What a surprise this piece by Face 1st is. I don’t think I have ever seen anything like it from him before, and had he not signed it, I might have struggled to guess it was one of his, although once you know, there are some signs you can read with hindsight.
Face 1st, M32 cycle path, Bristol, June 2024
There is something very beautiful and homely about this piece and I assume it is a portrait of Ella, one of his children maybe. I find the whole piece very touching and full of love. I particularly like the wooden table, and the girl’s freckles. I love it when artists do something unexpected like this, demonstrating their range and versatility. This is brilliant from Face 1st.
If I were only allowed to keep my galleries of say ten street artists, Laic217 would be close to the top of the list. I feel like I have grown up (in terms of my interest in street/graffiti art) with him, and as he has improved and expanded his horizons, I have learned more and grown my expertise. We both have plenty of headroom, but our journeys have taken a parallel pathway, and that feels good.
Laic217, Sparke Evans Park, Bristol, June 2024
This is a great piece on the long wall at Sparke Evans Park which reminds me a lot of the Hollywood horror film genre. I think it is the check shirt and baseball cap that do it along with the disfigured melting face, of course. This is what Laic217 does so well, and although the subject might not be to everyone’s taste, the technical skills must surely be admired. I loved stumbling across this one.
Pekoe and Jody, M32 roundabout, Bristol, June 2024
This is another installation from the recent paint jam to celebrate Wispa’s (in absentia) birthday. I can’t recall whether Pekoe and Jody have collaborated before, but they have done so spectacularly well in this writing/cup-cake combination piece.
Pekoe and Jody, M32 roundabout, Bristol, June 2024
Pekoe has been working more on her letters over the last year or so and is clearly gaining in confidence. There is a uniformity and discipline here which is good to see, She has added a sprinkling of ‘love hearts’ in line with the confection theme for the paint jam. The cup-cake by Jody is nothing short of perfect… topped with a swirl of cream a cherry, mint leaves and some chocolate sprinkles. A superb collaboration from the pair – I hope Wispa was suitably impressed/touched.
Fade, Andy Council and Acer One, Dean Lane, Bristol, June 2024
What I love about recording and writing about street/graffiti in Bristol is the enormous array of quality, experience and styles that I get to see – it is never boring, and I love to try and represent it all here. This is an extraordinary ‘high-end’ production from Fade, Andy Council and Acer One. I get the feeling from the balance of the piece that Fade may have been an opportunistic addition to this piece, but has integrated perfectly with the colour scheme and tone,
Fade, Dean Lane, Bristol, June 2024
Fade, using all his experience, manages to create such a tight finish to all of his work, and it feels like there is never any part of it that is untidy or out of place. His letters spell FADE, and are filled beautifully in black fading to brown. The writing is set on a stunning grey/brown cloud that runs through the whole collaboration.
Andy Council and Acer One, Dean Lane, Bristol, June 2024
The balanced symmetry of the Acer One and Andy Council element of the collaboration is what makes me think that Fade was an add-on. It comprises one of Acer One’s designs that he is currently favouring, which is accompanied by two of Andy Council’s famous Ammonites.
Acer One, Dean Lane, Bristol, June 2024
Acer One has come up with this incredibly clever and intricate concept, where two words are incorporated into one design – something he has done before, but is now more refined. Some of the words are easier than others to see. The upper chrome lettering spells ACERONE and the lower black letters spell COUNCIL. If you block off the upper or lower part, it is easier to read the names.
Andy Council, Dean Lane, Bristol, June 2024
I love it that Andy Council will often return to his ammonites in his mural work. They obviously hold an important part in his work because his signature incorporates one. These creatures are ‘composites’ made up of elements ‘stitched’ together in Andy Council’s unique and inimitable style. This is overall a brilliant production, and a precursor to a larger one including Dibz and Jody… watch this space.
I think that we are approaching the last few months of this wonderful spot with its long hoarding, because the housing development is nearing completion, and when finished the boards will come down and the graffiti spot will become a thing of the past. That is part of my motivation to capture these spots and the art, because it is all so ephemeral. I was lucky enough to meet Esme Lower while she was painting this piece, and she said at the time that she was looking forward to doing more artwork on the streets, because she really enjoys it.
Esme Lower, Greenbank, Bristol, May 2024
I love this representation of a fight or scrap, because it is representative of so many conflict situations, and painted in a humorous style. It reminds me of the fights that Asterix and Obelix would have with the Romans in the comic book series. There is plenty of action and movement in this fun piece, and I will definitely be keeping my eyes peeled for more from Esme Lower.
After yesterday’s General Election, which went pretty well from my point of view, I am left feeling flat. I have waited so long to see the back of the Tories, that I think I am slightly in denial.
Abbie Laura Smith, Cumberland Basin, Bristol, May 2024
There are two important elements to a great wheatpaste, which are; the quality of the artwork and the location. Abbie Laura Smith has nailed it on both counts with the Swiss cheese plant cut out portrait pasted onto one of the old bollards alongside the river – an immediate impact piece for those with their eyes open.
Abbie Laura Smith, Cumberland Basin, Bristol, May 2024
The black and white portrait drawing, makes great use of two-tone light and dark and is superimposed onto the leaf, before being cut out. It was so much to find this piece and some of the others she has pasted up in the area, and I hope that it encourages her and others to do more of this kind of stuff.
I have mentioned before on Natural Adventures, how much visiting artists contribute to the spectrum of street and graffiti art that we see in the city, constantly adding to the diversity and culture of the scene. All visiting artists are welcome, and none more so than Mr Tanner, whose one-off unique pieces have brought some imagination and and sparkle to this wall in Cumberland Basin on several occasions.
Mr Tanner, Cumberland Basin, Bristol, May 2024
I am not too sure where Mr Tanner is based, but he does appear to visit Bristol occasionally. The horse in this piece is a reverse silhouette on a black background, within which its skeleton appears, almost X-ray-like. There are two vertical lines of writing that accompany the piece, on the left, something in Japanese, and on the right the letters TOPIA constructed out of bones. Altogether this is an unusual and striking piece.
Lots going on this morning getting in the way of writing posts. The General Election results are in and we will have a labour Government, having seen off the Conservatives… at last. In my constituency a Green candidate won, which is great news, bringing the total of Green MPs up to 4 from 1 before – the start of something exciting perhaps. I am also not feeling too bright – I have tested negative for Covid, so it must be some other stoopid summer bug that I have.
Jagung, Upfest 24, West Street, Bristol, May 2024
There were so many outstanding Upfest murals this year, but this was one of the most eye-catching. Painted by Jagung, a young Malaysian artist, who loves to use colour, talking in his profile about playing with colour inversion, although I don’t see any evidence of it here.
Jagung, Upfest 24, West Street, Bristol, May 2024
The day I photographed this piece, it was surprisingly busy, and I had to wait a while before I could hog the space. The portrait piece is notable for the large amount of the wall taken up by the orange yellow and red figurative flames, and relatively small portrait – a clever device to create tons of movement and energy.
Jagung, Upfest 24, West Street, Bristol, May 2024
A close up of the face and hand of our hero shows that Jagung hasn’t shirked or dodged doing an incredible job with creating the realism of the face within the abstract frame of swirling flames. A hot mural in all senses of the word.
Natural adventures 