Tag: Dean Lane

3505. Dean Lane skate park (392)

It’s official, Hemper is on fire at the moment and having as productive a time of it as any that I can remember. I wonder if the ongoing lockdown situation has freed up some artists to paint walls more often than they normally would, and other ones to become almost invisible over the last year or so.

Hemper, Dean Lane, Bristol, February 2021
Hemper, Dean Lane, Bristol, February 2021

I think that Hemper has a very good eye for colour combinations and the purple and green combinations in this piece work fantastically well. Spelling out HEMS, the letters alternate between the two main colours, but each letter is uniquely fashioned and filled. Another outstanding piece of graffiti writing from this master.

3502. Dean Lane skate park (391)

Aah! Pura Decadencia – pure decadence, that’s what I’m saying. It is so refreshing to have this ‘new’ artist about town, in a short time she has already made a great impact and found some walls that I haven’t even found. She is also unafraid to paint on high profile walls like this one. Great to see.

Pura Decadencia, Dean Lane, Bristol, February 2021
Pura Decadencia, Dean Lane, Bristol, February 2021

Pura Decadencia likes painting mouths and also vampire teeth feature highly in her work. This piece is figuratively and almost literally on fire and conjures up an image of a saucy kind of hell where fun is to be had. Really enjoying her work and hope that as the weather improves we’ll get to see a whole load more of her about the place.

3498. Dean Lane skate park (390)

Unheralded and therefore unexpected, was this sumptuous recent piece from Inkie in Dean Lane. On his own Instagram feed Inkie describes this piece as a ‘Wildstyle painting in Boogie Down Bristol for new @sam_krats & @mc_craig_g NYC track ‘Culture’ coming soon’. So that gives us a little clue to what the writing says – CULTURE.

Inkie, Dean Lane, Bristol, February 2021
Inkie, Dean Lane, Bristol, February 2021

Inkie paints quite a few of these music-linked pieces, and I am never quite sure if they are commissions or simply promoting music for his friends. In a way I don’t really care what his motivation is, more the high quality of his outstanding artwork – years of hard graft and huge talent make this stuff look quite easy, the sign of a master at work.

3497. Dean Lane skate park (389)

Being in the right place at the right time is a big part of photographing street/graffiti art. Mostly you get to see a finished piece as a fait accompli, admire/critique it, photograph it and then be on your merry way. Sometimes though you get lucky and catch the artist(s) at work and I did just that as Ryder and T-Rex were just finishing off this curved wall piece at Dean Lane.

Ryder, Dean Lane, Bristol, February 2021
Ryder, Dean Lane, Bristol, February 2021

Both were in great form and thrilled to be able to paint together while their little one was having a sleep. Opportunities to paint together have been few and far between in recent months, so this was a treat. Ryder has painted a wibbly green piece with reference to James Bond, with the words ‘007 shaken not stirred’.

T-Rex, Dean Lane, Bristol, February 2021
T-Rex, Dean Lane, Bristol, February 2021

I spent quite a while chatting (socially-distanced of course) with T-Rex, which was fun, as I have only spoken briefly with her before. Here she painted an outstanding example of her trademark dinosaur in pink – she must be able to do these in her sleep. She let me into a little secret, that she struggles to write the letter ‘J’ and that Ryder helped her with the ‘J’ in Jack – we had been talking about the J in Scooj, which prompted the confession. Best of all I got to see the little one when she woke up. A happy family outing.

3495. Dean Lane skate park (388)

I don’t know the significance of the Irish theme in this piece, other than that he dedicated it to ‘Marie’ who I presume has an Irish connection. As ever the work is meticulous, which is extra remarkable as he finished the piece in double-quick time to avoid the rain.

Dibz, Dean Lane, Bristol, February 2021
Dibz, Dean Lane, Bristol, February 2021

Spelling out MARIE, the writing is split into three horizontal colour chunks to represent the Irish tricolour. For good measure he has included a four leaf clover at the centre of the piece. Beautifully presented and only slightly water damages, great work from Dibz… again.

3492. Dean Lane skate park (387)

Oooh, I haven’t seen anything from Hire for quite a long time, so to come across this in Dean Lane was a very pleasant surprise indeed. Of all the artists in Bristol that have changed their format or styles, I think Hire wins the prize for reinventing himself. There are traces of his older work, which the trained eye might see, but overall the new style, and different letters, seem like a new artist has hit the town.

Hire, Dean Lane, Bristol, February 2021
Hire, Dean Lane, Bristol, February 2021

His letters spell out ODIAH, rather than HIRE, and I don’t know if it means ‘oh dear’ or spells something in his Polish language – a quick look at Google Translate tells me not.

