I believe this to be the first time I have posted a piece by Seam, and I know little of the artist other than that he paints with Seed and Bugz, with encouragement from Zinso and Asre.
This piece is a nice combination of letters and characters spelling out Seam, where each letter is rather an animal or a face. That the whole thing is painted in grey tones with a green background is both adventurous and inspired. A fun piece – I look forward to more.
Seed is working really hard to make an impression on the Bristol street art scene. He is being brought on by Zinso and Asre and often paints alongside Seam and Bogz. It has been a long while since these walls have been painted, and with any luck others will follow in Seed’s footsteps.
Above the large lettered piece Seed has written ‘Look mum I am a doctor’, which is rather touching and fun, and his letters include the DR letters in front. The whole piece is a little crude, but as I said before, I think that Seed is a diamond in the rough, and if he keeps on practising, he will go far. A bright and bold piece.
I noticed that while I was away on holiday, Creamylines has been posting a few videos of him painting his work about the place. I hope that now I am back I will be able to find some of them.
As ever, his work intrigues, with such a unique style that is particularly well-suited to columns, like this one under the M32. In a bit of a departure from most of his pieces, Creamylines has included a seascape into his work, giving him the opportunity to introduce a fish into his ‘stained-glass’ world. Some interesting characters and figures look on.
We are in the midst of another Logoe blitz, that is to say that a couple of weekends ago he visited Bristol and dropped in excess of six pieces about the place, which is the way he rolls. He saves up all his painting energy, there aren’t many opportunities where he lives in Wales, and paints for England on his weekend visits to our city.
This is a particularly nice example of his script writing style – a lovely clean piece in beautiful copper tones, really brightening up this fairly dreary spot that still bears the smoke damage on the ceiling from an arson car blaze in this little underpass a couple of years ago. Logo is a Trojan, who simply doesn’t know when to stop, and I love it.
I have a feeling that the very first Solar piece I became aware of was in this spot a few years ago, and this recent piece shows how the artist has improved enormously in a really rather short space of time. This one was painted alongside PLB stablemate Whysayit.
something went a little wrong with my processing of the photographs, but the first one is a much truer representation of the colours of the piece in the underpass. The letters spell out SUNSHINE in gorgeous shades of orange, and has a very deep 3D drop shadow, characteristic of Solar’s work. This is a bold and cheerful piece, perfect for the summer vibes.
This is rather a special piece from Whysayit, because it is unusual to see anything by him quite as big and bold as this one, and to see his work on a (partially) buffed background. The anti-style letters spell out YSAE (why say), which stand out really well.
Although nicely finished, there is something quite raw about this piece, especially in the translucency of the orange colour, a colour, along with yellow, that can (depending on the brand of paint) be rather thin. I don’t know if he was running out of paint, or whether it is a feature, but the tail of the letter ‘E’ is finished off in white, in throw up style zigzags. The letters are finished off with a rather nice 3D drop shadow in dark blue with vertical green stripes and a clean white border. A very nice example of Whysayit’s work.
Conrico has been so productively lately with commissions, painting walls and the Cheltenham Paint Festival. It is lucky really that he is so passionate about what he does and that he really enjoys it. He is currently going full tilt on his Japanese influenced pieces, including this lovely landscape/writing combo.
Conrico has a great story behind his moniker, which is essentially a school corruption of his name which has stuck, a bit like Scooj which I use as my pseudonym. The letters CONRICO are dominant in this piece and are influenced by the katakana alphabet, and float over a stunning landscape of a snow-clad volcano (Fuji?) and cherry blossoms in the foreground. A wonderful piece.
I love it when I start to notice an artist that I hadn’t been aware of, but has been out there for a little while, and Omie_wan_kenobe is one of those. Now that I am aware of the artist’s presence I am seeing their work everywhere, and the best thing about Omie_wan_kenobi’s work is its variety and lack of a ‘house’ style.
This piece, in the burnt out tunnel, is big, bold and rather unusual. The fill paint is rather thin, and the Klashwhensober piece beneath it is clearly visible, and almost passes for a fill pattern. I don’t know whether OMIE is said ‘oh my’ or ‘omee’, but I guess the ‘wan kenobi’ would suggest the latter. Watch this space for more from this emerging talent.
It feels like Raid has been really upping his game lately, both in frequency of painting and in the quality of his work. When I first saw this piece, I said “oh yes!” under my breath, knowing that I was looking at a really classy piece of writing that has come about through hard graft and honing of skills. Watching Raid’s development is a joy and a pleasure.
It is impossible to ignore the brilliant fill pattern, which although quite simple in concept is beautifully executed and really effective… it has the ‘wow’ factor. The letters RAID are in a rotationally symmetrical form, a form that Raid has used several times before. An outstanding piece of graffiti writing.
There are a multitude of reasons why street/graffiti artists go through productive and non-productive phases, sometimes to do with friends, family and relationships, sometimes location/geography, sometimes employment, sometimes mental/physical health issues and sometimes simply falling in or out of love with it. I am pleased to report that Mr Riks seems to have found a rhythm and has been out and about a fair bit recently.
This is a spot, where Mr Riks has painted before, alongside his friend Silent Hobo. This time it is a solo piece, and a very nice one at that. Some great colours in the distinctive bubble script writing, with a couple of cheeky characters peering on. A great piece from an accomplished writer.
Natural adventures 