6910. East Street

Mr Crawls and Mote, East Street, Bristol, April 2025
Mr Crawls and Mote, East Street, Bristol, April 2025

On my wanderings in the East Street area of Bedminster, looking for Tian Paste ups, I came across this hoarding with a few treats on it. I think that this collaboration was painted last year when Mote and Mr Crawls were in full flow, painting together frequently all over the city.

Mr Crawls, East Street, Bristol, April 2025
Mr Crawls, East Street, Bristol, April 2025

To the left, the Mr Crawls character is quite unlike anything I have seen from him before, although his underlying style is unmistakable. The rather strange monster, in great green tones, is perhaps most notable for its psychedelic eyes, and ‘puckered’ upper lip.

Mote, East Street, Bristol, April 2025
Mote, East Street, Bristol, April 2025

Mote is no stranger to painting monsters, and here he has assembled five one-eyed beasts is some of his favoured colours. The chrome background for the collaboration gives me a pretty good date range (a little bit like carbon dating), which they first introduced at the end of 2023. A satisfying find.

6880. Greenbank (154)

Mr Crawls, Greenbank, Bristol, March 2025
Mr Crawls, Greenbank, Bristol, March 2025

Oh dear! Mr Crawls’ gull is looking a bit glum in this piece on the long hoarding at Greenbank. Painted on a favoured chrome background, the usually happy or cheeky gull looks like he is down in the dumps. It is clever that Mr Crawls can portray different emotions with tweaks to his ‘archetypal’ bird.

Mr Crawls, Greenbank, Bristol, March 2025
Mr Crawls, Greenbank, Bristol, March 2025

The stylised cartoon character has a downturned (mouth) bill and heavy-lidded eyes, dripping with sadness. The piece is really well presented and clean and tidy, and another in a wonderful series of character pieces by Mr Crawls.

6863. M32 roundabout J3 (673)

Daz Cat, M32 roundabout, Bristol, April 2025
Daz Cat, M32 roundabout, Bristol, April 2025

Back to work today after the Easter break, and, of course, it is a bit of a struggle getting my head around returning to work. Getting back into the routine of writing my blog posts before work is helpful in recalibrating and preparing my mind.

Daz Cat, M32 roundabout, Bristol, April 2025
Daz Cat, M32 roundabout, Bristol, April 2025

This is a fine example of a quick(ish) one from Daz Cat. Painted in chrome on a dramatic red background with some imaginative decorations, this three-quarter profile of a cat is just the ticket for starting off the short week positively. I imagine that Daz Cat can knock these characters off in his sleep – goodness knows how many he has painted over the last decade or so.

6847. Peel Street Green (38)

Cort, Peel Street Green, Bristol, April 2024
Cort, Peel Street Green, Bristol, April 2024

Cort doesn’t paint as often these days as he has done in the past, however, what he does paint tends to be pretty good. This stunning piece from the quiet artist is quick to grab the eye, with some simple shapes and colours, reaffirming the maxim that sometimes ‘less is more’.

Cort, Peel Street Green, Bristol, April 2024
Cort, Peel Street Green, Bristol, April 2024

The orange C is quite distinct from the chrome ORT, and given different treatment, creating a juxtaposition within the writing. The splash of light blue behind the letters is a clever design intervention to break up the monotony of the darker blue background. This is a nicely conceived and executed piece by Cort.

6835. St Werburghs tunnel (488)

Hemper, St Werburghs, Bristol, March 2025
Hemper, St Werburghs, Bristol, March 2025

More from the irrepressible Hemper, this time at the farm end of the tunnel. His recent run of form has been quite extraordinary, and I imagine quite liberating for the artist himself. Although he always paints original designs, he has been pushing the boundaries a lot lately.

Hemper, St Werburghs, Bristol, March 2025
Hemper, St Werburghs, Bristol, March 2025

This is a chrome piece with brass knobs on, and unusually for Hemper it looks to be rather political or at least a social commentary piece. The chrome letters have anthropomorphic limbs which are crushing and vandalising a Tesla Cybertruck, a sentiment probably shared by many people in the current political climate. I feel that Cybertrucks should be side lined on their ugly appearance, let alone the hideousness of their owner. I am teetering on a bit of a rant, but simply don’t have time, so I will round off the post here. Superb work from Hemper.

