As a young(ish) man
and she then a young woman
I pondered upon
possibilities beyond
my station. Out of my league.
by Scooj
1970. Shoreditch, London (22)
Wow, wow, wow. Fancy having an enormous portrait of Salvador Dali painted outside your premises. I mean, this is just amazing work from the wonderful Zabou. Everything about this piece is in my mind perfect… the subject, the monochrome face, the dazzling leopard spot design jacket, the melting watch. This is a masterful piece and Salvador himself would I’m sure be smiling down on Zabou.
For me, this is what it’s all about, what I do and why I do it. Wandering around the streets without any plan and chancing upon things I didn’t know were there. A voyage of discovery and pleasant surprises. Finding this was a highlight of my sauntering around Shoreditch last November.
1969. Shoreditch, London (21)
Now living and working in London, Xenz used to live in Bristol and there are plenty of his pieces documented in Natural Adventures, and more to come. This is the first of his works that I have seen outside Bristol and it is a bit of a cracker.
These boards are really fabulous and a magnet for some seriously classy street art. This piece showcases one of Xenz’s favoured themes, a sort of futuristic ruin scene set against moody skies.
Of course none of his works are complete without some little birds, these look like bee eaters to me. Dramatic and fantastical work.
Blitz
War-shattered buildings
stitched together combining
old and new. Bristol.
by Scooj
1968. Shoreditch, London (20)
Aah, another fabulous piece by Nether410. As a tourist in these parts, I know little of the piece other than what is on Nether410’s Instagram feed. He says the portrait is of Carol Burns of Bacon Street and that this is the site of her and her father’s business.
This is an amazing portrait, unsentimental in its portrayal of the subject. There is a story being told here as well, with the key and the keyhole, but I don’t know what it is about. A fine piece.
1967. Shoreditch, London (19)
Quickly skipping back to November last year, the next few posts will feature pieces I saw on a mini excursion to Shoreditch in London, kicking off with this incredible piece by Mr Cenz. I have seen a lot of his work over the last year or two, but only a few in the flesh, and the pictures rarely do them justice. His style pretty much always incorporates a female portrait composed of swirling vibrant shades of colour, which when you think about it, shouldn’t really work, but oh my goodness, work they do!
A piece like this is just so magnificent and elevates the building it is painted on from being ordinary to being extraordinary. I would surely love to see him visit Bristol.
Life
If there’s a reason
then surely days like today
in part explain it.
by Scooj
1966. M32 roundabout J3 (118)
It is obvious from this collaboration combined with Instagram posts from each of these artists that they not only paint well together, but they are really good friends too. Jointly, Hazard and Tasha Bee are at the vanguard of female street art in Bristol, although if I am honest an artist’s gender to me is not as relevant as the quality of their work, both score highly on the latter measure.
The Hazard piece on the left is a copy of the one she painted in Stokes Croft a couple of weeks earlier and has that amazing blue and red shadow thing going on.
It is so good to have her in Bristol for a while because we get to see her work first hand, rather than via social media – I need to photograph her most recent piece this lunchtime (by the time you read this it was a couple of days ago).
The Tasha Bee piece on the right is in such a different style – flat rather than 3D and highly designed, fitting the ‘Tasha Bee brand’ if that makes any sense at all. I love the work of both of these artists, and although I have met Tasha Bee several times, I would love to meet Hazard too and see her at work. Wonderful collaboration.
1965. Armada Place (15)
I don’t think I can ever recall being disappointed with a Sepr piece in the few years that I have been enjoying street art. His distinctive cartoon style and sense of fun ooze from his works which usually raise a smile.
In this piece, marking the end of 2018, we see a sunbather being mildly abused by some birds (gulls?). One is stealing his ring, another emptying cream on his tummy, another drinking his cocktail and the last using a magnifying glass to burn his toes. Now when I first saw this, I thought someone had drawn a cock and balls on the man’s stomach, but the more I have looked at it, the more I think it is a sketch drawn by the bird with the tube of sun cream. A brilliant piece – comedy on a hoarding. Nice to see that Sepr and Epok have decorated the nearby wheely bin too.
1964. Dean Lane skate park (185)
The thing I love about Soker is that he is his own man. Quietly and without fanfare, he’ll just saunter down to Dean Lane and create something like this. No fuss, no bother, but just how good is it? If you ask me it is a brilliant , and he must be one of the best writers in the UK right now.
The salmon pink background is quite an unusual colour, and one I haven’t seen much of before. If nothing else, it helps the writing and black outline to it stand out. The three shades to the lettering fill are quite understated, but just to give the whole thing a bit of a spark, Soker has included five orange accents within the lettering. An outstanding piece and one I certainly wasn’t expecting to find.
Natural adventures 