Tag: M32 Spot

2584. M32 Spot (53)

What a refreshingly different kind of collaboration this is down at the M32 Spot. Logoe and Haka have got together to produce this quirky and beautifully executed joint effort. On the left there is some really superior writing spelling out LOGOE in an attractive font style and with a great deep white shading to give it depth. I don’t have many pictures of Logoe’s work, but what I have seen I like.

Logoe and Haka, M32 Spot, Bristol, November 2019
Logoe and Haka, M32 Spot, Bristol, November 2019

On the right is a cartoon character ‘Lucky Luke’ – remember him? I never really got into Lucky Luke as a kid, I was always an Asterix and Tintin man myself. This Lucky Luke appears to be smoking a little Boris Johnson (or is it a Trump? it is difficult to separate the two these days), with the words ‘sit back and enjoy a fat one’. All good fun and nicely painted.

2565. M32 Spot (52)

This should be fairly quick and simple. Here we have a rather fun column piece by an artist called Zinso. Although I have a few pictures of his work from recent walks, he is a new artist to me and I have not been aware of him before the last couple of months or so.

Zinso, M32 Spot, Bristol, November 2019
Zinso, M32 Spot, Bristol, November 2019

Zinso seems to have a clear idea of his artwork and executes it cleanly to a rehearsed design (I am guessing), almost like a very fancy tag. Practising the same broad design builds up skills and technique. Zinso already seems well on the way to creating an identity. Look out for more from this artist.

2563. M32 Spot (51)

How lucky we are to have two such magnificent writers collaborating for a November 5th Guy Fawkes piece.

Remember, remember the fifth of November, gunpowder treason and plot. So the nursery rhyme goes and in keeping with tradition, this collaboration reminds us about the near destruction of parliament in 1605 by Guy Fawkes and his associates.

Another thing that rather resonates at the moment is the face mask for Guy Fawkes which has been adopted by protestors, often subversive, who rally against sitting governments or administrations – something we are seeing a lot of in the UK at the moment, but also globally in relation to the climate emergency or, for example, the protests in Hong Kong.

Decay and Ryder, M32 spot, Bristol, November 2019
Decay and Ryder, M32 spot, Bristol, November 2019

This piece is full of the fiery flames of bonfires and the two writing styles knit together rather well. It is unusual to see a writing collaboration arranged in this way, as we are more used to seeing the components side by side. I feel I ought to point out how stunning the flame fill in Decay’s letters is, quite awesome really. A nice seasonal collaboration.

2523. M32 Spot (50)

I may have said this before, but Zake really ‘owns’ these columns at the southern end of the M32 spot, and over time the pieces have grown in sophistication. This most recent piece is rather more elaborate and detailed than some of his work and is a great measure of his development.

Zake, M32 Spot, Bristol, October 2019
Zake, M32 Spot, Bristol, October 2019

There would appear to be a bit of a story happening – it is difficult to determine the gender of the central character, and with the prayer pose and barbed wire in the hair, this could easily be a representation of Jesus. It could equally be a female character praying for something. It would be good to know what thestory is, but not knowing does not detract from the quality of the piece.

2443. M32 Spot (49)

Well, here is something a little different from Nightwayss down at the M32 Spot. One of the columns transporting us to a warm skateboarding scene, an appropriate piece for this spot which is a DIY wet-weather skate park.

Nightwayss, M32 Spot, Bristol, August 2019
Nightwayss, M32 Spot, Bristol, August 2019

These columns are such a difficult place to paint a meaningful story, but Nightwayss does it with great skill and assurance, and just for good measure he includes one of his monkeys (as if he wouldn’t). This is a refreshing and wonderful piece from this prolific Bristol artist.

Nightwayss, M32 Spot, Bristol, August 2019
Nightwayss, M32 Spot, Bristol, August 2019

2417. M32 Spot (48)

In my archives I have some other pieces by this artist, Slakarts, but for some reason have not posted any of them until now. I would say that this piece is not typical of the other pictures I have by the artist.

Slakarts, M32 Spot, Bristol, August 2019
Slakarts, M32 Spot, Bristol, August 2019

The column piece is beautifully thought out, with a queue of stylised figures, each holding the one in front like they are doing a conga. I will make my own narrative up for this one preferring the idea that they are in an orderly line to tell Boris Johnson what ann utter **** he is… just saying. Look out for more from this artist (archive stuff) on Natural Adventures.

2403. M32 Spot (47)

It has been a long while since I last posted anything by Object…, but that might be because he has been very busy with retrieving boards from The Bearpit and running events at the People’s Republic of Stokes Croft gallery in Jamaica Street.

Object..., M32 Spot, Bristol, August 2019
Object…, M32 Spot, Bristol, August 2019

Object…’s work often looks pained and tortured, but especially so in this instance The disfigured fingers have a grotesqueness to them and in a strange way, I find the piece a little upsetting. Of course I don’t know the context of the piece, but it feels terribly troubled. Object… is very good at this challenging kind of artwork.

2389. M32 Spot (46)

Daz Cat is knocking himself out with some really wonderful and creative work at the moment and this fine lion column piece at the M32 Spot is a prime example.  The quote at the bottom would have remained a mystery to me, but luckily Paulh121 wrote up this piece on his instagram feed and had this to say (sorry Paul for borrowing your words, I hope you don’t mind):

‘Ye Are Many They Are Few Ye Are Many’ and so says @dazcatgraff and indeed so did English poet Shelley back in 1819 when the poem ‘The Masque Of Anarchy’ from which this quote has been taken, although it wasn’t published until 1832.

Daz Cat, M32 Spot, Bristol, August 2019
Daz Cat, M32 Spot, Bristol, August 2019

The piece itself is full of movement, emotion and I might say rage, perhaps a commentary about the terrible times we live in, and the catastrophic and selfish Prime Minister who will lead us to misery for the many and prosperity for the few. Even if the piece has nothing to do with that, it at least inspired me to say it.

2368. M32 Spot (45)

Zake pretty much owns these columns under the M32, and what is amazing is that so many of them are still there after more than a year – a tribute to his work perhaps. In this piece, one head is being consumed by another which looks devilish/vampire-like.

Zake, M32 spot, Bristol, July 2019
Zake, M32 spot, Bristol, July 2019

I do like Zake’s work very much, especially the faces created out of three or four tones of paint, however this one misses the mark ever so slightly for me, there is something not quite right about the teeth in the top head that I find distracting. I think I am being a little picky because this is a good piece, but just not one of his best. Looking forward to more from Zake.

2336. M32 Spot (44)

It has been a little while since I last saw a piece by Zake, and this little gem is exactly what we’ve seen from him before except for one thing… hair. He really has nailed the format of these column pieces and this one is rather special.

Zake, M32 Spot, Bristol, July 2019
Zake, M32 Spot, Bristol, July 2019

I have looked at it a lot, and can see it in two forms. One as a woman with voluminous black hair, and the other as a woman with a hijab. Both are beautiful. It is great to see the artist return to the spot where I first became aware of him.