Wheel of death

 

The spinning circle

something is ‘not responding’

frustration sets in.

 

by Scooj

1831. The Bearpit (168)

This is the third piece that I have found in The Bearpit by ‘out-of-towner’ Tommy Fiendish. It is quite different from the other work of his that I have seen, both of which are quite edgy and slightly odd, and is a rather curious domestic living room scene.

Tommy Fiendish, The Bearpit, Bristol, March 2018
Tommy Fiendish, The Bearpit, Bristol, March 2018

I love the perspective and the old TV, the Nike shoe box and the plants. I can’t quite make out what is going on with the walls…is it a tagged wall exposed or is is something that has been stuck to the wall? There is probably a story here, although I’m not too sure what. Maybe there are some memories the artist has from his childhood. An interesting and unusual piece.

1830. Barcelona

There are so many shutters in Barcelona. Shutters on shops and shutters on the entrances to apartment parking lots. There is also a huge graffiti/street art culture. Put the two things together and you get an awful lot of sprayed shutters…some much better-looking than others. This is one I took a bit of a shine to.

Joel Aroyo, Barcelona, March 2018
Joel Aroyo, Barcelona, March 2018

It is by Joel Aroyo, who I think sprays rather a lot of shutters and I would guess many of them commissions. The Beetle car is iconic and this piece reflects that status. Overall a nice shutter.

1829. Jardins de les Tres Xemeneies, Barcelona (4)

The joy of going through archives is unearthing old pictures and this is especially pleasurable when they are from trips away. I took this picture in the Jardins de les Tres Xemeneies, Barcelona last March, on a short break with my daughter. I am indebted to No Grey Walls for telling me about the spot, which I’m not sure I would have found without his advice.

Kram, Jardins de les Tres Xemeneies, Barcelona, March 2018
Kram, Jardins de les Tres Xemeneies, Barcelona, March 2018

All I know about the piece is that it is by Kram, and that it is in the middle of what looked like a collaboration wall. In my view, I think this was the best bit of the wall and the only artist I could identify. No Grey Walls may be able to add more. One of the luxuries of posting holiday street art is that you aren’t expected to know anything about the artists, and guess what…

1828. M32 cycle path (19)

I think the reason I didn’t publish this piece by the brilliant Laic217 at the time I photographed it is that the light was all wrong, and the colours of the piece were a bit disappointing. This narrow lane is a nightmare for photography if you are there on a bright day or at the wrong time of day.

Laic217, M32 cycle path, Bristol, February 2018
Laic217, M32 cycle path, Bristol, February 2018

The light is so bright above the hoarding, which means the artwork gets darkened by the auto settings. Now if I were a real photographer, which I absolutely not – I am an archivist – I would be able to use manual settings to overcome this conundrum. Enough excuses already…the piece itself is a nother fine work by this irrepressible artist.

Laic217, M32 cycle path, Bristol, February 2018
Laic217, M32 cycle path, Bristol, February 2018

This form reverts to his name accompanied by a character which is a distorted face, and the distortion carries on through all the letters as well. Signature bucket hat and smiley instantly tell you who the artist is. I rather like this overlooked piece and am glad that at last I have posted it.

Thursday doors

Door 52

Well here you have it – one year of Thursday doors on Natural Adventures. Technically speaking I have been doing this for just over a year now, but have missed the odd week now and again. For my own satisfaction though I couldn’t really celebrate one year of Thursday doors until I had completed 52 weeks.

Just the one door this week, and one I know little about. I took the picture while on a short break in Barcelona back in March and it combines two passions…Doors and street art. I don’t know the artist, and I am way too lazy to look up much about the building the door is on, besides which I don’t think it really matters. It is just a great door.

Door, Barcelona, March 2018
Door, Barcelona, March 2018

by Scooj

More amazing doors at: Thursday Doors – Norm 2.0

1827. The Bearpit (167)

I haven’t seen anything new from Decay since Upfest, and I know he has done some pieces in Cheltenham, but I still haven’t had time to venture over there, so I thought I’d post this oldie from my archive.

Decay, The Bearpit, Bristol, April 2016
Decay, The Bearpit, Bristol, April 2016

This piece was sprayed not long after Decay moved to Bristol and I think was the first deviation from his usual concentric shapes around a face that I had seen (I think from recollection). The piece oozes class and the drips , the drips are expertly done. Can’t think why it’s taken me so long to post!

1826. The Bearpit (166)

I absolutely love this old one by Face 1st in The Bearpit, with its copper tones and trademark hair spelling out FACE. I guess that fairly soon I will need to do a gallery of his work because I have quite a large collection from the last three years.

Face 1st, The Bearpit, Bristol, January 2018
Face 1st, The Bearpit, Bristol, January 2018

What I really like about this artist is that he is relentless in pursuing his passion and will find any wall in Bristol that he can find and give it a face lift (see what I did there?). Always one of my favourites in Bristol and this particular one is a cracker.

1825. North Street

I can’t think for the life of me why it has taken me so long to post this piece. Not only is it a really great piece, it is also signed by the artist so no excuses. It is by 3rdeye, a Bristol based artist whose Upfest 2018 piece I recently posted.

3rdeye, North Street, Bristol, January 2016
3rdeye, North Street, Bristol, January 2016

This is a different take on his monsters than I am used to, being quite structured and symmetrical, where normally they are quite organic. I think the symmetry works perfectly on this set of doors. A lovely old one (January 2016) sees the light of day.

1824. The Bearpit (165)

Another archive piece, this time by the lovely Jee See in The Bearpit featuring his ‘seismic’ writing and a character with jagged stripe under the eye. I love the words Brizz Graff making an appearance – a love for the City and for graffiti. Like minds.

Jee See, The Bearpit, Bristol, January 2018
Jee See, The Bearpit, Bristol, January 2018

I met Jee See last week and although I had met him once before it was really nice to consolidate the friendship. He is a real gentleman and interesting guy. I am working on persuading him to take me out spraying some time (when I have practised a bit) – I know he reads my posts, so there is no escaping me. Loads more of his work in archive.