.
Small cotton wool clouds
dot a vast expanse of blue;
a welcome return.
.
by Scooj
Tag: Bristol
1423. Stokes Croft, the Carriageworks (37)
You can’t turn your back for one minute in Stokes Croft. If you do, you run the risk of missing out on a clean piece of artwork. This wonderful surreal piece by Tom Miller had only been up a day or two before being tagged over. I find it strange that the perpetraters respected the work enough to tag the black surround, but left the central part largely untouched. Either respect the piece or don’t, but this faux politeness is a joke.
Once again Tom Miller challenges our conventional world with a burst of colour and a figure whose head appears to be exploding off its body. I think that Miller has an unbelievable talent and extraordinary imagination. Best of all, I like it that he uses the streets as a gallery so that Bristol citizens have free access to his talents.
Although his subject matter might not be to everyone’s taste, it is clear that we are witnessing the emergence and development of a very special talent.
1422. Stokes Croft, No111 (2)
Shutter pieces are always difficult to photograph, and I understand they are a devil to paint too. There is always quite a lot of glare from the curves on each panel of the shutter, and they are usually best seen with the naked eye which somehow accommodated for the glare and gives you a better image.
The chimp here is a beautiful creation by the versatile Kin Dose. He had a piece on this exact same shutter before, but it had recently been vandalised. I am a big fan of his work, and he produces it infrequently enough to always make you want more.
1421. M32 roundabout J3 (73)
You can see that I am having yet another trawl through my archives, bringing out some real gems that have been left behind. Part of the reason is that due to the Easter break and a bereavement, I haven’t been around to take many pictures and so don’t have too much contemporary Bristol street art to show you.
This is a wonderful piece by Jaksta, a member of the Read and Weep (RAW) crew (and several other crews too). I seem to remember this piece, at one of the tunnel entrances to the M32 roundabout was there for quite a while.
At the time I took the picture, I didn’t know who the artist was which is probably why it ended up in my archive in the first place. I think that this is a really masterful piece, splitting the character into two colours is a fairly radical treatment, but somehow when you look at the piece, you barely notice the colour seprartion and see the character as a whole. Beautifully sprayed…big respect to Jaksta.
1420. Old Bread Street (12)
This is one from the archive that I can release, because I recently posted my first work from Amoe which he sprayed at the M32 roundabout. The reason it took me so long to identify thisartist is that he is only an occasional visitor from Cardiff, and my knowledge of artists is pretty much confined to Bristol.
There is something very forgiving about his writing style, the curves create a softness that is very easy on the eye. Some writing can be much more challenging than this. It feels good to liberate this picture after a little over two years. The wall however has not fared so well and there is now only a small stretch of hoarding left at this spot.
This ship
Navigating an
unsure course through the Doldrums
landmarks give me hope.
by Scooj
Sadness
It hangs in the air
a constant veil surrounding;
looking for clearings.
by Scooj
Starburst
Magnolia tree
bursting with delicate blooms
snow white in the spring.
by Scooj
1417. The Bearpit (129)
I recently found out, from reading an interview with John D’oh, that he tends to create these single layer political stencils for places like The Bearpit, where their lifespan may at times be only a day or two. His more complex multi-layered work is reserved for walls where longevity is more likely…an utterly understandable position.
This piece is highly critical of Theresa May and the growing problem of homelessness and rough sleeping that is plaguing towns and cities across the UK. I really like the work he does and the way he uses his art to express political ideas. Much of his artwork tends to encourage ‘embellishment’ from passers by, and this one is no exception. The ‘cock and balls’ motif being put to good use.
Keep it going John D’oh.
1416. St Michael’s Hill (3)
Occasionally I vary my walk to work, and instead of sweeping through Stokes Croft and The Bearpit, where I am guaranteed to find some lovely new stuff, I take the hilly route and drop down St Michael’s Hill. This is not an area known for its street art, so finding this large wall by Cheba is a real find.
What a lovely way to decorate a ‘dead’ wall like this one with one of his cosmos pieces. He really has nailed this technique and is quite the best at it that I have seen. I managed to get a shot of it before completion, and it was some time before I visited it again.
I always like to see his work, it is something fresh and different.
Natural adventures 