6061. Upfest 2024 (10)

Ments, Hen and Chicken, Greville Road, Upfest 24, Bristol, May 2024
Ments, Hen and Chicken, Greville Road, Upfest 24, Bristol, May 2024

It has been a while since I last saw Ments painting, so it was great to see him working on this piece for Upfest. The nature of this year’s Upfest has meant that there is far less graffiti writing than in previous years, with more of a focus on high-end murals. Knowing that, it was extra-cool to see this abstract writing from Ments.

Ments, Hen and Chicken, Greville Road, Upfest 24, Bristol, May 2024
Ments, Hen and Chicken, Greville Road, Upfest 24, Bristol, May 2024

There is a beautiful flow through this piece, which has a wonderful natural vibe running through it. The gentle colours are held together in geometric ‘crystalline’ forms and transition markedly from left to right. I am guessing that this Bristol-based artist has been busy over the last couple of years, because I don’t recall seeing any street work for a very long time.

Ments, Hen and Chicken, Greville Road, Upfest 24, Bristol, May 2024
Ments, Hen and Chicken, Greville Road, Upfest 24, Bristol, May 2024

If you like this you can see more of his incredible ‘organic’ writing in this gallery.

6053. M32 roundabout J3 (578)

3GV, M32 roundabout, Bristol, January 2024
3GV, M32 roundabout, Bristol, January 2024

I have been aware of 3GV’s work for a little while now, but this is the first piece I have posted on Natural Adventures, which I photographed back in January this year. It has taken me a little while to post because I wasn’t too sure who the artist was, and whether this was a one-off or not. I have since seen several more pieces which I will try to feature in future posts.

3GV, M32 roundabout, Bristol, January 2024
3GV, M32 roundabout, Bristol, January 2024

3GV has an interesting combination style, which incorporates characters and his letters 3GV. While his work is quite undeveloped and raw, he has something about him, and with plenty of practice, I fully expect to see his work in some of the more prominent spots before long. The Fred Flintstone character is recognisable, and the rest of his artwork comes together to create something quite eye-catching. Practice on his technique and finishing #will lift his work from ‘good effort’ to outstanding – let’s see where this goes.

6049. Peel Street Green (31)

Desi and Mr Two Gram, Peel Street Green, Bristol, May 2024
Desi and Mr Two Gram, Peel Street Green, Bristol, May 2024

Peel Street Green is a really great spot for showcasing your work, and Desi and Mr Two Gram have absolutely smashed it with this colourful and cheerful themed collaborative wall. I particularly like the inclusion of characters, which is something neither of these artists does all that often, but they should, because these are brilliant.

Desi, Peel Street Green, Bristol, May 2024
Desi, Peel Street Green, Bristol, May 2024

Desi has returned to writing DESI, after a spell of writing VEIL, and appears to write with such confidence and flair these days. Her work has really come on in leaps and bounds, and her finishing has improved no end. The character, with pink overtones, in keeping with the writing, looks, stylistically, like a character from the Dexter’s Laboratory cartoon series. A great combo piece.

Mr Two Gram, Peel Street Green, Bristol, May 2024
Mr Two Gram, Peel Street Green, Bristol, May 2024

Mr Two Gram and I had a long conversation a little while ago, under the M32, during which I asked him whether he ever painted characters, and he replied that it was something he was considering… well I am glad that he did, because this combination of writing and cartoon character is superb. Mr Two Gram’s letters are so distinctive and always neatly turned out, and the colour scheme works well here too. As with Desi’s piece, the hair and eyes match the writing, ensuring the character is relevant to the piece. Great work and a wonderful collaborative extravaganza.

6048. Brunel Way (272)

Mr Tanner, Brunel Way, Bristol, May 2024
Mr Tanner, Brunel Way, Bristol, May 2024

I have said it many times, and it continues to be my firm belief, that visiting artists add an extra sparkle to the vast spectrum of street/graffiti art that we see in the city, and they are always welcome. Mr Tanner appears to have taken a bit of a shine to the city of Bristol recently and long may it last, as his pieces are original and quirky, and each one utterly different from the last.

Mr Tanner, Brunel Way, Bristol, May 2024
Mr Tanner, Brunel Way, Bristol, May 2024

This is a fabulous organic piece of graffiti writing from Mr Tanner, which spells out ‘TOPIA’, don’t ask me why, but it is the letters that he writes. The design is original and flows very nicely, with fill transitions that work really well and are reversed in the ‘O’. I reckon that buffing the wall might have helped the piece to stand out a little more from the Pura Decadencia piece underneath it, as the two colour palettes are competing a little. Nonetheless, this is a wonderful piece from Mr Tanner.

6041. M32 roundabout J3 (577)

Hemper, M32 roundabout, Bristol, May 2024
Hemper, M32 roundabout, Bristol, May 2024

Regular visitors to Natural Adventures might have noticed that I am posting three street art pieces a day more frequently than I used to, as if I were a man in a hurry. The truth is, I am. The sheer intake of new artists in the city, and the large number of established ones, means that there has never been such a high turnover of art in Bristol before, and I have never had more wonderful pieces to share. An added complication is that we are in the midst of the Upfest 2024 paint festival, and there is a huge influx of international artists whose pieces I’d like to share. This is a great first-world problem for me to have, but also means I have to post more often, and leave more pieces languishing in my archives.

Hemper, M32 roundabout, Bristol, May 2024
Hemper, M32 roundabout, Bristol, May 2024

This outstanding piece is from one of the best graffiti writers around, Hemper, and quite frankly is pretty much perfect in every way. Spelling out HEMS, the multicoloured fills are utterly sensational, blending and bleeding through the piece with consummate ease. Hemper is a master of his craft, and I can only stand back and admire the rich depth of this masterpiece.

