Author: scooj

I am Stephen. I live in Bristol, UK. I decided to shorten my profile...to this: Wildlife, haiku, travel, streetart, psychogeography and my family. Not necessarily in that order.

1323. Upfest 2017 (133)

Sophie Long is an established artist in Bristol whose wildlife pieces with stunning drips are well known to those who look out for such things. I recently posted her fabulous shark piece in Cheltenham road which I walk past pretty much every day.

Sophie Long, Upfest, Bristol, July 2017
Sophie Long, Upfest, Bristol, July 2017

This upright orangutan is rather beautiful and conveys so well the sombre disposition of these incredible creatures. we are reminded of our evolutionary closeness to them and our utter disregard for their environment. Orangutans have become an emblem of despair, but also of hope for the future. This fine piece would sit comfortably on any naturalists wall.

1322. Upfest 2017 (132)

At last year’s Upfest, 23 Magpies had a board all to herself, rather than her usual wheatpastes dotted around the place on utility boxes and lamp posts. I am a big fan of her work and am the proud owner of one of her small creations.

23Magpies, Upfest, Bristol, July 2017
23Magpies, Upfest, Bristol, July 2017

This work at Upfest is a clever piece of artwork purporting to be a National Geographic cover. A nice political message up front and lovely illustration, which chimes very much with the National Geographic house style. Packing a punch and an evocative image.

1321. Upfest 2017 (131)

What a remarkable collaboration this was for Upfest 2017 between Guy Denning and Yatika Fields. The work can be found on Dean Lane, in one of the more difficult spots to view. There is a tree a few yards in front of it, which presents the viewer and photographer (let alone the artist) with all sorts of light related challenges.

Guy Denning and Yatika Fields, Upfest, Bristol, July 2017
Guy Denning and Yatika Fields, Upfest, Bristol, July 2017

I don’t know if these two regularly collaborate, but their two distinct styles come together to create a fantastic whole. The central face is by Guy Denning which if inspected closely is made up of carefully stencilled letters and patterns to make up the composite face – brilliant work.

Guy Denning and Yatika Fields, Upfest, Bristol, July 2017
Guy Denning and Yatika Fields, Upfest, Bristol, July 2017

The patterning and abstract work either side of the face is by Yatika Fields, who has spent most of his time working on the East coast of the USA. On their own, neither of these pieces would carry the same impact as they do together.

Guy Denning and Yatika Fields, Upfest, Bristol, July 2017
Guy Denning and Yatika Fields, Upfest, Bristol, July 2017

The reference and portrait is of Tara Houska Zhaabowekwe (I had to look her up) who is the national campaigns director at ‘Honour the Earth’, and a native North American.

 

1320. Chalk Farm (4)

This sensational piece, which was part of the Ferdinand estate initiative organised by Global Street art and Camden Council, is by Bristol’s very own Andy Council. So good to see an artist’s work in London that I am very familiar with.

Andy Council, Chalk Farm Estate, London, November 2017
Andy Council, Chalk Farm Estate, London, November 2017

This has all the hallmarks of a great AC piece: An animal (in this case a horse with a flowing mane), a fantastic colour palette and the whole being composed of architectural elements and local landmarks.

Andy Council, Chalk Farm Estate, London, November 2017
Andy Council, Chalk Farm Estate, London, November 2017

I remember seeing this on social media when he first sprayed it and thinking that I would probably never see it. When I found it, I certainly hadn’t been looking for it. If I had done my homework properly I would have known where to look. Somehow though I prefer to wander around places using my instinct to track down potentioal street art spots. It is like a sixth sense.

Bitter

 

Siberian winds

cut merciless from the East

take no prisoners.

 

by Scooj

Escape

 

Managed to escape

from the clutches of housework;

A well-being walk.

 

by Scooj

1319. Castlehaven Road, Camden Town (2)

When I first saw this piece, I thought I had found another Gregos mask, but I was wrong. It is a piece by Urban Solid, a street art duo from Italy. To see more of their work, take a read of this great blog by London Calling.

Urban Solid, Castlehaven Road, Camden Town, November 2017
Urban Solid, Castlehaven Road, Camden Town, November 2017

Unfortunately, I looks like the piece has been damaged, there is meant to be something in the mouth of the face, but it has been snapped off. I am a fan of this kind of 3D installation art that challenges the viewer with humour and sometimes political rhetoric. All part of the broad spectrum.

1318. Castlehaven Road, Camden Town (1)

My not-so-recent trip to Camden Town took me back to some places that I had been to on previous visits. This was a particular joy to behold. Always, seeing Dzia pieces is thrilling but to see one so perfectly worked into a wall with an existing piece is just perfect.

Dzia, Castlehaven Road, Camden Town, November 2017
Dzia, Castlehaven Road, Camden Town, November 2017

I first saw this wall, with only the Dotmaster piece in September 2016, but the additional character that the Dzia pigeon has given it works so well. I love the clever touch of the pigeon’s heart, as if it is saying I love this piece.

Dzia, Castlehaven Road, Camden Town, November 2017
Dzia, Castlehaven Road, Camden Town, November 2017

One just has to marvel at the way the lines and shapes that Dzia draws, which on their own don’t make any sense, come together to create such astonishingly lifelike creatures that appear to be animated. Such clever work from this exceptional Belgian artist.

1317. Charlotte Street (2)

The incredible Alex Lucas is pretty well known across Bristol, if not by name then by recognition of her artwork. She seems to have her work all over the place and her commissions definitely brighten up the city.

Alex Lucas, Charlotte Street, Bristol, November 2017
Alex Lucas, Charlotte Street, Bristol, November 2017

From shop fronts to indoor murals, barely a day goes by when Bristolians aren’t touched in some way by her work. This is a case in point, the Bluebird Tea Company half way up Park Street.

Alex Lucas, Charlotte Street, Bristol, November 2017
Alex Lucas, Charlotte Street, Bristol, November 2017

This isn’t some corporate makeover, but rather a beautifully bespoke design for a particular kind of outlet. It is a one-off, and a glance at the detail in the piece demonstrates this.

Alex Lucas, Charlotte Street, Bristol, November 2017
Alex Lucas, Charlotte Street, Bristol, November 2017

Is this street art? some may ask. In my view, absolutely it is. Just because it is paid-for work doesn’t make it any less legitimate. It isn’t edgy or covert, but it is representative of one end of the huge spectrum of public street/graffiti art available to all in Bristol.