6544. Dean Lane skate park (780)

Hire and Zake, Dean Lane, Bristol, November 2024
Hire and Zake, Dean Lane, Bristol, November 2024

I really like Zake’s enthusiasm for teaming up with any and pretty much every graffiti/street artist in the city. It is probably easier to list those he hasn’t painted with. Here he has teamed up with Hire to create this interesting combination collaboration.

Hire, Dean Lane, Bristol, November 2024
Hire, Dean Lane, Bristol, November 2024

The writing on the left is by Hire and takes the form of his spiky angular letter style The letters, spelling HIRE and painted in a grey colour with rouge tints, has a hint of symmetry about it. I fear that the dark blue background rather dominates the piece and makes it a little hard to pick out the lettering, which would probably look better set on a different base colour.

Zake, Dean Lane, Bristol, November 2024
Zake, Dean Lane, Bristol, November 2024

Zake has painted another of his familiar round-face characters, so full of depth created by clever use of light and shade. The red underglow is so effective. The face is surrounded by plumes of smoke and white dots. The two pieces, although stylistically completely different, complement each other well.

6543. River Avon (68)

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When I first met Jevoissoul, he told me that he had planned to paint his stuff as regularly as he could all over the city, and it would appear that he has lived up to his word. His distinctive character is more frequently these days accompanied by the letters SLOW, to create larger combination pieces.

Jevoissoul, River Avon, Bristol, November 2024
Jevoissoul, River Avon, Bristol, November 2024

While his characters are not necessarily evolving, they are getting tighter, and the same can be said for his letters. It would appear that Jevoissoul is enjoying decorating walls, and It would be great to catch up with him again and chat about his work, past and future. A tidy piece from Jevoissoul.

6540. M32 roundabout J3 (640)

Werm, M32 roundabout, Bristol, November 2024
Werm, M32 roundabout, Bristol, November 2024

I find myself sitting on a Great Western train on my way to London to get to a football match between the mighty Arsenal and Nottingham Forest. The journey has provided me with the gift of time that I don’t get too much of these days, and I am enjoying every second. I am even pushing the boat out with the third street art post of the day, something I am finding increasingly difficult to do.

Werm, M32 roundabout, Bristol, November 2024
Werm, M32 roundabout, Bristol, November 2024

This wonderfully symmetrical piece by Werm is typical of his style at the moment, and one in which I think he is hitting his best form. The letters in a script-like pattern spell WERM and are filled with two shades of orange. The drop shadow is dark blue and the border green. I feel instinctively that these colours shouldn’t really work well together, but somehow they do. In true graffiti writing style, Werm has included plenty of shout outs around the perimeter of the piece.

6539. Frome Side (40)

 

Omie, Frome side, Bristol, November 2024
Omie, Frome side, Bristol, November 2024

In the short time that I have been aware of the artist, Omie’s work simply gets better and better. Omie is one of those artists who uses completely different styles for each piece, with only the letters OMIE remaining constant, so you never quite know what you are going to get next, and I love that versatility and element of surprise.

Omie, Frome side, Bristol, November 2024
Omie, Frome side, Bristol, November 2024

This piece was painted in a large collaboration as part of Chapter 17 of the World Wall Stylers challenge, with a ‘Ninja Scroll’ theme, a 1990s Japanese animation. Omie has stuck to the theme colours really well and created something quite beautiful in pink and grey shades, bordered with a blood-red line and drips. The background is a subtly worked bamboo forest, which on its own is worthy of great praise. A fine piece from Omie.

6537. Sparke Evans Park (104)

Nips, Sparke Evans Park, Bristol, November 2024
Nips, Sparke Evans Park, Bristol, November 2024

Regular readers will know that I have a bit of a thing for Nips’ work. Her letters are uncomplicated and unpretentious and what sets her apart from other letter writers is her constantly evolving and creative fills.

Nips, Sparke Evans Park, Bristol, November 2024
Nips, Sparke Evans Park, Bristol, November 2024

Whether intentional or not, Nips has created a perfect autumnal piece. The blue background speaks of those wonderful high-pressure blue sky days (we have had a few of those lately) and the gold of the letter fills picks up the autumn leaves scattered at the base of the wall. The fills are a beautifully blended palette of four brown and yellow shades, and are further augmented with some complementary squiggles and dots. The tittle (dot on the i) is a little character face, something Nips does with most of her pieces. The whole thing is nicely finished with white highlights to help the letters pop. This is a fine piece of work from Nips.

