There are a handful of graffiti writers in Bristol that I would group together in terms of what they paint and how they go about it. They would include TES (Slim Pickings), Phour, Pl8o, Bnie, Mena and in this example Mest, to name but a few. What these artists tend to do is write the same set of letters, usually in a similar font or style, but play with the fills and decorations. This is graffiti writing, but not wildstyle graffiti writing which tends to be much more elaborate and unique each time.
Mest, M32 roundabout, Bristol, May 2021
I think that this piece from Mest is very nicely finished and has some unusual but rather nice fills. I particularly like the pink dots that offset the rest of it. The green border helps to lift the letters a little. Overall a pleasing piece.
I don’t visit this area nearly as often as I used to. In the olden days when I walked to the office (a dim and distant memory) I would often take a little detour up Nine Tree Hill and along Armada Place. My reduction in walking this way has coincided with a significant downward shift in turnover of pieces in the locality, indeed across much of the Stokes Croft area. It was rather a nice surprise therefore to come across these three little tag-pieces from PWA crew’s Face 1st, Soap and Nightwayss.
Nightwayss and Face 1st, Nine Trees Hill, Bristol, May 2021
I am a bit of a fan of decorating utility boxes, which in their regimented green or black monochrome colours are eyesores that pollute every street in every village, town and city in the UK. Decorating these boxes is not legal, but in my view most welcome, and in some cities around the world is actively welcomed or even commissioned… imaging that. The three pieces here are quick throw ups, probably painted in haste. The monkey is by Nightwayss, the face by Face 1st and the mouth/skull by Soap. These are the key signature elements of each of the three artists.
Soap, Nine Trees Hill, Bristol, May 2021
The three artists have decorated one box each and brightened up this little corner immeasurably. I am sure that some people will see this as thoughtless vandalism and be quite angry about it. This is the spice of life.
This is another piece from a paint jam in April this year on the long wall at Cumberland Basin. I have posted a couple of pieces from the collaborative wall already, but this one from Bnie is a little gem that I left behind.
Bnie, Cumberland Basin, Bristol, April 2021
I don’t know an awful lot about Bnie and have never had the pleasure of meeting her, but the more of her work I see, the more I like it. The element that she absolutely excels at is the 3D shadow fills, which are usually patterned in a way that few other artists do. It is the part that gives her away, no signature needed. The colour scheme was replicated along the whole length of the wall by all the artists but worked particularly well for Bnie. Always good to see.
This gorgeous piece of graffiti writing from Ryder very nearly got left behind in the archives, however I am trying to go back and dig out such lost treasures which is a real challenge due to the sheer volume of street art being painted at the moment.
Ryder, M32 roundabout, Bristol, April 2021
I haven’t seen too many Ryder pieces lately (until the day before yesterday, that is) but what he lacks in quantity he has more than made up for with quality. Spelling out RYDER, this is a classic piece of writing from the RAW man with five horizontal fills running through the letters and some rather nice black spot decorations. This is a really classy piece, and there is a little shout out to King Robbo which is rather nice.
This beautiful piece of calligraphic writing is from Todoaciem and a part of a large collaborative wall from an HMR crew paint jam a few weeks back. I have already posted the Dabuten Tronko piece from the same wall, and now it is the turn of Todoaciem.
Todoaciem, Sparke Evans Park, Bristol, May 2021
The wall itself can be problematic to photograph, because the sun shines through large trees, creating a dappled effect. The only solution is to come early in the morning or on an overcast day, but beggars can’t be choosers, so dappled pictures is what I have.
Set on a green smokey background, which is amplified by the light quality, Todoaciem has written the letters CIEM in the most beautiful font and with a heraldic colour palette. If medieval knights did graffiti, perhaps this is what it would look like. A hugely accomplished and brilliant piece of writing.
It would seem that with a little encouragement from Daz Cat, CD.TC has managed to get out and paint a little in the last few weeks, which is great to see, and here the two combine in this rather nice collaboration in the middle of the tunnel.
CD.TC and Daz Cat, St Werburghs tunnel, Bristol, May 2021
On the left CD.TC’s monster character is spraying upwards to creat the letters CD.TC and on the right a Daz Cat is dipping a piece of pizza into a can of something with GYS on the side. The cat has two left arms, don’t ask me why. I don’t know what GYS stands for in this piece, but a quick Google search revealed it can mean ‘Get your stuff’ or ‘get you some’ or ‘graveyard shift’. You can decide for yourself what you think it might mean in this context. A nice low-key collaboration.
It would seem that Laic217 has found some rhythm to his street work and is painting more regularly no than he was for much of the winter. This portrait of a rather gaunt character is tucked away on the swimming pool wall at Dean Lane, and is modest by Laic217’s standards.
Laic217, Dean Lane, Bristol, May 2021
There are some familiar elements in this character piece, but it does seem to mark a departure from skulls and skeletons continuing from his last Dean Lane character. Smoking and an exaggerated mouth gives this character a bit of a menacing look. All good stuff though.
This is the sixth and final part of the Six Sisters project in North Street, a series of six huge facade murals by six female Bristol artists, organised by Upfest. This final part of the series is by Alex Lucas, who has featured in Natural Adventures numerous times, and a gallery of her work can be found here.
Alex Lucas, North Street, Bristol, May 2021
This piece is an absolute beauty and brings the series to a great crescendo. Alex Lucas brings her illustration skills to the fore with these three poodles and a pug? In amongst some beautiful flowers and clouds. The vibrancy of the colours was enhanced by the gorgeous weather on the day I took these pictures.
Alex Lucas, North Street, Bristol, May 2021
The poodles (not my favourite breed if I am honest) are full of life and movement with suitably daft expressions on their faces. They are frolicking amongst the clouds and amazing yellow flowers. The whole thing resembles fancy bespoke wallpaper.
Alex Lucas, North Street, Bristol, May 2021
When Gemma Compton completed the first of these murals above the Upfest shop in June 2016, I don’t think anyone could have foreseen what a wonder this row of shops would become five years later. Bravo to all the artists and hats off to Upfest for giving the city this amazing landmark.
The ‘six sisters’ – Bex Glover, Alex Lucas, Zoe Power, Gemma Compton, Sophie Long and Ejits, North Street, Bristol, May 2021
The message from Rtiiika here is very clear ‘stop telling women to smile’. I must confess to being a little bit puzzled by the sentence. I like to think that I am reasonably well acquainted with issues of gender inequality, and sensitive to the political and societal pressures, but I don’t really understand this message. It might be something that I am unaware of, and if so need to understand better.
Rtiiika, Muriel Alleyway, Bristol, May 2021
The artwork is wonderful and adopts the characteristic long thin lines that Rtiiika uses in her work, this time in the form of her letters. The piece is capped off with a smiley in the centre in the colour of the original we are all so familiar with. There is a juxtaposition between this smiley and the message of the piece. I like the concept of messaging like this and wonder if she will do more of it.
