2690. Dean Lane skate park (272)

This is a really interesting piece to write about because it has given me an opportunity to introduce you to an artist I have never posted before here on Natural Adventures. I have a whole ton of his work in my files, but didn’t quite know how to break the ice. The artist is Taboo, or at least that is what I will call him (her?) until I know more about them, which currently is zilch. You can see the word TABOO in reverse in this piece (I thought it said EAT when I first saw it) with the OO being made out of the eyes of the skull.

Taboo, Dean Lane, Bristol, January 2020
Taboo, Dean Lane, Bristol, January 2020

There is a definite style here that is consistent across all of his work, with quite bold lettering that is in a font all of its own. The artwork is quite crude, in so much as it is not clean and crisp like so many graffiti writers in Bristol, but it has something in the raw approach that makes it rather effective. The skull appears to be firing beams out at the letters, which I am guessing might have been a bit of an afterthought.

All in all I rather like this different kind of piece from Taboo and over time look forward to posting more of his work and understanding more about the artist. A good start.

 

 

2684. M32 Cycle path (48)

Another New Year collaboration, they are coming thick and fast, this time from Decay and Lens. Decay is of course well known to me and to readers of Natural Adventures, but this is a debut piece for Lens, which is perhaps not at all surprising given that he comes from Melbourne, Australia and is just visiting.

Decay, M32 cycle path, Bristol, January 2020
Decay, M32 cycle path, Bristol, January 2020

I do like it when artists from different places hook up and paint together, it makes for a terrific sense of community. This Decay half of this combo is everything we would come to expect from the artist and ticks so many boxes… the shapes of the letters, the extravagant fills and the little ‘motion’ highlights in black on the outside of the lettering to give a sense of movement and energy to the whole piece. Perfect.

Lens, M32 cycle path, Bristol, January 2020
Lens, M32 cycle path, Bristol, January 2020

Using a similar colour palette to Decay’s, Lens has an altogether different letter shape, much more angular with sharp edges and corners. Lens’ fills and decorations are absolutely magnificent, and this is an accomplished piece of graffiti writing. It is so good to see some work from an Australian artist, and it is great to see that Lens has included a little shout out to Rezwonk, who often teams up with Decay, a nice touch.

2683. M32 Spot (56)

I think that this is the second collaboration between Logoe and Haka in as many months, and both have apeared on this board under the M32 in the DIY skate spot. It is not often that I like my photographs, always something wrong with them, but I actually like this one, somehow the colours of the piece stand out well against the dark top and bottom, but have not been bleached out by the light to either side.

Logoe and Haka, M32 Spot, Bristol, January 2020
Logoe and Haka, M32 Spot, Bristol, January 2020

Logoe has written his name in his script style set on a rather nice red tone abstract background. He has added to the work the sentence ‘What a year it’s been’ and he is not wrong there.  On the right Haka has included a character into his chrome writing which I believe to be Hanna Barbera’s creation Quick Draw McGraw – a cartoon I don’t think I ever saw, but rather wish I had… I might have to consult with YouTube. All in all a most satisfying collaboration from these two established Bristol artists.

2680. M32 Cycle path (47)

It has been a little while since I last saw some writing from Nightwayss, so it was a nice surprise to find this ‘NIGHT’ on the M32 cycle path. There is an interesting colour palette and a highly complex design, but I have to say it doesn’t quite work for me and I can’t put my finger on it.

Nightwayss, M32 cycle path, Bristol, December 2019
Nightwayss, M32 cycle path, Bristol, December 2019

Maybe the lack of clear definition around the letters is a little unconventional, and the colours tend to merge a bit. Also the texture of the wall isn’t very helpful with this busy design. I fear I might protest too much, and anyway, photobombing dog seems to rather like it.

2672. St Werburghs tunnel (128)

I have a feeling that although Kleiner Shames now lives and works in London, he must have friends or family in Bristol who he visits from time to time, and when he does, he takes a little time out to paint, which is lucky for us really.

Kleiner Shames, St Werburghs, Bristol, December 2019
Kleiner Shames, St Werburghs, Bristol, December 2019

This piece is one of a couple that he painted over the Christmas break in the St Werburghs tunnel. Spelling out FOIS, this is typical of the wonderful designed style that Kleiner Shames uses. The colours and solid fills are trademarks that identify his work, but it is the hint of art influences from the 1920s that I love to see. He is an artist that will always be welcome in Bristol.