6534. Ikea Wall of Fame (1)

Zaki Dee, Nicer, Fade and BG183, Ikea wall of fame, Bristol, October 2024
Zaki Dee, Nicer, Fade and BG183, Ikea wall of fame, Bristol, October 2024

Something big happened in Bristol over 17-20 October in the Ikea car park, just off junction 2 of the M32. Goldie, a British music producer and DJ who is also an accomplished graffiti writer and whose work has appeared in Natural Adventures several times, organised an international paint jam to celebrate the 30th anniversary of his record label Metalheadz. In doing so, he invited artists from the New York-based Tats Cru to join a selection of Bristol artists, and some others from the UK and beyond.

The challenge was to paint a themed collaboration – the yellow brick road from The Wizard of Oz (more on this another time) on this enormous wall. In doing so a new wall of fame was created, and one which I hope will host further such productions. This is the first in a series of photographs from the wall, starting at the left-hand end.

Zaki Dee, Nicer, Fade and BG183, Ikea wall of fame, Bristol, October 2024
Zaki Dee, Nicer, Fade and BG183, Ikea wall of fame, Bristol, October 2024

In this first section, The writing is from Fade, who is no stranger to Natural Adventures, and he is accompanied by the rather gory witch character by Nicer, some floral decoration, running through the entire production, by Zaki Dee and a section of New York skyline by BG183.

I will be posting more from this incredible paint jam in due course, and hope to provide some sense of scale of the production.

6533. Cumberland Basin

Neddy Ned Neddy, Cumberland Basin, Bristol, October 2024
Neddy Ned Neddy, Cumberland Basin, Bristol, October 2024

Neddy Ned Neddy is one of those artists who paints from time to time in Bristol, but never enough to grace the pages of Natural Adventures all that often. It is always a pleasure to include his work, though, because his writing style is quite special and beautifully executed.

Neddy Ned Neddy, Cumberland Basin, Bristol, October 2024
Neddy Ned Neddy, Cumberland Basin, Bristol, October 2024

In most of his pieces, the vanishing point for his drop shadow is located centrally behind the letters, which gives the illusion that they are hurtling towards you from the background. The flaming colour selection works well against the blue, and this is an all-round stonking burner.

6531. Sparke Evans Park (103)

Grimes, Sparke Evans Park, Bristol, November 2024
Grimes, Sparke Evans Park, Bristol, November 2024

This is yet another colourful outburst of joy and movement from Grimes, and a piece to enjoy and savour. Grimes has been smashing it with every piece he paints, and Bristol spots are without a doubt more colourful places when one of his pieces is present.

Grimes, Sparke Evans Park, Bristol, November 2024
Grimes, Sparke Evans Park, Bristol, November 2024

The three dimensional effect that Grimes creates in his work is outstanding, and this whole thing has the appearance of bursting out from the wall towards the viewer. Such is the energy in the piece it almost feels like an animation. The ‘fruit salad’ colours are beautifully distributed throughout the writing (Spelling GRIMES), and are set on a watery blue background, which is also full of swirling movement. In my eyes, this is a masterpiece of wildstyle writing.

6529. Cumberland Basin

Oust, Cumberland Basin, Bristol, October 2024
Oust, Cumberland Basin, Bristol, October 2024

It’s a funny thing, but I don’t know whether I simply haven’t registered Oust much in the past, or whether he is painting a little bit more often in Bristol, but I seem to be finding more Oust work about town these days.

Oust, Cumberland Basin, Bristol, October 2024
Oust, Cumberland Basin, Bristol, October 2024

This is a superb piece of writing, with all elements working well in harmony, although I think that the light blue of the letters is slightly washed out by some of the stronger colours around it. Obviously, the letters spell OUST and they have been filled with loads of patterning and symbols, mostly stars. There is a complex drop shadow in black and yellow and a busy red background. I’ll definitely be looking out for more from Oust.

6528. M32 roundabout J3 (639)

Zeks, M32 roundabout, Bristol, October 2024
Zeks, M32 roundabout, Bristol, October 2024

There is a simplicity and clarity in Zeks’ work, where less is definitely more. His child-like quality and themes work so very well. The autumn leaves in front of the piece complement the ‘blue sky’ background, so well, conjuring up visions of gorgeous autumn days.

Zeks, M32 roundabout, Bristol, October 2024
Zeks, M32 roundabout, Bristol, October 2024

The combination piece is split into distinct halves, with a beautifully illustrated urban landscape to the left (looking like one of those 1960-70s cartoon series), which is so full of character. The writing in contrasting and bright colours spells out ZEKS, and is filled with interesting but unfussy shapes and designs. This is a delightful and calming piece from Zeks.