A gallery of outstanding calligraffiti, from the Bristol-based, Spanish writer Todoaciem, aka Ciem1
Instagram: @todoaciem
All photographs by Scooj
Todoaciem
Month: January 2023
Addiction
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Surf the internet
obsession for the white stuff
ski weather reports
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by Scooj
4943. Cumberland Basin
It is curious that one of the most arresting pieces of 2022, never actually made it onto the pages of Natural Adventures. I know that I delayed publishing the amazing piece at the time because I was unsure about the artist. However, as I know to my cost, the risk of delaying posting is that pieces get overlooked and eventually disappear under the weight of newer pieces landing in my image folders.
This is by Acesartworld, and is quite unlike much of his other work. What I particularly like about this (robot/alien?) headshot is the way the burning orange pupils of the character’s eyes have projected light onto eye surrounds and cheeks. There is a lot of depth and texture here, provided by some clever shading. I have other pieces by the artist that also haven’t been published, and will need to dig them out.
4942. Various locations
Bogat is an artist who is underrepresented on Natural Adventures, so this flurry of pieces that I photographed in March last year should go some way to addressing this. Although I took the pictures in March 2022, some of the pieces in the M32 J2 tunnels may have been there for a while.
Bogat, who often painted alongside Asre, has a thing for open-mouthed portraits and the occasional octopus. The piece above, from Brunel way, is rather nicely done, with some nice shading on the octopus and its tentacles providing some depth. I rather like the bubbles rising off the writing, too, and filling the black space.
The rest of the pieces were photographed in the tunnels of the M32 roundabout junction 2, a few hundred meters North East of the junction 3 roundabout, which is a much more popular spot.
These tunnels are quite narrow, and dark, making photography something of a challenge. Somehow I managed to capture these pieces reasonably well, perhaps because they are in a portrait orientation rather than landscape.
It feels good to have posted these pieces, even if they have been collected together into one post. If I didn’t do that, then there is a real possibility that they would remain in the archives forever.
4941. Sparke Evans Park (51)
I think I know why pieces from Sparke Evans Park sometimes get left behind in my archives. As mentioned on these pages numerous times, there is a row of mature trees that run parallel with the long wall, roughly 5 meters away from it. If there is even a hint of sun, then it is impossible to photograph anything on the wall due to dappled shading – summer or winter.
Often I will photograph the wall and be dissatisfied with the pictures, and then return some time later on a dull day to take more pictures. Because of the volume of new street/graffiti being painted each week, these second sets of pictures can get a little lost in the competition for space on Natural Adventures. By looking back through my archives I can pull out a few pieces that I feel should be posted. This beauty by Rozalita is one such piece.
Although last year was a relatively quiet year for Rozalita, compared to 2021, the quality of her work was outstanding, and this gorgeous piece combines her skills at painting portraits with her detailed flowers and butterfly. I am looking forward to another great year from Rozalita.
4940. Dean Lane skate park (557)
I rarely miss posting anything by Hire if I can help it, so I was surprised to find this outstanding piece from this gifted artist in my March archive. On the upside, I guess, I am sharing it with you now. Even though I am currently going through an unpublished back-catalogue of street art, there is at least 50% still unpublished, which gives me a minor panic attack.
The striking colours used in this piece are divine and the writing itself, spelling HIRE, is outstandingly painted. The fine lines cutting through the middle of each letter is what elevates this writing from the good to the exceptional. This is an absolute belter of a piece from a lovely artist.
4939. M32 roundabout J3 (445)
I simply fail to understand how I managed not to post this absolute cracker by Face 1st back in February 2022. It has been lurking in my archive, screaming to be released and shared, and now at last is liberated, and just look at how happy those girls are.
I definitely noticed that nearly all Face 1st’s work last year was overflowing with joy, and this piece early on in the year certainly set the tone. To me this is brilliant, and one of my favourite Face 1st pieces ever. The colours are sensational, and the positive and mischievous energy flying off the wall is a pleasure to observe. What an absolute blast!
4938. Dean Lane skate park (556)
Another fine piece that got overlooked in my February postings last year is this magnificent work from Saor. On a dull winter day, the orange elements of the piece really cut through and draw the eye in. The piece was painted alongside NTS crew mate Mudra.
I may have said it before, but Saor’s style reminds me quite a lot of Epok’s work (what has happened to Epok – I wonder). The concept is highly designed and very cleanly finished, almost as if it was painted with fine brushes. I particularly like the shadow behind the right-hand side of the orange letters. As always from Saor, a nicely conceived piece, brilliantly executed.
4937. Spake Evans Park (60)
I think that 2022 was the most prolific year for Bristol street/graffiti art ever. More artists joined the already large cohort, and it would seem that many of them painted more often than before. Of course, this is counterbalanced a little by the departure of some artists, and others going to ground for sustained periods. Overall, though, it was a bumper year. What this means is that there are way too many great pieces that were left ‘on the cutting room floor’, so the next few posts will be an attempt to dig out some of the pieces I simply didn’t have time to post during the year. Starting in January 2022 with this splendid collaboration between Face 1st, Kool Hand and Soap.
I have a feeling that the reason I didn’t post this at the time is that my first round of photographs were sun/shade impacted – this is a spot to be photographed on dull days. To the left is a typically happy piece from Face 1st, that really set the tone for the joy he spread for the rest of the year.
The middle section was painted by Kool Hand, with this really on-point crocodile holding a marker pen. I was chatting with Face 1st earlier this week, and he said that he felt that this piece really demonstrated how Kool Hand had moved up a level, and I would definitely agree.
Finally, (and it is always finally, because Soap always paints on the right-hand side of a collaboration) we have a superbly expressive piece of writing from Soap, one of his very best, in my opinion, with stacks of movement and interest. Even if you can’t quite read his letters, he has signed the piece with his tag three times for good measure. I am so sorry you have had to wait a whole year for this one.
4936. M32 roundabout J3 (444)
This is an absolute beauty from Kosc, who has been dazzling us all year with his outstanding craft and innovation. The stylised portrait and writing piece has overtones of American art deco about it and reminds me of the Chrysler building in New York.
The grey and white colour selection is a combination that works really well together, creating a metallic appearance through the whole piece. Set on a muddy green background, the piece is modest and yet highly impressive. Another outstanding piece from Kosc.
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