CORUPT or STIK letters.
Corupt, M32 roundabout, Bristol, August 2020
This is a piece full of confidence and competence with some really interesting letter shapes, the introduction of a little character on the ‘C’ and a deep 3D shadow in white brown and tan colours. There are many things to admire in this clever work.
I mentioned in my last Mr Klue post that the artist tends to paint in spates with periods of absence interspersed with three or four sessions in quick succession and then all quiet again.
Mr Klue, St Werburghs, Bristol, August 2020
This is a modest little piece from a week or so ago near the entrance of St Werburghs tunnel. Set on a pink background, the abstract writing swirls about in a semi-solid state, which Mr Klue does so well. Usually his pieces spell out KLUE, but I am not too certain about this one.
He doesn’t visit Bristol often (enough) but when he does he always leaves us something special and on a recent visit Kleiner Shames painted this stunning piece which is a slight departure from his more recognisable FOIS letters that we are more familiar with.
Kleiner Shames, Moon Street, Bristol, August 2020
Using colours that KleinerShames favours, and that help with identification, and a couple of designer block letters, the piece spells out the artist’s initials K S. I have missed seeing his work since he left for London, but we are blessed in Bristol that he makes these occasional trips to his old home.
I feel like I have been a little starved of pieces from Nightwayss, and I think the last one I posted was his large and stunning tribute to the NHS at the M32 roundabout. This is an altogether much smaller and intimate piece.
Nightwayss, St Werburghs, Bristol, August 2020
Nightwayss’ signature element is his little monkeys that appear in practically all of his works and he doesn’t disappoinnt with this one. His little monkey is dancing on top of a halo which sits atop the G in NIGHT. The letter style is tending towards cartoon and beautifully presented. This is a small, modest and fun piece from Nightwayss that made me smile when I saw it.
Varo is a really interesting artist whose work is most recognised for the large and dominant bull super-tag that he paints around the place, but this somewhat betrays his talent as a great writer. This colourful piece appeared on the M32 roundabout a week or two back and shows off Varo’s talent.
Varo, M32, Bristol, August 2020
The left hand side is a beautiful piece of writing, spelling out the name VARO, with a quite unique 3D shading that gives the whole thing a sense of movement and energy. On the right is a fabulous 3D rendering of his bull tag which has something of the exotic about it – maybe something to do with its Spanish creator. A wonderful And energising piece.
Natural adventures 