This pair of rabbits from Nevergiveup in Dean Lane appeared alongside at least two other bunny pieces by the artist at the end of May just as lock down restrictions were easing.
With every new rabbit, Nevergiveup is improving and fine-tuning his technique and adding subtle decorative motifs. If you take a look back at some of his work from two years ago, it is possible to see the dramatic improvement. These are a lovely pair.
This is the second of three large recent pieces by Taboo that appeared at the back end of May. Unfortunately, the third and largest had been overpainted by the time I got to it, such is the high turnover of work at the moment.
I’m not sure if it is just me or what, but the piece seems to say ABOO without the T… maybe he just ran out of space or the T and A are conflated. Big letters, a snake and a skull give me all I would need from a large burner like this. Great work.
It took me a second trip to this wall in Dean Lane to get some decent photographs. The first effort was marred by a large shadow cast across the left hand side of the piece, and that simply wouldn’t do. The stunning work is a collaboration between 3Dom and Sepr.
The easing of restrictions from lock down a couple of weeks back led to an upsurge in high quality pieces, and it has been difficult to keep on top of them, this though is one that is likely to stay for a while. The writing is by 3Dom and the elephant and mouse by Sepr.
I have seen similar writing from 3Dom before, there was something very similar on the side of a van I recall. It is easy to forget that he is as talented at graffiti writing as he is at free-form street art. The elephant and mouse is typically humorous and warm from Sepr, who has a talent for telling great stories with his art work. This collaboration is a real gem.
This is the first of several new pieces from Soge, who seems to have been really busy since the lock down restrictions eased. His style is similar to his compatriot Hire’s, but perhaps slightly less jagged.
Soge has knocked it out of the park with this piece. The SOGE writing is incredibly detailed and decorated with stars and bubbles. The background is a perfect colour for the main colours of the piece and the whole thing is very easy on the eye. You can see a little 2020 hidden in the letters too.
Something a bit new, or that I haven’t been aware of before is that Soge has started to include characters with his work, and to the right of this piece is a little Beaver with a speech bubble saying ‘I love furlough’. I’m not sure why the beaver has an axe with a bleeding blade, but it adds a little bit of edge to the cute character. This is a really nice piece from Soge.
Some pieces are so unexpected and so awesome that when you see them one is met with surprise and a little bit of confusion, and so it was for me when I came across this unbelievable geometric abstract collaboration from Piro and Epok in Dean Lane.
This very classy piece is what I would term a true collaboration, where it is impossible to unpick which bits were done by which artist. The piece is composed of three overlapping large triangles each with a different fill incorporating all sorts of designs, softened with a few circles. This is a really unusual piece for Dean Lane and is something one might expect to see at a street art festival. Perhaps it was created in lieu of Upfest this year. Pure joy.
For me, the best thing about the relaxation of lock down restrictions has not been my own personal freedoms… I have changed virtually nothing, but the appearance of Laic217 back on our streets with a vigour that is unparalleled. I have found five new Laic217 pieces in a fortnight, so expect more soon.
This vibrant red skull-face is clutching a spray can in its jaws set on a background of green cheeseplant-type leaves. I think that Laic217 needs to practice his leaf forms a little bit more (says the biologist in me) and look forward to more of this kind of background. Bold and interesting your face’ it is impossible not to see this striking piece. Bravo!
I love this fun piece from DFC1848 for a great many reasons. Primarily, we are witnessing the development of an artist from the early stages. DFC1848 is a street art hunter (a term I dislike) like me, who about two years ago turned his hand to spraying walls with his ‘stock’ character piece, following some work on stickers. He has been practicing and repeating his favoured character on a reasonably regular basis since then but the step change has occurred during lock down, where he was painting a new piece in his garden pretty much every day, with some rather spectacular results.
Now since the lock down restrictions have eased DFC1848 has painted this in Dean Lane, with a confidence of an accomplished artist. It is great to see. I really look forward to seeing some of the characters he practiced in his garden making it onto the streets of Bristol this summer.
As the lock down restrictions have eased, the street/graffiti artists in Bristol have started to get busy, and Dean Lane in particular has been a destination of choice. This colourful collaboration is from Crem, Nevergiveup and Kity.
First up is Crem and a confession that I don’t really know this artist at all and this is the first Crem post in Natural Adventures, although not the last I am sure. Crem’s letter shapes are unusual and nicely finished and the piece sets the tone for the whole collaboration with its attractive fills.
No need to introduce the creator of the rabbit in the centre of the piece as he is the most featured artist on Natural Adventures, and even then I have loads of unpublished pieces of his in my archive. I am of course talking about Nevergiveup. This bunny adopts the colour scheme and offers one of the best bunnies I have seen.
Finally we move on to Kity, who like Crem I know absolutely nothing about. It would seem that I need to do a little bit of homework here. What I can’t be sure of is whether these two are new on the scene or whether they have just been off my radar. Probably the latter… it happens a lot. Kity continues the colour scheme to give what is in its entirety a really pleasing collaboration.
I don’t know this artist’s street name, but I call him Taboo because I use the convention of naming him after the letters he writes. His Instagram account is @forbidden_association which doesn’t tell us much more about him.
This new piece in Dean Lane is really nicely done and incorporates Tom Cat from Tom and Jerry. The letters, which spell out TABOO, are nicely done and have a chunky heavy look about them which is typical of the artist. If you are looking for a light touch, fine detail and finesse, you are unlikely to find it here, and yet the character element of the piece has a much softer touch. A really nice and rather unusual piece.
Well, after a few weeks of riffling through my photograph archives due to the impacts of the coronavirus which slowed output of street art, I am pleased to say that things are improving. Artists are returning to walls being miindful of social distancing and over the last few days I have managed to take photographs of contemporary pieces, and where better to start than with a rabbit from Nevergiveup (@followmyrabbits).
This particular fellow is a Cabbit ot Rarrot and is a bit of a reshaping of the usual rabbit character into a carrot. Why? I have no idea, but probably becausee he can. This piece was one of several from the artist in a Dean Lane session recently and how refreshing it is to see new vibrant art happening again on the streets of Bristol.
Natural adventures 