This is another old one from 2016 on a wall that is no longer accessible, but was once a choice wall for the ASK crew. This is a fine piece by Cheo, which I have been looking at for ages, but still can’t make out the writing. ‘Equips’? As ever, great character and beautiful crisp lines.
Cheo, Raleigh Road, Bristol, April 2016
I enjoy looking through my archive pictures as it affords me to look at people’s work through a different lens, one which has a better understanding of the artists and their art.
Although I only recently posted my first piece by Corupt, I have been aware of his work for quite a while. In all the time that I have seen his work, this is the first time I have seen anything by him on a more conventional ‘show’ wall. Usually his work is sprayed high above other pieces in spots with a high turnover.
Corupt, Raleigh Road, Bristol, January 2018
Often colourful, he sprays his moniker with a deep perspective and variety of decorative fills. This busy piece has a candy, cakes and ice cream feel to it…maybe it is the colours and drips. Looking forward to posting more from Corupt.
I do like Mr Draws. It has been fun following his progress over the last three or so years and seeing his unstoppable enthusiasm for experimentation. His pieces are raw and creative, but not the highly polished design pieces we see from several other Bristol writers.
Mr Draws, M32 roundabout, Bristol, February 2018
Mr Draws ploughs his own furrow and will not be intimidated by any nonsensical hierarchy – he just gets on and does what he loves. I caught up with him while he was spraying this unusual piece and he announced that he was going to be moving to Berlin later in the year. I will definitely miss tracking down his work, but I think he will have an amazing time.
Mr Draws, M32 roundabout, Bristol, March 2018
This week artists from all over the globe have been finding out whether their applications to paint at Upfest 2018 have been accepted. Mr Draws has made the cut and will be there.
I always like finding Elvs pieces, there is something about how intricate and so very clean about them. Fantastic detailing and sharpness that so many pieces I see every day just don’t have. One of the features that helps his work stand out, is that his vanishing point for the shaded edges of the letters is somewhere in the middle of the piece, whereas much of the writing you see has a vanishing point to one side or the other. Small thing I know, but these things help give artists their uniqueness.
Elvs, Dean Lane skate park, Bristol, March 2018
As ever his lettering is outstanding and the colours really stand out on the blue background. I get the impression that his work probabkly takes quite some time to do, no sign of a quick throw up mentality here. I have not yet med Elvs, but would sure like to se him at work.
I don’t go to this spot often, but just happened to be picking up my daughter and a friend from Horfield Sports Centre and had five minutes to kill. I took a short walk around the perimeter of the skate park, in the melting snow, and was pretty happy to find this writing from Rusk.
Rusk, Horfield skate park, Bristol, March 2018
Most of the stuff here is pretty elementary and it is a bit of a practice wall, so it is always nice to see something a bit more polished from an established graffiti writer. The class of this piece stands out, and even on a wall that not many will see, Rusk has taken his time to produce something of quality. A nice March surprise.
Ryder’s work can be found all over Bristol, and increasingly I am enjoying his particular style of writing. In this piece he has gone for some really bright colours and a spotty fill to the deep shadow. His characteristic eyes and teeth filling some of the spaces in the lettering.
Ryder, M32 cycle path, Bristol, July 2017
Whether it is with his RAW mates, T-Rex, Rusk or Smak, or on his own, Ryder consistently turns out great work.
Yet another piece from my archive – I have to say that I rather like posting things sometime after I captured them, it somehow adds to the legacy element of what I do. This is a fine piece of wildstyle writing from Dibz on the hoardings that will very soon be coming down.
Dibz, Raleigh Road, Bristol, July 2017
Dibz’ complex pieces are characterised by a deep shadow lifting the piece out from the wall and giving it a bit of body. His Instagram account is well worth a squint to see pictures of his latest sketches in his black book. A great Bristol graffiti writer.
Since Kleiner Shames moved to London I have really missed his extraordinary pieces. It would appear that he recently visited his hometown, and this is the second of his new pieces that I have found. I particularly like this one.
Kleiner Shames, Cherry Lane, Bristol, February 2018
The writing as always spellls out FOIS, but it is the cowboy hat and eyes, giving character to the S that really grabs me. I have two of his pictures hangng in my home, which perhaps indicates how much I like his work.
A wonderful new collaboration between Ryder and T-Rex which was part of an informal paint jam organised by Smak. Unfortunately many of the pieces sprayed on the Saturday were sprayed over by the Sunday. I think this one remains.
Ryder and TRex, M32, Bristol, February 2018
This is quite a common format for this pair, with Ryder spelling out his name in the centre, and dinosaurs book-ending the writing. The orange and blue combination work nicely, especially on such a dull day. Ryder often inserts eyes and teeth into his letters to give them a bit more character.
Ryder and TRex, M32, Bristol, February 2018
T-Rex’s T-rexs are always fun to see, and can be found all over the city. The one on the left has been painted running down the hill towards the letters, making really good use of the site.
Ryder and TRex, M32, Bristol, February 2018
Finally the dinosaur on the right is emerging from the bushes making a stealthy attack. Altogether this is a nicely executed and fun collaboration.
I said in a recent post that Biers has been busy recently, and this is a second piece of his from Dean Lane in a very short space of time, and he has done at least one more somewhere else since
Biers, Dean Lane, Bristol, February 2018
I am not sure who the character in this piece is, ought I to know? Biers has gone for a large one here, taking up much of the long wall at Dean Lane, of course it is gone now, but I was pleased to be able to catch it. In my view this is one of the best pieces I have seen from Biers, the colours and contrasts are good and he has lovely clean lines around the piece.
Biers, Dean Lane, Bristol, February 2018
I think one of the things I really like about his work is the style of his lettering, there is something unique about it, the B and the S being particularly special. I can’t really pretend to know too much about such things, but I know that I like this work. Now who is that gorilla-like character.
Doing a little bit of a Google search has led me to the character probably being from the Nintendo Wii game ‘Punch-out’. Not one I ever played. Glad I sorted that out because it was beginning to bug me. No Frills.