6040. Peel Street Green (30)

Grimes, Peel Street Green, Bristol, May 2024
Grimes, Peel Street Green, Bristol, May 2024

It feels a little odd that this is only the 30th piece that I have posted from Peel Street Green. Admittedly, I arrived at the show very late with this spot, and have only been swinging by the place since November 2021. What I particularly like about the long wall here is that it has delineated large sections which tend to be occupied by one artist in each, creating an informal outdoor gallery atmosphere. The artwork here can be very hit-and-miss, but this one from Grimes is most certainly a hit.

Grimes, Peel Street Green, Bristol, May 2024
Grimes, Peel Street Green, Bristol, May 2024

The letters in this busy work spell out the artist’s name in lime green and khaki colours, augmented with some wonderful black accents, and a cheeky grin in the ‘G’. The drop shadow is expertly done, helping the piece to pop from the wall. The graffiti writing is set on a swirly patterned red backdrop, contrasting nicely with the greens. I like the little shout-out to Cort whose piece Grimes painted over. Respect.

6039. Cumberland Basin

j9449j, Cumberland Basin, Bristol, May 2024
j9449j, Cumberland Basin, Bristol, May 2024

The Bristol street art and graffiti scene is so broad that it welcomes all styles and all levels of talent. We get to see it all here. Some towns and cities in the UK embrace street art through holding festivals, but have no underlying culture 365 days of the year. While there is nothing wrong with that at all, what remains is a sanitised selection of high-end art, keeping the place pretty. Upfest provides us with a microclimate of high-end art in the Bedminster area, but the rest of the city is up for grabs, and I like it that way.

j9449j, Cumberland Basin, Bristol, May 2024
j9449j, Cumberland Basin, Bristol, May 2024

A great example of Bristol’s artistic diversity comes in the form of artists like j9449j, whose abstract fills are really quite unique. There is a wonderful organic feel to his work, with plant-like forms cropping up through the lettering. j9449j’s work feels quite ‘designed’, if you know what I mean, and although some of the borders could be a little cleaner, there is an element of anti-style that works well. This is a bright and colourful calming piece.

6038. St Werburghs tunnel (426)

Stivs, St Werburghs, Bristol, May 2024
Stivs, St Werburghs, Bristol, May 2024

So here we have, in this piece from Stivs, the coming together of outstanding writing style with subversion. Every time I look at this piece, which is kind of two pieces joined together, I begin to wonder whether Stivs has issues… he certainly seems to be letting it all out in his work at the moment, and there is an almost obsessive trait appearing on this wall.

Stivs, St Werburghs, Bristol, May 2024
Stivs, St Werburghs, Bristol, May 2024

As well as his customary calligraffiti, beautifully produced here, Stivs reminds us that he is a very talented character artist as well. The demonic character is depicted in shades of purple, and contains a lot of detailing. Of course, the elephant in the room is the outrageously sweary backdrops. I would suggest that we could name this as Stivs’ ‘blue period’.

6036. Dean Lane skate park (717)

Mr Draws, Dean Lane, Bristol, May 2024
Mr Draws, Dean Lane, Bristol, May 2024

I think that it is fairly common knowledge that ACAB is a subversive acronym derived from the phrase ‘all cops are bastards’. I am guessing that it was coined in North America, because we don’t generally use the word cop in the UK, preferring the terms Police, bobby, old Bill, ‘pigs’ or even ‘copper’ but rarely cop. ACAB is used liberally in street/graffiti art, and this piece on the curved wall by Mr Draws, has a humorous take on the letters.

Mr Draws, Dean Lane, Bristol, May 2024
Mr Draws, Dean Lane, Bristol, May 2024

Firstly, I would say that this is a really attractive piece by Mr Draws, who continues to gently push his boundaries all the time whilst retaining his style and identity. The design is great, the letters are nice and tidy and the fill colours work surprisingly well. Mr Draws has softened the tone of the acronym so that it reads ‘all cats are beautiful’, and has added in a cat character for good measure. Perhaps one could term this piece ‘fluffy subversion’.

6032. St Werburghs tunnel (424)

Fade and Pekoe, St Werburghs, Bristol, May 2024
Fade and Pekoe, St Werburghs, Bristol, May 2024

Ah! Bravo! Bravo! What a magnificent and, if I am honest, slightly unexpected collaboration from Fade and Pekoe in the tunnel. Although the pair have painted together in the past, it still somehow feels like a surprise when they hook up to paint together.

Fade, St Werburghs, Bristol, May 2024
Fade, St Werburghs, Bristol, May 2024

I was going to write that this might not be the tightest of pieces, but the more I look at it the better it gets I’m my view. The sumptuous colour palette of gold and light purple ticks all the boxes and turns a good wall into a great one. Fade has kept the purple flashes to a subtle minimum, with just enough colour to complement the wonderful gold writing. Lifting the letters further is the beautifully clean white accent line along the upper edges of the letters. Brilliant.

Pekoe, St Werburghs, Bristol, May 2024
Pekoe, St Werburghs, Bristol, May 2024

I wasn’t too sure about Pekoe’s portrait on first glance, but I am sure now that it is absolutely on point. The lady is wearing a gold hoody that frames a beautifully expressive face and flowing hair. The woman’s face looks quizzically amused about something, and seems to be suspended in that moment before breaking into laughter, at least that is what I see, and that is the joy of art, we each take home what we see. I really love this collaboration and look forward to their next project together.