The hoardings at the end of Old Bread Street are one of the favoured Bristol ‘illegal’ sites for street artists. The boards have been up for some considerable time blocking off a derelict site where construction is soon to begin. This piece by Deamze was next to Sepr and Voyder works recently posted on this site.
Deamze, Old Bread Street, Bristol, June 2016
This burner by Deamze sits with other pieces he has done which are easy to read, fresh, simple and clean in appearance. Nothing particularly wildstyle here, just bright fun writing. Deamze doing his stuff.
This is another wonderful bit of wildstyle writing from Bristol’d rising star, Sled One. A modest piece from a little while ago on the northern steps down into the Bearpit. What I really like about Sled One’s work is that although his writing works always incorporate his name, they vary so much in their construction. No two pieces are alike.
Sled One, The Bearpit, Bristol, April 2016
I notice that he will be at Upfest and has a site just to himself. I am so looking forward to seeing what he gets up to. I saw the map and list of artists coming to Bristol next weekend for Upfest. It is staggering just how many will be here. I do hope that I can catch up with as many as possible. It promises to be an amazing festival.
Just a quick post this time of the very prolific Voyder. This piece was down on the hoardings with pieces by Sepr and Deamze and Sled One, so I guess it was part of an ASK get together.
Voyder, Old Bread Street, Bristol, June 2016
This is so typical of the outstanding pieces Voyder produced in a style that is unmistakably his. Although prolific (I make that assumption from looking at his Instagram stream), I think some of his works are quite inaccessible. He seems to spend a lot of time in large derelict buildings, which are off the beaten track, and certainly not on my radar. I think I have a large enough territory without seeking out new places.
This is a wonderful work by Epok, and it sits next to a lovely piece by Deamze that I featured recently. Like all of his works, this has beautifully clean edges and the letters EPOK are on a slant in a geometric style.
Epok, Upper York Street, Bristol, June 2016
Particularly notable about this piece is the green and blue effect over the top of the lettering. Epok’s work is always a pleasure to look at and admire. Distinctive, clean and memorable.
Well, well, well. It is difficult to know what to say about this triptych other than, in Bristol street art terms, it is close to perfect. The collaborators are Deamze, Voyder and Soker, who I think quite often work together like this – I have an old post from Midland Street in which they collaborated with spectacular results.
This is big and eye-catching but I didn’t know it was here; it caught my eye as I was driving past on 11 June 2016. Sometimes you find a piece that just makes you happy. This was one of those finds.
Each part of the collaboration is beautifully worked, and all three artists are extremely accomplished. I will cease with the words and simply allow you to feast your eyes on the images below. Enjoy.
Deamze, Lawfords Gate, Bristol, June 2016Deamze, Lawfords Gate, Bristol, June 2016Voyder, Lawfords Gate, Bristol, June 2016Voyder, Lawfords Gate, Bristol, June 2016Soker, Lawfords Gate, Bristol, June 2016Soker, Lawfords Gate, Bristol, June 2016
Voyder is an artist and wildstyle graffiti writer who I think is Bristol based, and often collaborates with Deamze and Soker. His website reveals little about him, but showcases his artwork beautifully. Known for his writing and art pieces in equal measure he has a strong presence in Bristol, and is a member of ASK.
Voyder, M32 roundabout, Bristol, March 2016
His writing is distinctive in that it is usually in thin script, rather than the cryptic block style other Bristol artists use, and on a slant, much more like a handwritten signature. His work really stands out from the crowd, because of its distinctive style. I have a whole load more of his work stacking up and waiting to write about. We are very lucky in Bristol to have so many talented wildstyle writers, and walls for them to spray.
Every now and then I like to check out the hoardings at Old Bread Street, near the rather peculiar Gardiner Haskins department store. Last weekend I was immensely pleased to see that a bunch of street artists from ASK had collaborated on several of the panels.
Sepr, Old Bread Street, Bristol, June 2016
This is a wonderful piece by Sepr. Now who hasn’t had a telephone call like this, especially those of who can remember real telephones with cords? I think that Sepr really conveys the sense of irritation. The man’s expression and the pulling of his own tie speaks volumes – it is almost like a moving image. Very clever.
Sepr, Old Bread Street, Bristol, June 2016
The observant among you will see this piece is sandwiched between Deamze and Voyder burners. Great company indeed.
A few weeks back I took my car in for its MOT and had to wait an hour or two before it was ready. It was too far to walk home, so I decided to explore an area that I hadn’t been to before, as I was nearby.
Deamze detail, M32 cycle path, Bristol, May 2016
I suspected that I would find some graffiti and street art and was not disappointed. This area is an extension of the M32 roundabout, but a little more off the beaten track.
Deamze, M32 cycle path, Bristol, May 2016
This is another wonderful bit of wildstyle writing from Deamze in delicious green and black. It looks like an older piece, but I can’t be sure, I don’t think the turnover is quite as high as in other areas in Bristol. It is a good piece, and there is plenty more to report on from this area.
To find an Inkie work is always a pleasure. To find one that is still fresh, and you can almost smell the paint is even better. This piece was obviously a bit of fun, because the walls here at Dean Land skate park are over painted pretty much weekly.
Inkie, Dean Lane skate park, Bristol, May 2016
I have a feeling that a few artists came together to spray these walls together last weekend, because in addition to Inkie, Zesk and Hemper and Mr Draws had all sprayed pieces at the same time. I am finding out that quite often groups of artists will congregate and have graffiti fun together.
Inkie, Dean Lane skate park, Bristol, May 2016
I still stand out as an observer of street art, because that is what I am. Very slowly I am learning a little bit more about the culture, the relationships, the taboos and the protocols of the graffiti community, but I will always be an outsider looking in. It is not a regret, but more of an observation. It also means that my naivety in this landscape is sometimes crushingly obvious.
I do this though because it gives me great pleasure.
Just to make a point I guess, I thought I’d post another Deamze burner in exactly the same place as the one in the previous post. As mentioned, these pieces are all very similar in structure and style, but each time the colour selection seems to be faultless.
Deamze, King Square Avenue, Bristol, April 2016
There are more of these in my backlog of Bristol street art, but I will give you a break for the time being.