These non-descript days
file by unloved unwanted
January blues
by Scooj
Tag: Bristol
1938. Cumberland Basin
So here we are again, different venue, different rabbit, same artist. I have said before that for as long as Nevergiveup paints them and as long as I find them, I will continue to post his bunnies here.
This one is on a door which is sited in the concrete wall underneath the Brunel Way bridge. There is a rich vein of rabbit material down here, and it seems that Nevergiveup will spray in places that others haven’t yet tried. Adventure.
Thursday doors
Doors 56
Happy New Year doorsters!
It would seem that just before Christmas, all my Christmases did actually come at once, which is a rare occurrence.
On my way to work I walk past City Hall, and on one of my last days in the office before the Christmas break, something caught my eye on the long ramps outside the front of the building. That something was not one or two, but several framed doors, each one painted by artists from Bristol.
Naturally I had to take a closer look and of course some photographs. Imagine how I was feeling…doors and street art combined and laid out neatly right next to where I work. I was in heaven.
The only thing missing was any kind of explanation, and it wasn’t until writing this post that I found out what this exhibition was about (Christmas got in the way a little bit).
The exhibition ‘A Year Outdoors‘ was conceived by artist Beau as a way of raising awareness of the pressing issue of homelessness, and these doors were created as a metaphor to challenge austerity cuts. I felt a small whiff of irony that it was the local authority who were hosting the exhibition, perhaps that’s why there weren’t any interpretation boards explaining what the doors were all about.
The doors have been packed away now, but they will be going on tour around the UK and to the United States.
So here they are:
by Scooj.
More great doors at: Thursday Doors – Norm 2.0
2018
.
For many reasons
a year not to celebrate;
time to look forward.
.
by Scooj
Home
Gentle emergence
from the mists of Bodmin Moor
to the streets of home.
My mind fixed on the former
though my body has returned.
by Scooj
1930. Wilder Street (25)
In my view, Sled One is the most inventive and creative artist working on the streets of Bristol at the moment, and this piece is an absolute master class. Sandwiched between writing from SMAK and Ments, this character piece acts as a focal point for this curated wall.
Sled One, Wilder Street, Bristol, December 2018Many of Sled One’s pieces feature cat and mouse antics, and this one is a great example. The cat, a Samurai cat, is wearing a most glorious helmet onto which a mouse is clinging for dear life. I don’t know what it all means, but it is a visual marvel and so beautifully painted.
Smak, Sled One and Ments, Wilder Street, Bristol, December 2018I love seeing Sled One’s work, but sadly it seems to be quite a rare occurrence these days. So, so good.
1929. St Werburghs tunnel (57)
Another stunner from the re-vitalised Mr Klue, who is on a real roll at the moment. This one was at the farm end of the tunnel, which, from a photographic point of view is preferable to pieces in the middle.
The colours of this piece work nicely with the smoky texture of the patterns. If I work really hard I can see the letters KLUE, but this might be wishful thinking in overdrive. Yet another eye-catching and lovely piece from Klue Wone.
1928. M32 roundabout J3 (113)
This is a wall on the M32 roundabout that I rarely look at properly as it is something of a practice wall and most of the stuff there isn’t up to much. Something about this piece made me do a double-take though and I decided to take a closer look.
I’m not familiar with the artist, and can’t read the signature (Pegeau?), but I really like it. It is quite unconventional and has three abstract/cartoon faces on an interesting and well thought out background. I need to find out the who the artist is and see if I can find more of their work.
1927. Dean Lane skate park (182)
These three, Tasha Bee, Soap and Stupid Stupid Meathole, seem to be getting on famously at the moment. This is a fine collaboration in Dean Lane with all three painting typical trademark work.
On the left is a serene figure by Tasha Bee, whose work seems to go from strength to strength and gain in confidence. The hair on this one is breathtaking. In the middle and on the right of the work are faces by Soap looking rather cheerful.
Sandwiched between the two Soap contributions are two rather weird looking faces by Stupid Stupid Meathole. On first inspection of these pink delights, I hadn’t noticed the teeth, but once I had spotted them, I couldn’t keep my eyes off them.
All in all a thoroughly delightful and light-hearted December collaboration from three very busy artists.
1926. Millpond Street (5)
When Kid Crayon and SPZero76 get together as ‘EAT’ crew, there is almost always a creative explosion that follows. This brilliant piece, which is a kind of quasi commission, they get paid in paint, is on a wall favoured by these two.
The theme for the piece highlights plastic in our seas, something that thankfully is front of mind for so many of us at the moment. In Kid Crayon’s side of the piece, the king and queen of the sea look less than impressed with the amount of plastic in their domain, and the fish look pretty troubled too.
Although the styles of these two artists are strikingly different, they seem to work well together. SPZero76 gives us a couple of characters, a robot and swimmer in highly protective gear venturing out into the polluted sea for a surf. What is really clever about this piece is that they have incorporated bits of their previous work on this wall, such as the yellow VW Beetle, by leaving them partially exposed, thus becoming part of the pollution in this piece. Really clever work.
I always love a piece with a big story.
Update – I have since found out that the ‘special effect’ was not intentional but rather rain damage. The piece has been replaced already by the EAT crew.
Natural adventures 