6625. M32 roundabout J3 (645)

Soap, M32 roundabout, Bristol, December 2024
Soap, M32 roundabout, Bristol, December 2024

I haven’t seen quite as much from Soap this year as I would have liked, perhaps he has been working hard, but he has made plenty of regular appearances alongside his PWA friends. This wonderful Christmas piece was painted alongside Zake and Face 1st.

Soap, M32 roundabout, Bristol, December 2024
Soap, M32 roundabout, Bristol, December 2024

This year was a very quiet year for Christmas themed pieces, so it was nice to see this PWA paint jam. soap has spelled out his name in this combination piece, with a rather creepy skull-face Father Christmas making up the ‘O’ of SOAP. The gold lettering with red accents and a ‘ho, ho, ho’ add to the festive appeal of the piece. Some nice work from Soap.

6624. River Avon (72)

Endz, River Avon, Bristol, December 2024
Endz, River Avon, Bristol, December 2024

It is funny how once you register a new artist, you start to see their work about the place, when before you might have missed their pieces altogether. This throw up by Endz is a great example of this phenomenon.

Endz, River Avon, Bristol, December 2024
Endz, River Avon, Bristol, December 2024

I happened to glance up at this piece alongside the River Avon, and did a double-take having realised that I hadn’t long since met the artist. The style is quite different to the first piece which I posted a little while ago, but nonetheless the work of a talented artist. Looking forward to finding more Endz work in 2025.

6623. St Werburghs tunnel (468)

Xavier Ren and Hypo, St Werburghs, Bristol, December 2024
Xavier Ren and Hypo, St Werburghs, Bristol, December 2024

A little while before Christmas, this excellent collaboration appeared in the tunnel. In fact these pieces, by Xavier Ren and Hypo were two-thirds of the collaboration which included some graffiti writing by Minto, to the left, which I have already posted.

Hypo, St Werburghs, Bristol, December 2024
Hypo, St Werburghs, Bristol, December 2024

Hypo has had an extraordinary year, and indeed has been one of Bristol’s most prolific and consistent artists since Covid. This piece underlines his fantastic eye for colourful combinations that create some stunningly vibrant work. The bright letters spell out HYPO, and he has used a clever device to ‘stitch’ the letters together. Really nice graffiti writing.

Xavier Ren, St Werburghs, Bristol, December 2024
Xavier Ren, St Werburghs, Bristol, December 2024

I know little or nothing about Xavier Ren and so assume he must be a visitor to Bristol, but I really like this character piece. The blue head-and-shoulders portrait piece is full of attitude and moodiness, and presented nicely. It is always great to see something a little different in the city that visitors bring with them.

6622. Cumberland Basin

Mr Draws, Cumberland Basin, Bristol, December 2024
Mr Draws, Cumberland Basin, Bristol, December 2024

Mr Draws has been represented on Natural Adventures month after month and year after year, and his presence is a testament to his determination and drive, even through periods of challenge and uncertainty. His work holds a special place in this blog.

Mr Draws, Cumberland Basin, Bristol, December 2024
Mr Draws, Cumberland Basin, Bristol, December 2024

This bright piece in Cumberland Basin is a regular quick one from Mr Draws. The fills he has used are strong colours, but the paint is a little thin, which is often the case with oranges, reds and yellows. I rather like the subtle little green spots, highlighting the tops of the letters. I hope 2025 will be another strong and productive one from Mr Draws.

6621. River Avon (71)

Nips, River Avon, Bristol, December 2024
Nips, River Avon, Bristol, December 2024

I am happy to include a piece by Nips before we see the year out, as her work has been a highlight for me in 2024. Her letters have a strong identity, and an assuredness about them, being a vehicle for her brilliant and dynamic fills.

Nips, River Avon, Bristol, December 2024
Nips, River Avon, Bristol, December 2024

As ever, her colour selection for this piece of graffiti writing shows her highly developed skills in crafting something that works well and looks beautiful. I am very much looking forward to a repeat in 2025.

6620. Sparke Evans Park (113)

Omie, Sparke Evans Park, Bristol, December 2024
Omie, Sparke Evans Park, Bristol, December 2024

For the second day in a row, it gives me great pleasure to post a piece by Omie. I first came across Omie in January this year, and his regular interventions through the year has established him as a key player in contemporary Bristol graffiti writing.

