6468. L Dub (57)

Grimes, L Dub, Bristol, October 2024
Grimes, L Dub, Bristol, October 2024

Oh what a beauty! I was beginning to wonder if Grimes might have moved away, as I hadn’t seen any new pieces from him for a little while, and then I came across this stunning new piece at L Dub. I can’t really put into words how good I think this piece is, and it is especially good, as I think it was his second attempt in this spot over a couple of days. The first one I think got painted over almost immediately, which was unlucky timing.

Grimes, L Dub, Bristol, October 2024
Grimes, L Dub, Bristol, October 2024

The intricate fills in the blue letters are worthy of note on their own, but when you look at the whole thing, it is bursting with energy, movement and colour. The letters spell GRIME and are given centre stage through the deployment of a magnificent background of pink checks and an orange plasma beam. Totally brilliant. Bravo!

6467. M32 Spot (194)

ESKA, M32 Spot, Bristol, October 2024
ESKA, M32 Spot, Bristol, October 2024

This is an utterly magnificent piece taking up the whole board under the M32 by travelling artist ESKA. It is one of at least three pieces he has dropped while staying I;Bristol, and possibly more, but Being in Cornwall at the moment, I have lost touch a little.

ESKA, M32 Spot, Bristol, October 2024
ESKA, M32 Spot, Bristol, October 2024

This epic piece is a feast for the eyes, with a stunning colour palette of goods and silvers. There is so much going here with the combined writing and symbolism. To be appreciated fully it really needs to be seen up close because there is a lot of detail that isn’t captured with the full image, and I now rather regret not taking close-ups. ESKA has been a breath of fresh air o; the Bristol scene.

6465. St Werburghs tunnel (453)

Logoe, St Werburghs, Bristol, October 2024
Logoe, St Werburghs, Bristol, October 2024

Logoe payed us one of his visits a couple of weeks back, and this is a magnificent piece of writing he left behind, that has lasted longer than many of his pieces do. I think he painted at least six pieces on this particular visit, and I will be sharing those I found over the coming days and weeks.

Logoe, St Werburghs, Bristol, October 2024
Logoe, St Werburghs, Bristol, October 2024

The letters of this script writing are really bold and look quite chunky with a deep 3D drop shadow. Perhaps the most distinguishing feature of this one is the vertical stripes in oranges and greys in the background, which provide a strong foundation and springboard for the letters. Nice work from Logoe.

6463. Brunel Way (299)

 

Whos, Brunel Way, Bristol, October 2024
Whos, Brunel Way, Bristol, October 2024

Don’t expect too much from me today. I am on holiday and paradoxically have less time than usual to compose a blog post than usual. This is a rather nice piece from the anti-style graffiti writer Whos.

Whos, Brunel Way, Bristol, October 2024
Whos, Brunel Way, Bristol, October 2024

There is a charm about Whos work, and this chrome piece certainly makes an impact. The fills and chrome character provide a rather fun overall effect, and it is great to see Whos out and about again.

Whos, Brunel Way, Bristol, October 2024
Whos, Brunel Way, Bristol, October 2024

The letters spell out WHOS and include a little character portrait in what looks like a rather psychedelic piece. The most striking part in this chrome arrangement are the stars and tears that appear in the fill of the letters. A nice piece from Whos. 

6462. M32 roundabout J3 (630)

Corupt, M32 roundabout, Bristol, October 2024
Corupt, M32 roundabout, Bristol, October 2024

I prepared today’s posts yesterday, because I am (at the time of scheduled publication) on my way to Cornwall for a few days away with a fine friend who I have been fishing with every year for more than 35 years. My posts may become a little erratic over the next few days, but with the earlier dark evenings I should have a little time to write them.

Corupt, M32 roundabout, Bristol, October 2024
Corupt, M32 roundabout, Bristol, October 2024

I really don’t get to post enough work by Corupt, so it feels good when I do get round to it. This is a lovely piece spelling STICK, but this time he has taken a homonym approach and replaced the ‘I’ with a ‘Y’. The letters are blocky and rigid and beautifully filled with colourful spots, stripes and drips. The whole thing is bordered with a thick black line and then reinforced with a red outline a couple of inched further out, framing the piece nicely. It is always great to see Corupt’s work, and to chat when I bump into him, which seems to be quite frequently these days.