The piece itself is out of this world. Crisp, clean letters in black on a dark blue background, with a cream border, and some supreme letter shapes. This is a welcome return from Hire.

3474. Dean Lane skate park (386)

Nina Raines dropped me a message on 17 January to say that she and some friends were going to be repainting the North Street dental surgery, just in case I was able to come along. Unfortunately work is so busy at the moment, it is impossible for me to choose the moments I get to visit spots around Bristol, and the two days this was being painted were chockablock, which was very disappointing. Far from disappointing though was the outstanding piece that Nina Raines, Phoebe Tonks and Ana Cruz painted along the practice wall.

Nina Raines, Phoebe Tonks and Ana Cruz, Dean Lane, Bristol, January 2021
Nina Raines, Phoebe Tonks and Ana Cruz, Dean Lane, Bristol, January 2021

This is one of those collaborations where all three artists have combined their talents in the one piece and it is impossible for me to know who painted which bit, so this is a true fully-integrated collaboration. The 1950s look and feel of the lady with her toothbrush and toothpaste at the ready is inspired and adds a superb splash of colour in this corner between North Street and Dean Lane.

Nina Raines, Phoebe Tonks and Ana Cruz, Dean Lane, Bristol, January 2021
Nina Raines, Phoebe Tonks and Ana Cruz, Dean Lane, Bristol, January 2021

While the lady character is the focal point of the piece, there is so much other interest on this busy wall with the decorative patterns and outlines of children and a tooth fairy. In my view this piece is brilliantly designed and brilliantly executed, and I sincerely hope that the dental surgery are pleased with it. This is a fine landmark in this part of Bedminster.

Nina Raines, Phoebe Tonks and Ana Cruz, Dean Lane, Bristol, January 2021
Nina Raines, Phoebe Tonks and Ana Cruz, Dean Lane, Bristol, January 2021
Ali Hamish Campbel and Nina Raines, Dean Lane, Bristol, May 2019
Ali Hamish Campbel and Nina Raines, Dean Lane, Bristol, May 2019

3454. Dean Lane skate park (385)

I am very much enjoying this little pulse of activity from Laic217, and from all over the city too, what a treat. This is a tidy piece in which he recognises his PAD crew by name, and possibly represents some of them with his skeletal characters… who knows?

Laic217, Dean Lane, Bristol, January 2021
Laic217, Dean Lane, Bristol, January 2021

The black and white skeletons on a magenta background almost look like charcoal sketches and are very nicely done, and he has managed to achieve expressions from expressionless skulls – very clever. His crew (or kru as he calls them) are Cort, Ugar, who seems to have left Bristol, MRB and Zios (I don’t know either of them) Zbok (followmyrabbits) and Laic217 himself. Some great Polish/Hungarian talent there.

3451. Dean Lane skate park (384)

There may be a perception that it is unusual for women to be involved in street art and graffiti art, however, if it is a perception, it is one that I can blow apart right now certainly as far as the Bristol scene goes. This piece on the curved wall is by relative newcomer Pura Decadencia and is a welcome addition to this wall that has been a little stagnant over recent weeks.

Pura Decadencia, Dean Lane, Bristol, January 2021
Pura Decadencia, Dean Lane, Bristol, January 2021

I am so glad to have seen this and found out a little bit more about the artist from it, because I have a couple of pieces in my archive that I can now post and attribute to her. The piece itself is a nice bit of writing spelling out PURA on a blue bubble background and some vampire teeth getting stuck into the ‘R’. I think that Pura Decadencia is rather fond of vampire teeth if her Instagram stream is anything to go by. Welcome Pura to Natural Adventures.

3441. Dean Lane skate park (383)

Biers, Bags and a bed! Dean Lane sometimes plays host to the occasional fly-tipper, which I have to confess is a pet hate of mine. The kind of person who thinks that it is OK to simply throw their waste away in the street or on other people’s property are the scum of the earth. Inconsiderate and stupid, I have no time for them – rant over.

Biers, Dean Lane, Bristol, December 2020
Biers, Dean Lane, Bristol, December 2020

This is a rather colourful collaboration from No Frills stable mates Biers and Bags. On the left is a really beautifully worked BIERS split into three distinct horizontal frills with serrated edges, which must have taken a bit of time to do. The whole thing is bounded by a bright yellow 3D shadow.

Bags, Dean Lane, Bristol, December 2020
Bags, Dean Lane, Bristol, December 2020

The other half of the collaboration is by Bags who is completely under-represented on Natural Adventures. I don’t really know why that is, I have plenty of his pieces in my archives, but rarely post them – I might have to remedy that. Bags has gone for a diagonal split across his letters. The yellow half works really well, but the red half looks like he ran out of paint and the fill resembles that of a throw up, which is a pity. A nice collaboration on one of the best walls in Bristol.