This is another little post-Upfest ‘gift’ this time from Hide2 in the Stokes Croft area of Bristol. It is one of three pieces on Wilder street, the others being from Aintzane Crucet and Deamze, courtesy of the curated wall from Where the Wall.
Hide2, Wilder Street, Bristol, August 2017
This is not Hide2’s Upfest piece, which will be posted in due course, but it is nonetheless a wonderful work of wildstyle writing and of a really high standard. The colour choices are excellent and definition and shadows in his lettering is highly accomplished.
Hide2 is based in Malaga, Spain and I highly recommend a quick look at his Instagram feed. All good.
In a little pedestrian tunnel, under the M32 motorway are a couple of really great walls. Great for spraying that is…less great for photographing. This is yet another wonderful collaboration piece from Deamze and Voyder, who always seem to work with Deamze on the left and Voyder on the right. I don’t know if this is a deliberate or subconscious thing, but it is pretty much always the case.
Deamze, New Stadium Road, Bristol, July 2017
What is particularly captivating about these pieces is the white subject on a pillarbox red background. Deamze has worked a particularly nice bit of wildstyle writing with an interesting cartoon character who looks a little like Captain Klutz from MAD magazine, but isn’t.
Deamze, New Stadium Road, Bristol, July 2017
Someone out there probably knows who it is. I love the angular style of this piece and the limited colour range. It is a fine piece.
Voyder, New Stadium Road, Bristol, July 2017
It is becoming very difficult to describe Voyder’s work these days, as I feel he has hit such a high level, and that veach work pushes boundaries and demonstrates his command of his craft.
Voyder, New Stadium Road, Bristol, July 2017
This is such a beautifully constructed piece and resembles a paper cut out. It is such a pity the photograph just doesn’t do it justice. That red just sets the piece off perfectly.
Upfest this year hosted so many talented artists and they produced a plethora of really striking pieces. This one by graffiti artist Sonic Oner is a real eye-catcher, and a quick look at his Facebook page shows you what an extremely talented artist he is.
Sonic Oner, Upfest, Bristol, July 2017
It was a real challenge to take good pictures at Upfest this year, because of the very changeable weather conditions, and these pictures just don’t do justice to the amazing contrasts between the black background, the bright green and wispy white.
Sonic Oner, Upfest, Bristol, July 2017
This wasn’t the only Upfest piece that Sonic Oner did…he managed to find a permanent wall as well which I will feature in a future post. This really is an outstanding piece.
There is rarely a Voyder piece that I look at and think…that’s not much good. In fact I can think only of one, and I am not going to share which one here. This is another stunning piece from a little while before Upfest 2017, when Boogie was in town, whose piece can be seen just to the right of this picture (to follow).
Voyder, Raleigh Road, Bristol, July 2017
This time Voyder has gone for a copper coloured design which carries a really nice 3D quality about it emphasised by the white shading and stars. Appearing to lie behind the writing is a rainbow, interestingly in reverse order from convention, which would normally start with red on the left.
Voyder, Raleigh Road, Bristol, July 2017
I have several more Voyder pieces in my files – I just need more time to get them all out.
I haven’t seen much of Sled One for a while…apart from the man eating fridge piece…so it was nice to come across this wildstyle work on the M32 roundabout at the start of April.
Sled One, M32 roundabout, Bristol, April 2017
I can’t help that the piece is Easter chocolate egg inspired. The colours of purple and gold, reminiscent of Cadbury branding, and the chocolate brown colours definitely have that Easter egg look about them.
Sled One, M32 roundabout, Bristol, April 2017
So the story here is to write a wildstyle piece in the theme of Easter eggs, and I think Sled One has cracked it…sorry.
This is the second half of the wall referred to in the previous post, which accompanies Cheo’s work. This right hand side in the beautiful wildstyle writing so typical of Soker. It is a lovely piece and like it’s neighbour, really crisp and sharp.
Soker, Church Road, Bristol, March 2017
Soker’s work is very distinctive and I have yet to see a piece by him which I think is a bit rubbish or below par. He always seems to turn out excellent work…an artist on the top of his game.
This is a quick one from Whysayit in Upper York Street, replacing one he had there before. It is also a quick one from me. I like Whysayit’s work, and the way that he fist his moniker into the space available, always retaining his characteristic ‘font’. While not his best or most colourful piece, it is still skilfully worked.
Whysayit, Upper York Street, Bristol, January 2016
In the car park of the Tobacco Factory, the far left area of wall space was taken up by the Spanish artist Rudiart. Reading from the Upfest notes, it seems that Rudiart began painting in the streets of Cacares in the early 90s, but the City simply wasn’t ready for this kind of art, so by the end of the decade he moved on to Madrid.
Rudiart, Upfest, Bristol, July 2016
Since that time he has grown as an artist and travels around Europe to different festivals, exhibitions and events.
Rudiart, Upfest, Bristol, July 2016
I managed to take pictures of his work on both days of the festival, and he was in full flow with spraying on the Saturday.
Rudiart, Upfest, Bristol, July 2016
This piece comes in two halves. On the right is some wildstyle writing with a heavy 3D effect, something of a specialisation for Rudiart.
Rudiart, Upfest, Bristol, July 2016
On the left hand side of the piece he paints a futuristic scene depicting a lady in a spacesuit, with a rather nice ‘R’ on her cap.
Rudiart, Upfest, Bristol, July 2016
The two halves come together nicely, although I don’t have a very good picture of the whole. His Facebook page is worth a quick look, and he did post a decent picture of the whole piece in one shot. Nice to see him at the festival.
Well this pair is a rather good collaboration of wildstyle writing from Whysayit and Nero. Whysayit’s work can be found dotted all over Bristol, and as well as these more elaborate burners, he does his fair share of tagging too. The colours are very easy on the eye and the translucent effect really clever.
Whysayit, Armada Place, Bristol, December 2016I have seen a few of Whysayit’s pieces, but this is the first I have seen of Nero, and I have not been able to find out any more that I can add to this post, having trawled the Interweb. In time I will have more to report.
Whysayit, Armada Place, Bristol, December 2016In my view, this is top drawer graffiti writing, but by many it will be discarded, overlooked or disapproved of. That is the nature of urban art.
This is a piece I photographed back in 2016, as are most of my posts at the moment…something that I fear will be happening for quite some while yet. It is a fine wildstyle piece by the irrepressible Deamze (Tom Deams) whose website is here, and is essential reading for those who want to understand why people choose a name and spray paint it.
Deamze, Old Bread street, Bristol, September 2016This piece, on a purple background, is typical of his work, with beautifully constructed shards, shapes and colours coming together to form the whole. The geometric precision comes across as being effortless, but is technically brilliant. It is always great to find these.