6792. M32 Cycle path (285)

Hemper, M32 Cycle path, Bristol, February 2025
Hemper, M32 Cycle path, Bristol, February 2025

Hemper’s odyssey continues with this rather nice chrome piece alongside the M32 motorway. He seems to be omnipresent at the moment and is stretching his creativity to the maximum.

Hemper, M32 Cycle path, Bristol, February 2025
Hemper, M32 Cycle path, Bristol, February 2025

This piece is perhaps a little bit more conventional for Hemper, in so much as it is not too different from pieces he has been producing in the past. What makes it special is that as chrome pieces go (which are often a little rushed or crude) this is one of the best examples you will find. The writing, spelling HEMS is relatively low-key, but decorated to a higher standard than most chromies, and the finishing, borders etc, is completely on-point. More to come soon from a man on a mission.

6751. St Werburghs tunnel (476)

Mr Draws, St Werburghs, Bristol, February 2025
Mr Draws, St Werburghs, Bristol, February 2025

It must be fun ‘going big’ from time to time, and on a bad-weather day there is no place better than St Werburghs tunnel to spread yourself out a bit. Mr Draws has made the most of the space with this long piece of graffiti writing, which even with a wide-angle shot is impossible to photograph head on.

Mr Draws, St Werburghs, Bristol, February 2025
Mr Draws, St Werburghs, Bristol, February 2025

Under the lights of the tunnel, this chrome piece takes on all sorts of colours, from silver through to gold. Decorative arrows point inwards to the letters spelling Mr Drawers, the long format version of his name. The impact of the letters is enhanced with a colourful background using that effective combination of blues and pinks. Going large can be fun.

6697. Frome Side (49)

Nips, Frome Side, Bristol, January 2025
Nips, Frome Side, Bristol, January 2025

Regular readers will know that I have a special liking for the work of Nips. It is difficult to pin down exactly what it is about her writing that I like, but it just somehow appeals to me. This chrome piece was painted under the M32, on the far bank of the River Frome, which involves crossing the river on a slender concrete beam, not one for the feint-hearted.

Nips, Frome Side, Bristol, January 2025
Nips, Frome Side, Bristol, January 2025

In this piece, Nips’ usual creative fills have given way to something much simpler (which is often the way with chrome writing). I like the double border, which creates just enough separation between the letters and the graffiti wall. The lasting thought though is I really want to know who ‘Evil David’ is.

6676. Cumberland Basin

Grimes, Cumberland Basin, Bristol, January 2025
Grimes, Cumberland Basin, Bristol, January 2025

I met Grimes for the first time while he was laying down the foundations for this exceptional chrome piece. I have to say it is so much better than I was expecting it to turn out, which is saying something, because when it comes to Grimes’ work, the bar is already set pretty high. The artist is a lovely man, and we chatted for quite a while. One of the things I found out is that he has been living in Bristol for seven years, so I think I am going to have to revisit my archives to see if I can find any of his older work.

Grimes, Cumberland Basin, Bristol, January 2025
Grimes, Cumberland Basin, Bristol, January 2025

This piece simply oozes class, and energy. Sometimes Chrome pieces, although impressive, and ‘a thing’ they are prone to being a little on the dull side. Not so with this explosive piece by Grimes. The chrome letters, spelling Grime, are filled with some nicely worked traditional patterning, but it is the sparks and plasma threads running through the piece that take it to the next level. Excellent work from the graffiti writer of the moment (‘says who?’ says me!).

6576. Greenbank (142)

Subtle, Greenbank, Bristol, November 2024
Subtle, Greenbank, Bristol, November 2024

With this magnificent piece, we welcome back Subtle, who has been away from our streets for far too long, indeed the last piece I posted by the artist was way back in March 2022. He has marked his comeback with a really strong statement piece… no need for fancy embellishment or fiddly bits. This burner is far from subtle.

Subtle, Greenbank, Bristol, November 2024
Subtle, Greenbank, Bristol, November 2024

The chrome letters SUBTLE sit boldly on a dark background, and although there is a drop shadow, it is almost as dark as the background and difficult to see (more so in the photographs). I sincerely hope that this isn’t a one-off and that we get to see more of his work, and just to remind you what his work looks like, here is an updated gallery for you to enjoy.