Writer – Page 25 – Natural adventures

7090. Sparke Evans Park (138)

Stivs, Sparke Evans Park, Bristol, July 2025

It looks like Stivs will once again be dividing opinion with this combination piece on the long wall at Sparke Evans Park. Although it was painted alongside the countless Paroe tribute pieces, it is not clear that this is one of them, and even if it were, it would seem a little inappropriate.

This is not the first time Stivs has painted a topless woman, but I worry that he might have missed the mark with this one, accompanying it with the words ‘Equal opportunities’. I’m not too sure what point he is trying to make, but it doesn’t sit all that comfortably with me. Don’t get me wrong, I am not a prude and am all for nudity in street art (as in all art), it is the messaging that worries me. The artwork is good, and the calligraffiti spelling out DSC – 25 – Stivs is totally in keeping with his style and talent.

7085. Dean Lane skate park (855)

Dirtygypo, Dean Lane, Bristol, July 2025

Wow! This colourful piece by Dirtygypo is difficult not to notice. The letters are splashed with so many colours and great shapes, accompanied by lightening bolts and crowns. The piece is a single-handed festival. I would describe it as a combination piece, as the character at the start is rather well-developed, and adds fun and mischief to the whole piece.

I have pretty much given up trying to work out what the letters spell, despite many attempts. I can see so many letters and words, but would need to confirm with the artist, who I haven’t yet met. Today I am going for the obvious and guess that it says DIRTY.

7083. Dean Lane skate park (854)

It is always a great pleasure for people like me, who spend a bit of time looking for and critiquing street art, when an artist floods the streets with their work, and Zinso has certainly done that in June and July this year.

This is a really nice piece of graffiti writing set on a great splash of blue, masking the underlying graffiti. The light cream letters are nicely shaped with a red border and deeper red drop shadow. The colour combinations are superb. Although I posted a couple of pieces by Zinso a few years ago, his new lease of life has been a revelation.

7082. Peel Street Green (45)

It really isn’t that long ago that Bloem was painting rather basic fingers, cellphones and devilled cherries in some of the less popular spots all around Bristol, but her accelerated progress means that her work is more than comfortable alongside some of the best writers in the city.

Bloem, Peel Street Green, Bristol, July 2025

This is a wonderful and complex combination piece, with some amazing writing and a cartoon-style hand (long nails of course). The weave pattern used to fill her letters is beautifully worked, and very neat and tidy. Every element of the piece has been nicely thought out and has come together really well. This is one of those pieces that actually looks better in a photograph, than it does in situ, perhaps because of its complexity. What a talent.

7081. M32 Spot (206)

Noise has been painting in Bristol for a little over two years now, and I haven’t yet had the pleasure of meeting him. I guess our clocks just aren’t synchronised – I tend to go for my exploratory dog walks at lunchtime or after work usually on weekdays, so I imagine Noise’s paint time pattern doesn’t match… or maybe we just haven’t been at the same place at the same time. It can happen that way.

This is a big fat piece with big fat letters, which is what Noise does best. His letters are like a visual version of onomatopoeia, in so much as their size and imposition looks like noise to me. Does any of that make sense? The letters are filled with yellow, and some murky muddy colour, I suppose I would describe the piece as mustard noise. Great stuff.

7079. River Avon (88)

Werm and Scrapyardspec, River Avon, Bristol, July 2025

In my mind, some collaborations were just meant to be, and this magnificent joint venture from Werm and Scrapyardspec is simply awesome. Two utterly different styles, a writer and a character artist, have combined with skilful design and colour sharing to create a piece that just works brilliantly.

There is nothing pretentious about this combination piece, just two artists comfortable with what they do where the resulting whole is greater than the sum of the parts. The letters by Werm are nicely executed with straightforward fills and a bold white border. Scrapyardspec’s goofy character replaces the ‘E’ of ‘WERM’ and is integrated into the word with the clever use of an orange border bringing everything into the single piece. Excellent work, full of the joy of street art friendship.

7078. M32 roundabout J3 (698)

Sub had a busy month in July and appears to be pushing the boundaries with his work. This piece tucked away on the M32 roundabout seems to be a practice for a combination piece he followed up with in Peel Street Green (to follow soon).

Sub’s chunky letters and deep drop shadows in icy blues, together with a couple of decorative cracks, are accompanied by a Mario character which I would describe, perhaps a little harshly, as a good first effort. It doesn’t help that the eyes are a bit untidy. What you might notice, when I post the next version of the character in a few days the vast improvement. The learning journey with Sub continues.

7077. Knowle West (4)

I haven’t seen anything from Mudra for an age, so it was so good to find this piece as part of the extraordinary paint jam in this sleepy cul-de-sac in Knowle West. Unfortunately, the parked cars presented a bit of a photography challenge, but I think I just about got away with it.

Mudra has spelled out his name in his distinctive style of treating each letter as a discrete ‘mini-piece’ that when combined all come together very nicely. Lots of colour, and the character face on the letter D has something very special and quite chilling about it. I hope this signals a return to the streets for Mudra.

7075. Sparke Evans Park (136)

Vesar, Sparke Evans Park, Bristol, July 2025

Recently, almost the entire wall at Sparke Evans Park, and it is a long wall, was filled with tribute pieces to Paroe (or Paro). I know little about Paroe (Oliver Andrews), but it would seem from the huge turnout and the large number of tribute pieces all over Bristol, that he was well-known and much loved. This is one of those tribute pieces, by Vesar.

I have only recently been posting pieces by Vesar, despite having many of his pieces in my archive, and I am certainly noticing them much more when I go out on my walks. This is a beautifully presented piece with skilfully worked red fills and a stunning green splash behind. A worthy tribute piece.

7071. River Avon (87)

Trafficity, River Avon, Bristol, July 2025

The name of the game in Trafficity’s work is consistency. His basic design of the letters ZIOS, with its near symmetry, hardly changes from piece to piece, with only the colours and peripheral decorations that vary. He must be able to paint this piece with his eyes shut.

There is a sharp contrast between the upper yellow section and light-blue lower section of the letters, perhaps amplified by the dark background. Not my favourite colour combination, but it seems to work well. I do sometimes wonder what Trafficity’s work would look like if he went for some different letters or new designs, but maybe it would disrupt the ‘brand’. Who knows?

	hitandrun1964 on Donz
	hitandrun1964 on Donz
	hitandrun1964 on 7492. M32 roundabout J3 (…
	cjsmissionaryministe… on What is that?
	Suzette Benjamin on Thursday doors – 26 Febr…

	hitandrun1964 on Donz
	hitandrun1964 on Donz
	hitandrun1964 on 7492. M32 roundabout J3 (…
	cjsmissionaryministe… on What is that?
	Suzette Benjamin on Thursday doors – 26 Febr…

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