Silent Hobo, I have said countless times, manages to paint scenes and characters that represent the beating heart of the city of Bristol. He captures a mood so well through his observations and translates them into identifiable things about the city so that you can say ‘hey I get that’ when you see his work. I have a feeling although I can’t be 100 percent certain that the writing is by Logoe.
The main scene shows a fox (a famous Bristol fox) overlooking a cityscape where there is a lot of construction work taking place. There is a tree growing out of a cardboard box, maybe representing some kind of hope for the future.
The writing is in a slightly different style and since Logoe and Silent Hobo collaborate a lot, I am guessing that it is by Logoe and I think it spells out his name, but it is not entirely clear. A lovely collaboration from September 2019.
Rezwonk is one of the most productive artists in Bristol, or at least was pre-coronavirus, so it is inevitable that I haven’t been able to post all his works as we go along, or there wouldn’t be any room for anyone else. This pause on activity on the streets has enabled me to catch up a little.
As always with Rezwonk, this piece is on point in terms of design and execution. I would point out though that the colour selection either of the piece or the wall is not ideal as the whole thing looks a bit lost. If it were on a lighter background it would probably stand out a little more. (Splitting hairs… sorry). Always great work from Rezer.
This is a gorgeous piece of block lettering on the M32 cycle path from Dott Rotten. I took the photograph on 30 March 2019, and the photo label is ‘Brexit Day’. How my heart still bleeds about the unbelievably bad decision our country has taken, now amplified by the need to work together following the coronavirus outbreak. I suspect our folly (or otherwise) will be scrutinised by our grandchildren, by which time we might have recovered from the economic shock.
Meanwhile, this beautiful piece is expertly sprayed and demonstrates the crossover between graphic design and spray painting. Dott Rotten has used the brick lines to get the proportions of his letters correct, but this piece excels in its 3D letter depth off to the bottom right and the block letter shadow off to the bottom left. Take a good long look to see how this works. A nice clean piece and something a little different.
Aah, it is so easy to forget how bright and shiny (or shite and briney as an old colleague of mine used to say) this collaboration was when it was painted. Its quality has stood the test of time and it remained untouched for a very long spell – I think it has finally been painted over.
The collaboration on the M32 cycle path from 2018 was painted by Dot Rotten (SPOILT), Sled One and Smak. Dot Rotten is an artist Idon’t think I have posted before, but while I have been going through my archive recently I have spotted quite a few of his pieces, so expect more in the coming days/weeks.
Sled One has done here what Sled One does everywhere and that is turned out a high-quality character piece with great panache and style. The skull s beautifully drafted and has an animated humour about it. A nice touch to have an ASK speech bubble coming out of the cigarette.
On the right hand side of the collaboration is a clean, crisp and straight forward Smak piece which stands out from the wall thanks to the yellow outline and bright highlight spots. The whole collaboration has been painted on a shared background and colour selections and was a welcoming sight on this stretch of cycle path.
Oh what a beauty from Rezwonk on the M32 cycle path. I think that the most prolific artists are at greater risk of having work that I struggle to post. One of the reasons for this is that I like to present a representative spectrum of the street/graffiti in Bristol and so if an artist paints three walls in a week, I will reserve a couple of them to post at a later date… this is a later date, a much later date.
I really love this piece, the colours, the letter style and the details. Set on a flame-coloured background of Rezwonk ‘R’ tags, the letters are supported with a deep 3D shadow that seems to have a vanishing point somewhere behind the ‘Z’. The finishing touches of cracks in some of the letters adds even more interest to the whole thing. Classy.
Back to more familiar territory with this absolute stunner from Hemper at the M32 from March 2016. Although it is obvious now to see the letters HEMS, at the time I took these pictures I was less familiar with Bristol artists and in particular the wildstyle writers, so I probably didn’t post this beauty because I didn’t know the artist,
I cannot begin to articulate just how good this piece is. The letter style is outstanding, but it is the horizontally graded fills with drips and dots that makes this piece special for me. A very classy piece from a top Bristol artist.
Right, so we are going to return to the now for a little while, after a short Covid-19 induced excursion through the archives. This recent piece from Smak at the M32 roundabout is really clever.
The overall effect looks like it has been partially scrubbed by some ‘do gooder’ trying to clean the wall, but it is designed to look like this, which when you consider it, is quite amazing. Clearly recognisable as Smak’s work, his style and class shine through in this original lock down piece.