Going green

 

Few things are so clear

my conscience will be my guide

and the Earth the prize.

 

by Scooj

London

 

There is little one

can say or do, nothing seems

to make it better.

 

by Scooj

 

808. Dean Lane skate park (50)

On 20 April each year, there is a legalise marijuana protest, or smoke-in if you like, where weed smokers will overtly disobey the law and rely on the theory of safety in numbers to avoid arrest or prosecution. In the UK, the main ‘celebration’ is held in Hyde Park, but in Bristol there is a parallel exercise held on the Downs.

Kid Crayon, Dean Lane, Bristol, April 2017
Kid Crayon, Dean Lane, Bristol, April 2017

This piece is dedicated to the 420 campaign and is unmistakably by Kid Crayon, who demonstrates his knowledge of marijuana admirably in this protest work.

Kid Crayon, Dean Lane, Bristol, April 2017
Kid Crayon, Dean Lane, Bristol, April 2017

I always like a good political or protest bit of street art, and this one ticks all the boxes. Colourful, illustrative and subversive. The piece remained untagged for a long period in an area where street art tends to have a very short lifespan, possibly indicating a general respect and support from taggers and other artists.

SAMSUNG CAMERA PICTURES
SAMSUNG CAMERA PICTURES

It has, of course, gone now.

807. Moon Street (30)

I have no idea who this is by, but it really tickled me when I saw it. This is one of those pieces that you really have to keep your eyes peeled to be able to see. Low down and quite small. A dog on a skateboard. A paste up. What is not to like here?

Unknown, Moon Street, Bristol, May 2017
Unknown, Moon Street, Bristol, May 2017

If anybody might know who the artist is, I would be eternally grateful. Pure class as far as I am concerned.

Leaving Paris

 

America first

the rest of the world suffers;

Mr Trump-Magoo.

 

by Scooj

806. Dean Lane skate park (49)

This is a small piece from Shab down at Deaners from a couple of weeks back. It is a wonderful abstract piece with great eyes…oh those eyes. I discovered another much larger piece by Shab in another part of Bristol, and am itching to go and photograph it.

Shab, Dean Lane, Bristol, May 2017
Shab, Dean Lane, Bristol, May 2017

It is always a pleasure to see his work, every one feels like a little present. I feel very lucky to be able to access the free galleries that are the Bristol walls. My task is to make these treasures accessible for all.

Shab, Dean Lane, Bristol, May 2017
Shab, Dean Lane, Bristol, May 2017

Mount Teide

.

Highest peak in Spain

and mother of Tenerife;

we leave you in peace. 

.

by Scooj

Holiday shackles 

.

The all-inclusive

branded wristbands are removed;

not my cup of tea. 

.

by Scooj

805. Raleigh Road, Tobacco Factory (7)

I had had a tip-off, via Stephen Quick’s Instagram feed that he and Hannah Adamaszek would be doing a collaboration at the Tobacco Factory, on the weekend of 13-14 May, so I managed to sneak over on the Saturday to see what they were up to.

Stephen Quick and Hannah Adamaszek, Tobacco Factory, Bristol, May 2017
Stephen Quick and Hannah Adamaszek, Tobacco Factory, Bristol, May 2017

What a treat. Stephen had organised for a few established, up and coming and debutant artists to spray the car park bays during what was a bit of a Bedminster festival. This work is really interesting because it brings together two distinct styles into a synthesis that joins them. The subject matter is the same, but the techniques quite different.

Stephen Quick and Hannah Adamaszek, Tobacco Factory, Bristol, May 2017
Stephen Quick and Hannah Adamaszek, Tobacco Factory, Bristol, May 2017

Stephen Quick works mostly with stencils and Hannah with freestyle paints and spray. It was interesting watching them concentrating on their respective halves of the collaboration.

Stephen Quick and Hannah Adamaszek, Tobacco Factory, Bristol, May 2017
Stephen Quick and Hannah Adamaszek, Tobacco Factory, Bristol, May 2017

It is possible to see that some elements of the original piece obviously didn’t work too well for the artists, so they were removed, for example the purple birds in the background.

Stephen Quick and Hannah Adamaszek, Tobacco Factory, Bristol, May 2017
Stephen Quick and Hannah Adamaszek, Tobacco Factory, Bristol, May 2017

I love the work of both of these artists, and I love the way they have collaborated on this piece. Does it work? I am not sure. Has it enhanced their styles or cramped them? On balance, I consider it a triumph, but it brings into sharp perspective the difficulties of working together. A bit like being married I guess…different styles, a collaboration.

Stephen Quick and Hannah Adamaszek, Tobacco Factory, Bristol, May 2017
Stephen Quick and Hannah Adamaszek, Tobacco Factory, Bristol, May 2017