Child oblivious,
zig-zagging and jump-jumping,
happy and carefree.
by Scooj
574. The Bearpit (33)
Very close to the Mr Klue/Decay collaboration, John D’oh has been busy with his 2016 stencil. A great many of John D’oh’s pieces are edgy or political, but this one I think captures the feelings of a majority of Bristolians, that for many reasons 2016 was not a good year, and the Grim Reaper is welcome to it.
I love John D’oh’s stencils as they are usually contemporary with uncomplicated messages and often replicated in several sites. Both of these were in the same area of the Bearpit, and there was at least another one too.
I very much hope that 2017 brings more hope and joy to the city, but I suspect it won’t. I sense a rebellious undercurrent will oppose injustice in all it forms and be expressed in a typically Bristolian way. Graffiti art will play its part, and John D’oh will most likely be at the heart of it.
Impatient
.
Come Spring and banish
these long nights and impotent
days. Bring me succour.
.
by Scooj
573. The Bearpit (32)
At the end of the south tunnel of The Bearpit is this fabulous festive collaboration between Mr Klue on the left and Decay on the right. This is a colourful coming together of two of Bristol’s best abstract graffiti artists, whose styles are markedly different but which somehow works really well.
The colour schemes aren’t matching, and the angular shapes of Mr Klue seem to be at odds with the curvy concentric rings typical of Decay, but as a whole it works, probably because the very fact that it is a collaboration offers a relationship between the pieces and even more so the artists.
An outpouring of Christmas cheer from two of my favourites. Perfect.
Funeral talk
Uncomfortable
conversations about death.
Inevitable.
by Scooj
572. North Street Green (4)
This is a special wall just off North Street, opposite the Upfest shop. The wall is a bit like the PRSC outdoor gallery, in that it is a place where street artists can show off their great works in the near certainty that it will not get tagged. The wall is respected.
The colours used are reminiscent of those he used to paint the hands and moth, further along North Street last year. There is something about this colour combination that is difficult to photograph, there is quite a lot of reflection, which you don’t get with the naked eye. The point being that the photographs don’t do it justice. It is a beautiful and spiritual piece, like much of his work. All good.
Rain dance
.
Conservatory
music tap tapping and the
rivulets run wild.
.
by Scooj
571. Moon Street (18)
It would appear the Mr Klue has been really busy this winter. I have started to find a whole load of wonderful pieces by him recently, and this one is a real peach. His abstract style is unmistakable, and this one works well with vanishing points and perspective.
570. Moon Street (18)
What an unexpected pleasure, not only to find a P0G0 piece in Bristol, not only to find a paste up by P0G0 in Bristol but to find TWO paste ups by P0G0 on the same day in different parts of town. I am indeed a lucky seeker.
A red letter day.
569. Upfest 2016 (80)
I guess I am about half way through my posts from Upfest 2016, and I don’t think I will have finished posting them until Upfest 2017! I am becoming overwhelmed by the number of pictures I have in my archive and am not sure how best to share them with you. Less of the rambling writing might be a blessing for you and more shorter posts each day…but that could risk graffiti fatigue, and I wouldn’t want you to be bored with increased posts. I have to say though that this is quite a pleasant conundrum, which would be all the better if I didn’t have to work!
Natural adventures 