6451. New Stadium Road (59)

Logoe, New Stadium Road, Bristol, October 2024
Logoe, New Stadium Road, Bristol, October 2024

We are in the midst of another Logoe blitz, that is to say that a couple of weekends ago he visited Bristol and dropped in excess of six pieces about the place, which is the way he rolls. He saves up all his painting energy, there aren’t many opportunities where he lives in Wales, and paints for England on his weekend visits to our city.

Logoe, New Stadium Road, Bristol, October 2024
Logoe, New Stadium Road, Bristol, October 2024

This is a particularly nice example of his script writing style – a lovely clean piece in beautiful copper tones, really brightening up this fairly dreary spot that still bears the smoke damage on the ceiling from an arson car blaze in this little underpass a couple of years ago. Logo is a Trojan, who simply doesn’t know when to stop, and I love it.

6449. M32 roundabout J3 (629)

Klashwhensober, M32 roundabout, Bristol, October 2024
Klashwhensober, M32 roundabout, Bristol, October 2024

Klashwhensober is as busy as ever, and I only tend to post a fraction of the pieces he produces, I expect I’ll need to go back through the archives and do a couple of sweep-ups of his work in due course. Every now and then one of his pieces catches the eye, and this one on the roundabout is one of those.

Klashwhensober, M32 roundabout, Bristol, October 2024
Klashwhensober, M32 roundabout, Bristol, October 2024

This modest spot is tucked away behind a tree, and isn’t easily seen without looking for it. Klashwhensober has written the word SOBER in ribbon letters, filled skilfully in blue and yellow, with a variety of well-painted patterns and features. There is some menace lurking in the form of clutching hands and fingers wafting from the cloudy background. I think that Klashwhensober’s pieces often indicate a busy and cluttered mind, and it would be interesting to see if he could create a piece of writing that was simpler in structure and could show off his skill as an artist. Unlikely to happen methinks.

6448. St Werburghs tunnel (451)

Kosc and Humor, St Werburghs, Bristol, October 2024
Kosc and Humor, St Werburghs, Bristol, October 2024

Every now and again, something very special appears on the walls of Bristol, without warning or fanfare, and when you find them they blow your socks off. This collaboration between Bristol artist Kosc and Tunbridge Wells-based artist Humor is one such collaboration.

Kosc, St Werburghs, Bristol, October 2024
Kosc, St Werburghs, Bristol, October 2024

The collaboration, I gather, celebrates the birthday of actor Jenna Ortega, who I must admit is a little bit off my radar, although I faintly recognise her from her Wednesday Addams character, and the 2021 film The Fallout looks like it might be worth watching. She clearly has a large fan base, which I assume would include Kosc and Humor. Kosc has painted a gorgeous piece of graffiti writing which picks up the colours used for the birthday candles.

Humor, St Werburghs, Bristol, October 2024
Humor, St Werburghs, Bristol, October 2024

I haven’t come across Humor’s work before, but this photorealistic portrait of Jenna Ortega is quite stunning, and something we don’t see nearly enough of in Bristol, outside of festivals or commissions.

Humor, St Werburghs, Bristol, October 2024
Humor, St Werburghs, Bristol, October 2024

On the day I originally photographed this collaboration, there was quite a lot of glare on the wall, it can be a difficult wall to photograph, because it gets impacted by shadows and sunlight at all times of the day. I did return on a duller day, and think I got a slightly better picture with less glare (and a few more autumn leaves on the ground). Stunning work, especially when you consider it is a greyscale portrait. I would love to think that this might be the first of many visits to Bristol by Humor, but I won’t be holding my breath.

6447. Stapleton Road

Logoe and Silent Hobo, Stapleton Road, Bristol, October 2024
Logoe and Silent Hobo, Stapleton Road, Bristol, October 2024

Logoe and Silent Hobo are good friends and on his most recent visit to Bristol, it looks like Logoe found time to hook up with his mate and collaborate on this wonder wall. The combination of writing and story telling is original and eye-catching, and goes straight into one of my favourite collaborations of 2024. Logoe has pulled out all the stops with his distinctive script writing and produces a very tight and tidy piece with transitional coloured stripes filling the letters.

Silent Hobo, Stapleton Road, Bristol, October 2024
Silent Hobo, Stapleton Road, Bristol, October 2024

Sitting on top of the writing, Silent Hobo is telling us a story of what looks like heart break, but without the context is difficult to be sure. Rather ominously, the first panel has a woman saying ‘We’ve been through this already…’

Silent Hobo, Stapleton Road, Bristol, October 2024
Silent Hobo, Stapleton Road, Bristol, October 2024

In the next frame, a woman, is it the same woman, is saying ‘love is not enough’, a phrase that would wilt the heart of anyone on the receiving end of the comment

Silent Hobo, Stapleton Road, Bristol, October 2024
Silent Hobo, Stapleton Road, Bristol, October 2024

The final part has a man, looking a little worse for wear, saying ‘OK’, which probably means not OK. The three panels could be stand-alone pieces, or part of a continuous conversation, and I guess that it is for the viewer to decide which. A magnificent collaboration from this pair.

6445. Dean Lane skate park (769)

Dibz and Fade, Dean Lane, Bristol, September 2024
Dibz and Fade, Dean Lane, Bristol, September 2024

Keeping up with Dibz and Fade can be a difficult thing to do… they are a combined force of nature with an energy and enthusiasm for graffiti writing that is unsurpassed in Bristol. This piece, entitled ‘Explosive material’ kind of does what it says on the tin, and contains writing from both artists amidst an explosion.