Omie, Sparke Evans Park, Bristol, December 2024
Omie, Sparke Evans Park, Bristol, December 2024

No two pieces by Omie are alike, and his creativity is running on full throttle, which is a refreshing approach to graffiti writing. Sometimes it can even be difficult to assign a particular style to Omie, and if he didn’t paint the same letters, his work could be quite difficult to identify. In this pinky/purple piece it looks like the letters OMIE are being created in some kind of machine, with tons of plasma bolts running through the letters. Something a little Dr Frankenstein about it all. A lovely piece to share on Boxing Day.

6617. Dean Lane skate park (791)

Omie, Dean Lane, Bristol, December 2024
Omie, Dean Lane, Bristol, December 2024

Happy Christmas. Lots to do today, so another short entry. I was fortunate enough to meet Omie for the first time a couple of days ago, and as with nearly all the artists I meet, he is a nice person, who made time for a chat. I was pleased that he knew about Natural Adventures and appeared to appreciate my write ups of his work. It was a genuine pleasure to meet him, because I really like his original take on each and every piece he paints.

Omie, Dean Lane, Bristol, December 2024
Omie, Dean Lane, Bristol, December 2024

This is a wonderful piece of writing from Omie, in celebration of Pekoe’s birthday – what a fine tribute. The colours are compelling and the blended fills work nicely particularly with the addition of spots, although the orange paint is a little thin… thin paints can be a pain in the butt. Some black highlights add interest to the letters which are beautifully presented. The Darraigh referred to in the bottom right hand corner is the recent storm that swept across England in Early December.

6616. River Avon (70)

Sworm, River Avon, Bristol, December 2024
Sworm, River Avon, Bristol, December 2024

To use Sworm’s own words, this was a bit of an odd one. I know this, because I happened to meet him while he was painting in St Werburghs tunnel yesterday alongside Omie. This piece was painted with Klashwhensober on the pathway between Sparke Evans Park and Temple Meads Station… a nice walk if you have the time to do it.

Sworm, River Avon, Bristol, December 2024
Sworm, River Avon, Bristol, December 2024

On first inspection this piece looks like a quick throw up, but the swirly pattern in the letters is a deliberate fill rather than what could look like thin paint over a patterned background. The pink border and drop shadow is an essential ingredient in helping the letters to stand out on the black background. Although not his best piece, this is a rather nice work from Sworm.

6614. Cumberland Basin

Lee Roy, Cumberland Basin, Bristol, December 2024
Lee Roy, Cumberland Basin, Bristol, December 2024

Not long ago, I met Lee Roy, whilst walking our respective dogs, and he informed me that he was hanging up his spray cans for a while, which was disappointing to hear, because I like his work and the way he expresses himself through it. However, this piece might signify a return for the anti-style(ish) writer.

Lee Roy, Cumberland Basin, Bristol, December 2024
Lee Roy, Cumberland Basin, Bristol, December 2024

During his ‘lay-off’, he hasn’t lost his touch in the slightest, indeed, this is a rather sharp piece, beautifully presented and with an array of his favourite fill patterns and shapes. The purples and greys work well against the blight blue background, and this is a very fine ‘come back’ piece. Hoping this is more than a splash in the pan.

6613. River Avon (69)

Werm, River Avon, Bristol, December 2024
Werm, River Avon, Bristol, December 2024

Werm has an amazing capacity to concentrate on a particular style of lettering, focussing on that style for a period of time, and then trying something new and moving on, it feels like restlessness settles in after a few months and new challenges await. This is a wonderful piece that is new to me, and differs from his bilateral symmetry work that has been his hallmark for the last four months or so.

Werm, River Avon, Bristol, December 2024
Werm, River Avon, Bristol, December 2024

Werm paints on this stretch of wall a lot, and many of his older pieces are on display here, it is a bit of a Werm gallery. The colours in this piece work incredibly well together, and the shape and form of the letters with some interlocking between them is a new and exciting aspect. I look forward to seeing whether this is a new phase of design that Werm will be adopting, or whether it is a one-off.