Category: 5. Street Art

1846. Upfest 2018 (87)

When I write these posts, I like to think about an audience that probably doesn’t know too much about what they are looking at and maybe, just maybe, want to find out more. I started blogging about street art in Bristol because I found it almost impossible to find out anything about what I was seeing on the streets where I live, and as an inquisitive person I found this mind blowingly irritating. So I had to dig deep and spent many hours finding out what I could. The massive leaps in learning come from actually meeting the artists and getting a little under the skin of what they do. This is all a bit of an aside, but one that was prompted by a train of thought that arose because I had to do a fair bit of research before posting this piece.

The Real Dill, Upfest, Bristol, July 2018
The Real Dill, Upfest, Bristol, July 2018

This is by The Real Dill who is a co-founder of Gums and tongue crew/collective/magazine. Based in London, this collective have made the trip to Bristol for Upfest for at least the last two years, in fact I still have a whole ton of their work to post from Upfest 2017! Sticking to The Simpson’s brief, The Real Dill has turned out an absolute gem with this piece, and one that really sticks in my mind. Bright green and pink always a winning combination .

1845. Upfest 2018 (86)

Octofly Art is the creation of an Italian artist called Sylvia who likes to paint monsters and creatures, and let’s face it, who doesn’t love a cuddly monster? Reading the profile of the artist in the Upfest programme, it would seem that she has only recently started using spray cans for her street pieces when previously she used to use brushes.

Octofly Art, Upfest, Bristol, July 2018
Octofly Art, Upfest, Bristol, July 2018

There is a definite style here with strong clean lines and solid fills, and it is really interesting to see from the ‘in progress’ picture how she is building up the layers before adding in the outline and details.

Octofly Art, Upfest, Bristol, July 2018
Octofly Art, Upfest, Bristol, July 2018

I notice that she was painting next to Stelle Confuse (Stelleconfuse) another Italian artist whose Upfest 2018 piece I have already posted on Natural Adventures.

Tea or Spray? – not entirely sure I know what she means, but surely there is only one answer to that question at Upfest.

1844. Upfest 2018 (85)

About Ponny is an artist I had not come across before Upfest 2018 and what a wonderful set of wheatpastes he left for us to admire this year. This is the second one I have posted, and like the first it best described as poignant.

About Ponny, Upfest, Bristol, July 2018
About Ponny, Upfest, Bristol, July 2018

There is a sadness, but also a really touching humanity about this piece, and the tones used for the stencil work give the whole wheatpaste a sombre and yet very powerful presence. I can honestly say that About Ponny was probably my favourite discovery of Upfest 2018 – now I just need to travel around a bit to find more of his great work.

1843. Upfest 2018 (84)

I think I might have said this last year, but somehow Upfest wouldn’t feel like Upfest without a presence from Cheo. One of Bristol’s most established graffiti writers and character street artists, his work is always of the highest quality. Judging from his Instagram account, I think he prepares these pictures on his computer and then recreates scaled up versions, which lends itself to his very clean style with solid fills.

Cheo, Upfest, Bristol, October 2018
Cheo, Upfest, Bristol, October 2018

I have seen these characters a few times before. I never quite know what they are, frogs? toothless crocs? monsters? your guess is as good as mine. The writing has a feel of Japanese script to it and from time to time Cheo uses this. I really don’t know what it says, but would guess at CHEO, although I can’t see it myself. He finishes the whole thing off, of course, with one of his signature bees. All good.

1842. Upfest 2018 (83)

I remember at Upfest 2017 really loving a piece by Lauren Maria Hill and she has come up trumps again in 2018. A fine artist, who is probably more at home in the studio, Lauren Maria Hill manages to use these smaller boards to showcase her stunning portrait work.

Lauren Maria Hill, Upfest, Bristol, October 2018
Lauren Maria Hill, Upfest, Bristol, October 2018

Unfortunately I never saw the finished piece, I think it must have been taken away and protected from the showery weather, but you can get the general idea from these pictures. This is another work from Upfest 2018 to feature a leaf from a Swiss cheese plant – Maybe they are fun to paint.