Dibz and Fade, Dean Lane, Bristol, September 2024
Dibz and Fade, Dean Lane, Bristol, September 2024

Dibz on top in blue and Fade below in red complement one another perfectly with their styles, and the fills are nothing short of miraculous, incorporating the clouds of the explosion behind. This is a well-worked graffiti writing piece from two artists who keep raising their level notch by notch.

For good measure, they both left behind quick throw ups painted at the same time as this piece:

Dibz, Dean Lane, Bristol, September 2024
Dibz, Dean Lane, Bristol, September 2024
Fade, Dean Lane, Bristol, September 2024
Fade, Dean Lane, Bristol, September 2024

6444. River Avon (66)

Werm, River Avon, Bristol, September 2024
Werm, River Avon, Bristol, September 2024

Werm is a graffiti artist who can divide opinion with his carefully thought out and intricate pieces. I am rather enjoying his recent designs though and I consider this to be a first-class piece of graffiti writing.

Werm, River Avon, Bristol, September 2024
Werm, River Avon, Bristol, September 2024

The curves Werm has designed in to the letters take away the stark edges that the letters WERM naturally have. He has also endeavoured to create some clever bilateral symmetry to the piece, which is a device he has been working on for a little while. The fills are coherent throughout the letters, and the colour scheme works well. This is an admirable piece from the versatile artist.

6442. River Avon (65)

Todoaciem, River Avon, Bristol September 2024
Todoaciem, River Avon, Bristol September 2024

After a short spell away from Bristol, I think in his native Spain, it would appear that Todoaciem has returned recently and started dropping pieces in his favoured haunts. Alongside Stivs and Wxttsart, Todoaciem is a wonderfully accomplished calligraffiti artist, whose work is as tight as a nut.

Todoaciem, River Avon, Bristol September 2024
Todoaciem, River Avon, Bristol September 2024

I would like to say that this is a particularly elaborate example of his writing, but looking back at his work, I would simply say that it is typical and no more elaborate than most of his work. The letters are beautifully filled with a blended gradation of reds. The white border is augmented with a fine 3D drop shadow drifting to the left of the letters. There is enough of a background to mark out the whole piece from the graffiti writing beneath. Great to see Todoaciem back in Bristol.

6441. Dean Lane skate park (768)

ESKA, Dean Lane, Bristol, September 2024
ESKA, Dean Lane, Bristol, September 2024

Ooh, it was a genuine pleasure to meet ESKA and his partner while he was painting this absolute beauty. I have not come across the artist before, but that is not all that surprising, because he travels around the country on a barge, which is currently docked in Bristol Floating Harbour – I understand that his boat is easy to seek out, because it has his artwork festooned on the outside.

ESKA, Dean Lane, Bristol, September 2024
ESKA, Dean Lane, Bristol, September 2024

While ESKA was painting I struck up a conversation with his partner who told me that there is a lot of symbolism in his pieces and that everything has a meaning – unpicking this might be quite difficult, so I will probably stick with talking about the aesthetic quality of the piece.

ESKA, Dean Lane, Bristol, September 2024
ESKA, Dean Lane, Bristol, September 2024

Unfortunately I never got a photograph of the full completed wall, because by the time I returned, somebody had painted over the left-hand edge of the piece, but you can see from the WIP shot what it might have looked like. The colour palette is gorgeous, and I love the way ESKA has incorporated his letters into the magical scene. This piece is a real feast for the eyes. More to come from this itinerant artist.

6439. St Werburghs tunnel (450)

Omie, St Werburghs, Bristol, September 2024
Omie, St Werburghs, Bristol, September 2024

In a post only a couple of days ago I mentioned how no two Omie pieces are the same, and this one in the tunnel rather supports my assertion. In this one, Omie presents some irregular letters in a stunning three-layered red fill, decorated in the top half with some ephemeral blue dots.

Omie, St Werburghs, Bristol, September 2024
Omie, St Werburghs, Bristol, September 2024

It is the 3D drop shadow that really grabs the eye in this piece though. The shadow is nice and deep, and veers off to the left of the letters in a blue tint with black stripes. If I were being picky I might note that not all of the black stripes are parallel, but fortunately it doesn’t spoil the overall effect, and most people probably wouldn’t even notice. I must say that I am very much enjoying Omie’s work, and am never quite sure what could be coming next, which is fun.

6437. St Werburghs tunnel (449)

Hypo, St Werburghs, Bristol, September 2024
Hypo, St Werburghs, Bristol, September 2024

Hypo has been on fire for a couple of years now, re-emerging during Covid, and keeping up a regular rhythm of fine graffiti writing that just seems to be getting better and better. His letters lend themselves to bilateral symmetry like those of Werm, but there the similarity of graffiti writing between the two artists ends.

Hypo, St Werburghs, Bristol, September 2024
Hypo, St Werburghs, Bristol, September 2024

The colours in this piece are its crowning glory. Set on a neutral cream background, the wildstyle letters ‘HYPO’ are festooned with a beautifully blended selection of rainbow colours that manage to remain reasonably subtle, and whilst a colourful piece it avoids being gaudy. Very fine work from a lovely graffiti writer.