A little while back I was walking home from the wonderful Italian deli in Montpelier, when this toadstool caught my attention. I instantly recognised it as a fungi piece by Dobz, who made a visit to Bristol earlier in the summer. I don’t know if she painted this one then or whether it has been her for some time.
Dobz, Station Road, Bristol, August 2025
I like it when artists leave behind a trademark character or object in spots around a city, almost as if they are ‘collectables’ to be sought and found. This toadstool is nicely presented, with some great blended shading, and the gills are very nicely observed. Artists like Dobz are always welcome in Bristol.
Slim Pickings, M32 roundabout, Bristol, August 2025
It is a very long time since I last posted anything by Slim Pickings (TES), not because he hasn’t been painting, but because I have been so squeezed by unbelievable volume of street/graffiti art being painted over the last few months. To make up for lost time, here are two pieces painted during the same session in August.
Slim Pickings, M32 roundabout, Bristol, August 2025
For a long time Slim Pickings would repeat the same basic form of his TES letters, rarely deviating from the archetypal form other than adjusting the fills and the odd accessory decoration. With these two pieces he has thrown in some slightly different designs. The one with the pink background is a bit of beauty.
I have mentioned a couple of times recently that Cort has been having a surge this summer, not only in the quantity of his graffiti writing pieces, but also in the quality of them. This is another example of his unusual writing style on one of the large wall spaces at Peel Street Green.
Cort, Peel Street Green, Bristol, August 2025
Cort has been playing with all sorts of variants of his letters this year, and this one spells out KORTOS. The irregular shaped letters are verging on the ‘anti-style’ form, but have enough regularity and recognition to remail as conventional graffiti writing. The fills are nicely designed to run through the letters in a coherent pattern. I love the two characteristic black spots on the ‘T’. The wall is sensibly buffed, helping the letters to really stand out on the irregular white background. This is a beautifully designed and presented piece of graffiti writing.
I have waited a long time to see this wonderful piece from Biers. Over the last few months, Biers appears to have lost his mojo a little and has been painting infrequently and tending to use the short-form version of his WD40 moniker. It happens for artists from time to time – you can’t be on top of your game all of the time.
Biers, M32 roundabout, Bristol, August 2025
I hope this piece marks a return of the longer form combination pieces that are so typically the wonderful work of Biers. I don’t know who the character is meant to be, but I really like him (looks like a teddy boy to me) and I love the way he contrasts with the colours of the letters and background. The fills in the letters are outstanding With some nicely done reversed out circles in black and gold. The res patterns look like little viruses wafting over the piece. All in all a great piece and one, I hope, that encourages Biers to return to his former glory.
Scrapyardspec, Cumberland Basin, Bristol, August 2025
When I look through my archives from this summer, I keep finding pieces by Scrapyardspec, and so what you see here on Natural Adventures is only a proportion of the pieces he has painted in Bristol. This one is a relatively recent piece created at a paint jam celebrating Werm’s birthday, and at which I met Scrapy for the first time.
Scrapyardspec, Cumberland Basin, Bristol, August 2025
The most notable thing about this piece is the inclusion of hair and the addition of rudimentary arms and feet. Scrapyardspec and I discussed his development a little and I think that now he has grown in confidence and has his archetype nailed, he can play around a lot more with his characters and improve as an artist. I am very much looking forward to watching his onward journey.
This is another clear and unambiguous message painted at the Bristol Mural Collective’s Palestine protest paint jam held last month on the long hoarding at Greenbank. The piece is by Rtiiika, which, although unsigned, is so characteristic of her style.
Rtiiika, Greenbank, Bristol, August 2025
‘Gaza is starving’ – ‘Let aid in now’, two messages that have been persistently ignored by the Israeli Government. Every day brings new stories of the war crimes being committed by the Israeli Government, and still the international community does nothing to stop this. Trump is impotent and has been played by Netanyahu. Is it only me that sees the parallels between the Israeli state’s behaviour now and their justifications, and the behaviours and justifications of the Nazis during WWII? Surely the irony isn’t lost? One might have expected more compassion from a people who experienced some of the worst persecution in modern history. BTW, this does not make me an antisemite, just in case anyone was wondering, but it makes me very much opposed to the fascist elements of the Israeli Government.
Sorry, but I had to go there. Normal service will resume immediately.
I would say that 2025 has been the year when Posh upgraded from being a bit-part player to a fully fledged star of the Bristol street art scene. His occasional little characters have developed into a diverse range of larger combination pieces that show off his unquestionable talent.
Posh, M32 roundabout, Bristol, August 2025
In this piece Posh has combined his mischievous toffee-nosed imps with some unusual writing, which I can’t read, both in his sketchy style. The writing is full of colour and movement and quite unlike any other graffiti writing I have seen before. His characters continue to amuse, and I particularly like the fellow riding the bicycle. This piece is clear evidence of Posh’s growth and development.
Over the course of this year, a new and rather memorable word has appeared in the form of several pieces of graffiti writing… the word is ‘PUTRID’. The convention I use when naming graffiti writers I know nothing about is to call them by their written word, so Putrid is Putrid until I know any better.
Putrid, Greenbank, Bristol, August 2025
This is a really nicely presented piece of graffiti writing with some nice letter shapes filled with soft blues and greys that bleed into one another. The thin black drop shadow and thin black borders are really effective, separating the letters from the yellow and orange bubbly background. Look out for more from Putrid here on Natural Adventures.
Benjimagnetic has had a rather strong late summer flourish with his nicely designed pieces dotted about the place. His letters GRO have superseded his preference for writing BEN in years gone by.
Benjimagnetic, Dean Lane, Bristol, August 2025
This is a rather nice chrome piece with the outlines and definition provided in a subtle lilac, which works remarkably well, with neither tone dominating the piece and indeed complementing each other rather well. Three little black patterns round off the piece nicely.
Tera and Kid Crayon (credit: Kid Crayon), Stapleton Road, Bristol, August 2025
I am going to break with tradition in this post and contravene my primary rule, that all photographs are taken by me. This is a rare occurrence and it has been necessitated by the fact that I visited this collaboration from Kid Crayon and Tera less than 24 hours after it had been painted, but I was met by a rather disappointing and talentless tag stating that Jesus loves me. While that may or may not be true, it rather scuppered my photo opportunity. Fortunately, Kid Crayon took some of his own pictures, and I have used them for this post. Exceptional circumstances.
Tera and Kid Crayon, Stapleton Road, Bristol, August 2025
This pair have been smashing it all summer long, but I think somebody has it in for them, because few of their collaborations have lasted more than a few days. The two outstanding portraits are painted in the dia de los Muertos tradition, although there are a couple of months before we get to that celebration.
Tera and Kid Crayon (credit: Kid Crayon), Stapleton Road, Bristol, August 2025
On the left, Tera, who I might remind you only started painting walls this summer, has painted a face that reminds me of the band Kiss in it’s makeup styling. He has created some superb depth in the contours of the face with clever reflections of the candles in the lips and cheeks. Utterly brilliant work.
Kid Crayon (credit: Kid Crayon), Stapleton Road, Bristol, August 2025
Kid Crayon, who has been mentoring Tera (and let’s face it has done a great job of that), has gone for a more traditional styling in the facemask makeup, with some nice flowers (mirrored in the hair) and black patterning. Lots of wrinkles in the neck and black nails on the ends of the woman’s fingers poised while she takes a drag on ger cigarette. Kid Crayon offers a slightly different take on candles, but both are superb. One of my favourite collaborations of the year so far.
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