6460. St Werburghs tunnel (452)

Noise, St Werburghs, Bristol, September 2024
Noise, St Werburghs, Bristol, September 2024

One of the most powerful and energetic introductions to Bristol has been the emergence of Noise, over the last eighteen months or so. Since his arrival, he has been producing no end of pieces in his distinctive fat-letter style and collaborating successfully with several different artists. He is productive and talented, and fits into the Bristol way of things really well.

Noise, St Werburghs, Bristol, September 2024
Noise, St Werburghs, Bristol, September 2024

In this piece, in the tunnel, Noise has compressed his writing slightly, but has managed to do this without compromising his chunky letters. The colours work nicely, although being slightly on the dark side, they are a little difficult to do justice to in the murk of the tunnel. A gallery is long overdue… watch this space.

6459. Cumberland Basin

Mr Tanner, Cumberland Basin, Bristol, September 2024
Mr Tanner, Cumberland Basin, Bristol, September 2024

I am really pleased that I managed to capture this piece by Mr Tanner, especially as the last one he painted under Brunel Way, when I met him for the first time while he was painting it, was overpainted by the time I returned. Such is the way of things. He was rather excited about a different style that he was working on, and I think that this piece represents that style.

Mr Tanner, Cumberland Basin, Bristol, September 2024
Mr Tanner, Cumberland Basin, Bristol, September 2024

There is something rather organic about this writing (and a bit lobsterish too, although I don’t think that is intentional) – there is definitely a life form there… but not as we know it, Jim. The red  letters spell out TOPIA and pop beautifully against the green, cosmic charged background. I’ve said it before that green and red make great graffiti writing bedfellows. A very nice, original piece by Mr Tanner.

6456. Muriel Alleyway (16)

HNH, Muriel Alleyway, Bristol, August 2024
HNH, Muriel Alleyway, Bristol, August 2024

This piece was painted back at the end of July at the Muriel Alleyway mini paint festival organised by Rtiiika by an artist I have not encountered before called HNH. This is the first piece I am aware of that she has painted in Bristol, and I am really looking forward to watching her development. She has already dropped a few more pieces about the place and I think she brings something very different to the graffiti writing scene.

HNH, Muriel Alleyway, Bristol, August 2024
HNH, Muriel Alleyway, Bristol, August 2024

Shutter pieces are never easy to paint, but HNH has had a bloody good go with this one, and although the piece may seem a little rough around the edges, this is a great start. If I could use a parallel, what she does with graffiti writing reminds me of what the Cocteau Twins did with music and lyrics, if that makes any sense at all. Watch this space for more from HNH.

6455. Cumberland Basin

Haka, Cumberland Basin, Bristol, August 2024
Haka, Cumberland Basin, Bristol, August 2024

My first thought when I saw this piece was ‘who the hell is Remy’ this was not an artist I was familiar with, but very quickly the style, signature and characters leapt out making it blindingly obvious that it is by Haka. I am not sure who Remy is, but this is a rather lovely tribute to them.

Haka, Cumberland Basin, Bristol, August 2024
Haka, Cumberland Basin, Bristol, August 2024

Haka paints an awful lot of characters from children’s picture books and I suspect the characters here are more of the same, but I can’t identify them. The fills and patterns in the letters are rather more elaborate and tidy than I would expect from a Haka piece, and they look really fantastic. This is a lovely piece, full of fun and joy.

6454. St Werburghs tunnel (451)

Mest, St Werburghs, Bristol, August 2024
Mest, St Werburghs, Bristol, August 2024

I took a little wander into my archive and unearthed this little beauty by Mest at the end of St Werburghs tunnel painted back in August. It has been really great to see his work again in Bristol, albeit only occasionally, after what feels like quite a long absence.

Mest, St Werburghs, Bristol, August 2024
Mest, St Werburghs, Bristol, August 2024

There is something very pleasing about Mest’s letters, and he has presented them beautifully in this tight and clean piece. A little bit more background would have masked out the bits of the previous piece distracting around the edges, however the focus remains on his beautiful fills, afforded lots of space inside his fat letters. Nice to see this one.