This is an interesting burner from Soak in the quiet derelict area sandwiched between the M32 and Stapleton Road. It was part of the cycle route, but it has been closed off while some development works are being carried out.
Soak’s piece uses a fun theme of exploding his name with fragments falling off in all directions. There is movement in the piece and he seems to have spent a little more tome on this than on some of his other burners. Overall I rather like it.
Well you might be tired of NEVERGIVEUP’s bunnies, but I am not tired of posting them, and there are several more in the pipeline, so watch out. This one is in Moon Street and you might notice it is in good company with an old Laic217 piece on the left and work from Deamze on the right. The one on the left has recently been replaced, but the one on the right has been there for an age and really needs refreshing.
Given that he has done so many rabbits recently, I am left wondering if he will return to his monsters, or whether he’ll come up with something else. Whatever happens, his productivity and enthusiasm seems set to continue.
I think that this is my favourite Oner piece to date. He has taken a little more time, which is possible in the backwater of this spot, which receives so little traffic since the cycle path along here was closed about six months ago.
His letters are a little more elaborate and he has included a rather dashing octopus character on the right hand side. I think that a piece like this showcases the capabilities of an artist. It is all fine to spray quick burners, because it is fun, but take a little more time and special work emerges. I love the colours and optimism of this burner.
A daily hazard
on entering the greenhouse,
gossamer garotte.
by Scooj
This is what Deamze specialises in, a fantastically intricate piece of writing accompanied by a cartoon character. In this piece, which was painted at the recent ASK crew paint jam, Deamze makes full use of bold primary colours – something not often seen in my experience of graffiti/street art.
I think this is a really sharp piece, beautifully executed, as if we should expect anything less. I don’t really know who the character is, he looks familiar but I can’t place him. Google searches failed me on this occasion.
This is a bright piece which looks amazing on this section of wall and the pictures with tree cover add that little something special. Fine work.
What a lovely piece in The Bearpit from Tasha Bee, who not so long ago painted in collaboration with Hazard in St Werburghs tunnel. I know little about her or her work, but she is very much on my radar at the moment. I think she has recently been collaborating with PWA, in particular Face 1st.
This is a beautiful impish character full of colour and vigour. It is something quite different from the usual fare in The Bearpit and all the better for it. Everything that I have seen from Tasha Bee I like, so I am definitelty going to try and track down more of her work.
.
A retiring chap
I dance with my pen; others
dance to tainted love.
.
by Scooj
2018 has certainly been the year of introductions, with a whole host of street/graffiti artists new to these pages, and here is yet another one. I have no idea if Wink is a newcomer or if I have just had my eyes closed, but there are a lot of Wink burners out there, and I have to say I am rather taken with them.
Here are a couple of examples from Dean Lane – they were pretty much next to each other. I have more to post and in the mean time I will try to find out something about Wink.
.
Young and old
gather on the Downs
in the sun
having fun
watching bands from the 80s
nostalgic day trip.
.
by Scooj
It feels like the PWA crew are really waking up at the moment. Face 1st and Soap have become more active on Instagram, and on the streets they seem to be busy, not only individually but also collaborating. This is a great thing to witness, and I hope this rich streak of form continues.
This collaboration is a little unusual for me, because I haven’t seen writing from Soap before (look carefully to see SOAP), being much more used to his large mouthed characters. The piece is tucked away down a side road on the St Pauls/Montpelier border, on a wall that had been getting a bit tatty with graff and tags.
Face 1st is of course a favourite of mine and in this work we see his familiar tear drop designs (almost paisley pattern-like) and a face with large appealing eyes.
This is quite an unusual collaboration in quite an unusual place, but a most welcome find when not really looking for it. It is a pity about the green car parked in front of the piece, which prevented me getting a decent front on photograph, but cars are out there and dodging them is part of the experience.
Natural adventures 