2671. M32 roundabout J3 (186)

Ooh, there is so much to like about this gorgeous piece of graffiti writing from Rusk down at the M32 roundabout. The colour choices are magnificent and it is clever how the chrome/gray at the bottom of the piece matches the buffed background. The transitions between the the green/white/chrome are masterfully done, with an intermediate green to gently soften the blend.

Rusk, M32 roundabout, Bristol, December 2019
Rusk, M32 roundabout, Bristol, December 2019

As always it would appear that Rusk has taken time and care to produce this tight and very clean piece. Even the attention to detail on the smaller yellow RAW and RUSK is of the highest level. This is a classic Rusk piece and showcases really well his skills. Surely it must be time for a gallery of Rusk’s work – I’ll get to it.

2665. St Werburghs tunnel (127)

I’m not too sure where Panskaribas disappeared to for the second half of 2019, but I have a feeling it might have been Shanghai. As one of the most productive street artists in Bristol his weekly interventions were sorely missed, but he is back now and returning to the walls with great gusto.

Panskaribas, St Werburghs, Bristol, December 2019
Panskaribas, St Werburghs, Bristol, December 2019

In this piece Panskaribas has bookended some writing with his characteristic ‘Picassoesque’ doodled faces. The writing I think spells out RESEAU which is a word he uses to sign his works with and also uses for a loose crew of collaborators I think. Great to have him back on the scene.

2664. Dean Lane skate park (270)

Very pretty in pink and a lovely way to start the new year. Just before Christmas, Bnie and Smak got together to paint this wonderful collaboration down at Dean Lane  skate park.

Bnie, Dean Lane, Bristol, December 2019
Bnie, Dean Lane, Bristol, December 2019

On the left, Bnie has absolutely smashed it out of the park with this really tight piece of graffiti writing. The cartoon style letters are beautifully done but it is the shading of the letters that singles this out as an outstanding work. What a great Christmas present.

Smak, Dean Lane, Bristol, December 2019
Smak, Dean Lane, Bristol, December 2019

On the right, and not to be upstaged is a magnificent piece by Smak. I think that Smak has saved his best until last for 2019. I don’t have the vocabulary to describe how much I like this. It feels like he has taken the best of everything he has done during the year and pulled it all together in this piece. The colour selection for both is to die for. Outstanding work from both artists who would appear to feed off each other.

Happy New Year.

2662. St Werburghs tunnel (126)

My last street art post of 2019 and here to round things off is a very nice collaboration at the south entrance of St Werburghs tunnel from painting partners and buddies Logoe and Silent Hobo. These two have collaborated several times this year and it is good to see them both painting more regularly than in recent years.

Logoe and Silent Hobo, St Werburghs, Bristol, December 2019
Logoe and Silent Hobo, St Werburghs, Bristol, December 2019

The writing is from Logoe and in his distinctive long thin script lettering. On the right is a character by Silent Hobo – a young man who is settig fire to some cubes in his hand, they might be high-rise blocks, but it is hard to see. There is some symbolism here but I am not sure there is enough information in the piece to work it out. A nice way to round the year off.

Happy New Year folks. It all starts again tomorrow for a jam-packed blog full of street/graffiti art. TTFN.

2657. Albert Park Place (4)

One of the first walls I found when I started doing all of this was this one in Albert Park Place. Little did I know then that it has one of the lowest turn-over rates of any wall In Bristol, and in five years, I think there have only been four pieces here so I expect this collaboration from Rezwonk and Slakarts is a bit of a keeper.

Rezwonk and Slakarts, Albert Park Place, Bristol, November 2019
Rezwonk and Slakarts, Albert Park Place, Bristol, November 2019

The central graffiti writing is obviously from Rezwonk, spelling out ‘REZER’ and the decorations on either side are from Slakarts. Rezwonk’s class shine through and the letters, fills and 3D shadings are really on point.

Rezwonk and Slakarts, Albert Park Place, Bristol, November 2019
Rezwonk and Slakarts, Albert Park Place, Bristol, November 2019

The contribution from Slakarts brings colour and interest to the piece and are re of Isabel from the design of the stylised faces. Even though Rezwonk painted the lion’s share of this collaboration, it would not be complete without Slakarts. Nice work from these two.