There are rewards to be had when making the effort to walk just that little bit further, or turn down a street you’ve not been down before. My reward recently for doing this was to come across this beautiful mural on the front of a small terraced house in Montpelier.
HAPPY CHRISTMAS ALL!
I haven’t seen much micro stencilling since I started writing about street art and graffiti art, so it was a real discovery to see this incredible stencil by Eins92. I’m sure it was no reflection on the artist, but there was no biography in the Upfest programme, so I have had to dig a little deeper to find out anything about him.
Eins92 is a German street artist who has recently spent some time in the UK going to various urban art festivals and leaving behind his little treasures. There is a really good interview with him in this Global Street Art feature. I can’t believe I didn’t photograph another of his stencils on the other side of the bus.
This work is so intricate, and the stencils he cuts are so incredibly tiny. This is really skilled work and he produced it perfectly.
A little while back I posted an amazing wall painting by Andrew Burns Colwill from Upfest 2015. It was the goldfish leaping out of a bowl piece in the Tobacco Factory car park. Well, Andrew was back again this year, and this time I managed to get some pictures of him at work.
This is one of the best walls in Moon Street (Stokes Croat even). It stands out, is a great size, and allows only for one piece at a time, giving the artist space to frame the piece nicely. Mr Klue is, I would suggest, the best abstract street artist in Bristol – instantly recognisable and very easy on the eye.
It would appear that the wonderful Hannah Adamaszek recently paid a visit to Bristol and left us with this beautiful portrait on North Street. The colours and earthy tones are typical of her amazing work, and the face is calmness itself.
This is the first of two recent works by Voyder that mark him out as one of the truly outstanding graffiti writers in Bristol. This piece of writing, set to his typical hand-writing style, shows off his incredible use of colours, providing an effect that makes the whole thing look like it is illuminated.
I have said before when writing about Voyder that it is great to see his work in an accessible setting, as many of his grand pieces are sprayed in derelict buildings where one requires more guts than I have to enter such places. I love this work.
Wapping Wharf is a new Harbourside development in Bristol that includes residential flats and some rather upmarket restaurants and food outlets. At one end there is a rather unusual block of ‘container’ shops and cafes called @cargo. It would appear that at one end of this block there is a public art space, and the first piece to be displayed there is this beautiful work by Gemma Compton.
This is a beautiful piece of art that I think had been painted for Upfest 2015, although I am not certain. I took the photographs a little while ago, and the wall has since been painted over.
Some more writing today, this time from one of the less prominent graffiti artists in Bristol, ‘Subtle’. On first appearance this looks like quite a raw piece of work and could easily be missed, but on closer inspection, it is a fine sophisticated piece of writing.
At one end of Dighton Street there are two small walls which look like they had once been rather fancy gateways and which have since been filled in. They offer street artists an opportunity to spray a pair of related works should they wish to do so, as the spots come as a pair and are separated by a stone wall of about 20 feet.
