.
Golden cockerel
perched high up on a church spire;
cock a doodle do!
.
by Scooj
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Golden cockerel
perched high up on a church spire;
cock a doodle do!
.
by Scooj
Revolving doors at
the Department, corporate
memory undone.
by Scooj
I have known about this wonderful piece by Decay for quite some time, but just haven’t had the time to get to this part of St Pauls until very recently. The abstract work was painted to mark the St Pauls carnival and Decay has exchanged his usual greys, blacks and reds for the Rastafarian colours of red, gold and green.

I feel like I have had slight withdrawal symptoms from having seen so little of Decay’s work since Upfest, so finding this was just what the doctor ordered. His abstract formation, or variations of it, are always pleasing to the eye and so distinctive that no signature is required. Nobody else does anything like this.
Well, well, well it would seem that Mr Klue has rediscovered his mojo, which is absolutely brilliant news for this king of abstract street art in Bristol and is also pretty good news for me too.

Over recent weeks Mr Klue has been turning out a whole load of excellent pieces, mostly in St Werburghs tunnel, and this one was form the very end of October. I mentioned before that there had been a great crop of Halloween pieces this year and this is one of them.

Much of Mr Klue’s work is peaceful and calming, but a quick glance of some of the detail in this one shows a fair amount of menace…the chainsaws are particularly horrific. I love this piece, and it really brings out another side to the talents of Mr Klue. One of my all-time favourite Halloween pieces.
No arbitration
for such a disagreement
only a win/lose
by Scooj
I think this one from qWeRT goes back to roughly the time of Upfest 2018 and is pasted on a door, along with multiple other wheatpastes – you can see one from Losthills just to the left – that is opposite one of the Upfest feature walls.

I am always happy finding qWeRT wheatpastes, it is a little bit of a game to hunt them down, and I am pretty safe in the knowledge that there are others in Bristol that I have yet to find. The googly-eyed character is in loving mode in this piece.
I realise that it must get a bit wearing for regular readers of Natural Adventures to keep seeing pieces by some of the more productive street artists in Bristol, but I shall not apologise for it. Artists like Face 1st are the lifeblood of any urban street art scene and without them we would be left with high-end commission-based artists painting in sterile environments, and frankly who wants that? Not me.

This is a beautiful piece from Face 1st, and the colour selection is rather special. For those not in the know, you should be able to make out the letters FACE in the hair/decoration around the face…for example the C is around the left of the face, and the E is to the right. So good.
.
Belief suspended
a day is a long time in
politics, they say.
.
by Scooj
The M32 spot is a sprawling area of columns and walls underneath the M32 where skateboarders like to congregate when it is raining. The ramps and obstacles in this ‘unofficial’ skatepark are cobbled together by what I think is called DIY – a group of enthusiasts who create skating opportunities. It is also an area where street artists like to spray, and although turnover can be quite high, there are some pieces that have remained for ages and ages.

This piece, it will come as no surprise to you, is by NEVERGIVEUP or as he calls himself Nevergiveup Familia or NGU. It is one of his ever-multiplying rabbits, that really are hopping out of pretty much every piece of concrete in the city. This particular one is one of my favourites – the colours and his slight plumpness make him most endearing. This is not the last of his bunnies I will be posting here.
I took this picture a little while back, and thught I had published it, because it is quite similar to a couple of other pieces by Kool Hand. But I hadn’t so here it is now. Kool Hand creates distinctive natural world creatures, such as this orangutan with strong black outlines and bold solid colours. The pieces are simple, but effective and he has carved out this neat style.

Most of his work is set on a white background, which probably brings out the pieces in a clearly defined way, uncluttered. He is a tidy artist. I haven’t yet met Kool Hand, but as with all artists in Bristol, it is just a matter of time before we both pitch up at the same place at the same time.