With the very congested field of artists currently painting in Bristol, and the addition of Upfest and a trip to Porto, my cup overfloweth with captured images of street art (I am still covering June art!). It is important that in all this excitement I don’t ignore our good old regulars who paint day in and day out to keep our walls decorated.
Kool Hand, St Werburghs, Bristol, June 2022
This is a lovely piece in the tunnel from Kool Hand, featuring his orangutan character using a spray can with pink paint to decorate the tunnel walls. The piece is framed in a black bordered rectangle, which almost looks like a window into the orangutan’s world. A nice stand alone piece.
It has been observed by many that Andy Council is absolutely on fire this year. There seems to be no stopping him. Maybe he has more free time on his hands, maybe the commissions have dried up or maybe he is just getting out more doing what he loves with his friends. The upshot, whatever the reason, is that there are some sensational pieces coming from Andy Council and this double ammonite/nautilus piece is simply wonderful.
Andy Council, Dean Lane, Bristol, June 2022
What is interesting about Andy Council is that he seems to be really modest. As one of the best known artists in Bristol, he doesn’t seem to be ‘bigger’ than any wall, and he seems to be as happy painting smaller walls as he would be on some of the larger ‘feature’ walls. This playful piece has, I believe, been recently ‘augmented’ so I am happy to have got a clean copy of it. More to come soon.
This is the last in this short sequence of pieces from Porto, but for me they represent a fun departure from the focus on Bristol street art, and make an introduction to the different styles that you can find in different cultures around the world.
Mesk, Porto, Portugal, June 2022
The fact that I am sharing this piece with you at all can be attributed to the street art hunter’s philosophy of being guided by curiosity – what lies down that alley…? should I walk just a little bit further…? Had I not followed my instinct, I would never have found this magnificent piece by Mesk in an alleyway off the beaten track. The soft tones in browns and pinks, are a bit of as trademark of this artist, and work really well together. The cartoon-style is also really appealing. I have another couple of pieces by Mesk from this trip and look forward to sharing them with you soon.
Another prolific artist in Porto is Costah. What is really enjoyable about Costah’s art is that he has embraced the whole edgy culture of street art and seems to combine legal with non-legal walls and is equally at home with paste ups as he is with spray paints.
Costah, Porto, Portugal, June 2022
This cat, painted on a derelict building on a steep hill just north of the river is a really classy piece. Just by looking at it, you can see straight away that it is painted by someone who knows and understands street art. The stylised cartoon cat is a real charmer and seems to fit in so well with the sun-baked wall it is painted on. More too from Costah to come.
A prolific, and it would seem well respected, artist in Porto is Hazul. Over the three days that we were there exploring the city we encountered a hatful of abstract murals by the artist, some new, some old and some that looked like commissions. These are the first three…
Hazul, Porto, Portugal, June 2022
The first is a beautiful piece in black, white and red (the colours of early Decay pieces), with nice curvy lines and patterns. The crystal shape is almost like a signature and appears on a lot of Hazul’s work.
Hazul, Porto, Portugal, June 2022
The next piece looks more like a commission, and is nicely placed on the side of a building. The abstract shapes seem to have a consistent form and the colour selections work wonderfully well. This is a really carefully thought out and skilfully executed piece.
Hazul, Porto, Portugal, June 2022
The last of this mini-gallery is likely to make it into a Thursday doors compilation at some time in the future. The shapes in this piece are not unlike those in the piece above. Once again some great colours have been used. Hazul seems to be an artist who really knows and understands their craft. More from Hazul to come.
Although there isn’t the same kind of volume of street art in Porto as there is in Bristol, the range and variety of pieces is extensive and imaginative. These two pieces, by Carvalho, are studio paintings that have been framed and stuck to walls, carefully selected in various different places in Porto. I found these two, but I don’t know how many there might be, and there aren’t any references to them on his Instagram account.
Carvalho, Porto, Portugal, June 2022
The first piece has been placed on an orange-tiled wall, which I think was very carefully selected as it picks out the orange tones in the subject’s skin, and contrasts well with the purple hoodie. The piece itself is a stunning portrait of a young man, in which the proportions are perfect, Colours, tones and shading all combine really well, and as for the placement – this is truly spectacular free street art.
Carvalho, Porto, Portugal, June 2022
Carvalho’s other piece, that we found, looks like it has been around for a little while longer, as the frame is a little weathered. The canvass itself, though, still appears to be in reasonably good condition. Once again the placement of the piece has been carefully considered, and is on a rather neglected door, contrasting cleverly with the subject of his picture.
Carvalho, Porto, Portugal, June 2022
The portrait of a young child might not be everyone’s cup of tea, but it is certainly an arresting image that is worth a second glance. The perspective is unusual for a piece of art, but isn’t this how we see people smaller than ourselves? Once again, the tones and shading in this piece are exceptional. Two great finds of great works by a very talented artist.
There is something perfect about this picture, and it is one I like very much. It was taken on our first day of exploring Porto while we were just finding our bearings. I don’t know who the artist is, but his charming monster character reminds me a lot of Mote’s work in Bristol.
Unknown, Porto, Portugal, June 2022
The framing of the piece is what makes it so appealing, and while it isn’t exactly the best piece of street art you’ll ever see, it is highly memorable and simply good fun.
You might recall that almost two weeks ago I posted a piece by Whysayit, commenting that I haven’t seen much of his work in recent years. It would seem that he is becoming a little more active, and this is one of two pieces by the artist on the Bristol to Bath cycle track at Greenbank.
Whysayit, Greenbank, Bristol, June 2022
Whysayit has a very organic style, spelling out YSAE, with letters that look like they have been squeezed out of a tube. The colour combination is a bit iffy in my view, with a solid, pale sandy yellow for the letters and a turquoise blue for the deep shadow. Yellow and red colours have been splashed in for letter shadows and drips. This is an interesting piece that has elements of Miro or Tanguy in it. I’ll be on the look out for more from Whysayit.
Conrico has a fabulous touch. His work often looks more like a brush painting than one created with a spray can. I know he uses banana caps a fair amount, because he told me, and he gave me one once to try at home, and these might help with the level of detail he achieves.
Conrico, Brunel Way, Bristol, June 2022
The partially submerged turtle, swimming through foamy waves is beautifully painted, in particular the well observed colourful scales of the shell. I would consider Conrico to be a true artist who has obvious talent and has managed to upscale his work onto larger canvasses really successfully. A fine piece.
On my tours of different spots around Bristol, I have bumped into Mote several times now, and each time it has been a genuine pleasure to converse with him. I am really enjoying his solid fill monsters, each quite different from the last. It is always good to see an artist turn out variations of an idea instead of perfecting an idea, although both approaches are completely ok.
These two monsters are lurking behind a scooter stop, which I actually feel adds to the overall composition. It is as if they are looking after the scooters, and almost feels like a deliberate coming together, and the red colours match so well. I like the cartoon style that Mote uses that has the faintest touch of Gerald Scarfe about it – probably those swirly lines.
Natural adventures 