Lauren Maria Hill, Upfest, Bristol, July 2017
Lauren Maria Hill, Upfest, Bristol, July 2017

1841. Upfest 2018 (82)

Anyone reading this will know that I am a big fan of Kid Crayon. His bright and unusual pieces always contain an element of wit, charm or mischief and this pink crocodile demonstrates this sense of fun with a commmentary on the rain that fell throughout the Upfest festival.

Kid Crayon, Upfest, Bristol, October 2018
Kid Crayon, Upfest, Bristol, October 2018

This shutter piece was the second that he did at the festival, both using this colour scheme, so I am guessing that he got a job lot of these colours especially for the weekend. There is something really endearing about this crocodile and there is a gentleness to the way he is holding the little umbrella. A lovely piece.

Kid Crayon, Upfest, Bristol, July 2018
Kid Crayon, Upfest, Bristol, July 2018

1840. Upfest 2018 (81)

It wasn’t until Upfest this year that I discovered that I already knew The Hass, but under another name (there is a clue in the piece itself). It would seem that he has two street personas, one for his profession as a designer, and the other for recreation. I can tell you now that all of his work under whatever name is brilliant, and this piece is emblematic of that.

The Hass, Upfest, Bristol, October 2018
The Hass, Upfest, Bristol, October 2018

I am always going to favour an underwater scene and this one takes some beating. It really creates the impression of being under the sea, with the skylight creating a small shimmer at the top of the piece. There is a great story here, although it rather defeats me…the diver’s face looks like a carved pumpkin, but might be a skull.

The Hass, Upfest, Bristol, October 2018
The Hass, Upfest, Bristol, October 2018

There is a ship in a bottle that morphs into the diver’s helmet and octopus tentacles all over the place. Another nice touch are the goofy three-eyed fish from The Simpsons that also make it into Louis Masai’s coral reef piece from this year’s festival. There is another The Hass piece just off Park Street that I must photograph when I get a chance.

1839. The Bearpit (168)

Mr Draws is not being quite as busy on the streets these days, so it was a welcome surprise to come across this recent piece in The Bearpit on my way in to work, especially as Bristol City Council are making it very difficult for anyone to do anything beautiful in The Bearpit at the moment.

Mr Draws, The Bearpit, Bristol, October 2018
Mr Draws, The Bearpit, Bristol, October 2018

This piece just screams out ‘doughnuts’ to me…I’m not sure if it is meant to, but it does. It is alwats great to see these happy pieces by Mr Draws, whose colourful works definitely brighten up the place.

1838. Dean Lane skate park (175)

In Bristol we have a sizeable community of Polish street artists that between them manage to brighten up the city no end. Two of these, Hire and Nevergiveup have a thing for painting bunnies, and here is a reasonably recent one from Hire at Dean Lane. Recently Nevergiveup has opened an Instagram account called @followmyrabbits, and upped his game – I wonder if Hire is responding as this was one of three or four new ones by Hire.

Hire, Dean Lane, Bristol, October 2018
Hire, Dean Lane, Bristol, October 2018

These rabbits by Hire are always a little bit edgy or menacing and there is definitely a dark side to their characters. Nonetheless, I love coming across them, and they are a brilliant foil to his fabulous graffiti writing.

1837. Waterloo Place (4)

Deamze comes up trumps again with this spectacular piece of wildstyle writing that was sprayed next to the piece by Kleiner Shames I posted a little while back on the wall at the back of the Sofa Project. This wall is just magnificent and both artists have used the same colour schemes but presented their personal styles, so strictly speaking this was working at the same time together, but not necessarily a collaboration.

Deamze, Waterloo Place, Bristol, October 2018
Deamze, Waterloo Place, Bristol, October 2018

Unusually, this is a piece without a cartoon character and has a little more gravitas for it. It almost feels more like a study…a serious piece of graffiti writing turned out impeccably with crisp lines and clean edges, strong solid fills and complex design. Even if not a fan of writing, one can marvel at the technical ability of the artist. I love this and its partner piece. Brilliant.

Kleiner Shames, Waterloo Place, Bristol, October 2018
Kleiner Shames, Waterloo Place, Bristol, October 2018